Vectorworks is an award-winning design and BIM software provider serving several industries in 85 countries. Built with designers in mind, Vectorworks software offers the freedom to follow your imagination wherever it leads you and presents a platform built to deliver absolute creative expression and maximum efficiency. Globally, more than 685,000 users are creating, connecting, and influencing the next generation of design with Vectorworks on Mac and Windows.
Since its founding in 1985, Vectorworks’ software has always been a 3D modelling program devoted to helping designers express their visions more clearly to their clients and collaborators and to design without limits.
From the beginning, Vectorworks has played a critical role in the CAD field, having created one of the very first CAD programs, one of the first 3D modelling programs, the most successful CAD software for the Mac OS, and the first cross-platform CAD application to market. Vectorworks was also one of the first in the design industry to introduce BIM capabilities to our software offerings and was the first major BIM authoring platform to run natively on Apple’s M1 Family of Chips.
Today Vectorworks has evolved into a sophisticated suite of products that address a wide range of needs, from fundamental drafting and modelling to advanced design, documentation, and analysis.
Our product, Vectorworks Architect, allows interior designers to collaborate with other project stakeholders in one central platform, minimising errors that can occur when transferring between various platforms and software programs.
Vectorworks Architect also provides interior designers with built-in templates and reports to assist with not only commencing projects but also with the ease of extracting relevant and needed information.
The simplicity of the interface allows for the incorporation of plug-in tools from a wide range of partners to make the design process a complete one. From space planning layouts, design intent drawings, and construction drawings to spreadsheets and rendering capabilities, Vectorworks Architect includes a wide range of resources, ensuring you have the best possible opportunity to convey your design idea to your customer.
Vectorworks’ software offers designers new tools and resources built on cutting-edge technology. These advances allow users to showcase their designs to clients in new and exciting ways. For instance, our recently updated Nomad mobile app features Apple’s room scanning framework, RoomPlan, allowing users to quickly scan an existing room layout using their iOS mobile device to create a robust reality capture that is accessible and easy to use. Plus, presentations for tours and boards created in Vectorworks Cloud Services can be shared with collaborators and clients with a QR code, link, or email.
Vectorworks offers improved accuracy throughout the full design process compared to older, traditional processes. Data management, visualisation, and revisions are all simplified by offering and centralising everything in one comprehensive program.
In addition, Vectorworks is known for its flexible approach to designing, with a wide range of modelling capabilities such as history modelling, Nurbs, subdivision, and parametric tools capabilities. Designers can spend more time designing without letting their software or tools hinder their creativity.
As a company, we work with interior designers in many ways, and as an industry specialist, I have the chance to speak to designers on a regular basis. We have online and in-person training opportunities from one on one to group sessions. Vectorworks University also allows designers to learn on their own schedule and obtain necessary certifications.
For companies that are transitioning to Vectorworks, we also over a tailored approach with support to get the workforce up and running in a very efficient way through consultancy.
By joining organisations such as SBID and attending tradeshows, we frequently network with designers from various sectors, such as residential, retail, hospitality, commercial, and more. It gives us a chance to hear feedback and ensures our software is always evolving to include new features.
To conclude, as one of our company’s core values, inclusion is something we continue to strive to promote and foster. As part of this, our DEI (Diversity, Equity, and Inclusion) Committee is dedicated to supporting the interiors sector by sponsoring or donating to charities and initiatives looking to improve access to this industry for all individuals. For example, so far, we have worked with the United in Design Charity, and we continue to remain open to additional opportunities to get involved and give back.
It’s very hard to select just one highlight as we’ve had many exciting developments over the past year. We launched the latest version of our software, Vectorworks 2023, which focused on reengineering some of the core architectural tools, expanding our interoperability with additional file format imports, and offering additional modelling capabilities for quicker design creation.
The launch of this release also included a customer Design Day event at Euston Square, London. This event offered designers the opportunity to speak directly to Vectorworks CEO Dr. Biplab Sarkar and other executives about their experience with the software.
In addition, we launched our Vectorworks Embodied Carbon Calculator (VECC) to assist designers in their steps to design and execute more sustainable projects.
We also successfully changed our purchasing options to subscriptions, giving customers the freedom to manage their licences as their workload pauses or expands.
The list continues, however, the final highlight I would like to mention is our sixth Vectorworks Design Scholarship. There were over 1,000 submissions and scholarships were awarded to 30 students for 22 projects in the architecture, interior design, landscape, and entertainment industries.
The winning project of this year’s grand prize was interiors focused, with Michelle Wanitzek taking home the coveted Richard Diehl Award for her project ‘Nomad Coworking.’
In the past year, there were a lot of requests for Crittall openings; doors and windows, and an increase in setting up company standards to improve efficiency.
However, one of the latest trends I have noticed this year is a demand for extracting data from a CAD/BIM model.
Once the designer has conceptualised their project within Vectorworks, with custom data attached and object parameters set, exporting the necessary information to create types or reports, schedules, and legends is fairly straightforward.
We currently have many tutorials and webinars focused on the topic of data within Vectorworks University for those who want to elevate to the next step.
There has been a lot of discussion regarding reducing our carbon footprint in all the various industries we support, and the interiors section is no different; whether it’s at a tradeshow or through a customer project – I can see that there is an emphasis on doing better for the planet and making a difference, with a circular design; reusing, recycling and innovating new products from waste. There is a sense of urgency regarding sustainability, and I believe this will continue.
In addition, we are still recovering from the pandemic and developing new ways of living and working. There is also a need to create spaces that sustain an excellent quality of well-being and wellness. So, whether the focus is on air, light quality or just making sure that there is a varied layout option to suit the different business and social needs, adaptability and flexibility are key.
We recently transitioned our purchasing options to subscription licences, which can be purchased directly from our website. This is extremely exciting because we have the opportunity to release new tools and features more frequently. Not only that, but this has been a popular request from freelancers and sole practitioners over the past several years. Now, these designers can factor the lower subscription fees directly into their business structure as they work on various projects.
Moreover, at the moment, there seems to be a real buzz around the hospitality and retail industries and using those industries to drive consumers back out. This is especially exciting for me as I will be creating a new example file for designers in these sectors with specific tips and tricks so that they can continue to design as effectively as possible.
For other sectors, there are also example files on Vectorworks University, so I encourage everyone to explore those resources.
As an individual and an interior architect, the SBID offers a wide range of network opportunities that allow me to be among like-minded people and discuss topics that affect our industry.
As a company, it means a lot to support and maintain the quality of the industry by offering high-caliber CPDs and training amongst the members.
Questions answered by;
Kesoon Chance
Senior Industry Specialist – Interiors, Vectorworks
About Vectorworks
Exceptional design demands exceptional tools – a platform built to deliver absolute creative expression and maximum efficiency. Vectorworks believe your design software should offer the freedom to follow your imagination wherever it may lead you, to seamlessly share your vision at any phase, and to easily interpret the information needed to make the smartest decisions every time.
If you’d like to feature your project news here, get in touch to find out more.
If you’d like to become SBID Accredited, click here for more information.
Opitome is a one-of-a-kind luxury hardware concierge that boasts a rich heritage in both traditional and modern architectural hardware design and manufacturing. Our team of qualified and passionate experts, possess unparalleled knowledge of specification, design, and quality craftsmanship.
Through consultation and supply services, we work with interior designers and architects from around the globe to deliver the highest quality, luxurious fittings that meet their specific requirements. A full support service which includes detailed door and window scheduling.
The Opitome brand was founded in 2013 by a team of experienced architectural ironmongers who recognised the lack of flexibility and customisation with regards to hardware, offered to specifiers within the industry. We set out to create a company that could provide unique, tailored solutions for each client’s individual needs, along with unrivalled support.
Opitome’s hardware concierge service sets us apart. This bespoke service helps clients navigate the technical and aesthetic specifications of architectural hardware, ensuring that each project is completed to the highest standard possible. Today, Opitome’s combination of high-quality hardware solutions and exceptional customer service makes us the go-to choice for designers and architects looking for a reliable and trusted partner for their architectural hardware needs.
Our extensive portfolio includes door and window fittings, cabinet hardware, and other interior and exterior fittings made from the finest materials such as brass, bronze, leather, and resin. Our products are not only functional but also add an element of luxury and style to any project, enhancing the overall interior design aesthetic.
When it comes to Opitome’s service, firstly our qualified team has extensive knowledge and experience in architectural ironmongery, and work with a wide range of high-end manufacturers in the UK and overseas to provide the finest fittings on a global level. This allows us to provide a wider portfolio of products and solutions to clients, with the ability to tailor bespoke options to meet specific design briefs, timescales, and budgets.
Our team provide exceptional customer support and advice, including a complimentary detailed door and window scheduling service, we will organise samples and swatches, onsite support and provide a centralised procurement service to help clients streamline their supply chain and ensure that all fittings are delivered on time and within budget. We also provide expert advice on the correct specification of locks, latches, hinges, and other associated fittings, helping clients to avoid potential issues and the reassurance that their projects are safe and functional.
Finally, Opitome’s passion for craftsmanship and hand finishing is evident in our products, ensuring that each fitting is of the highest quality and built to last.
Opitome understands the complex challenges faced by designers and architects in managing multiple suppliers per project, especially when it comes to the technical specification of architectural hardware. Getting it right is not only an investment for the client but also impacts the reputation of the designer. Aesthetics and functionality must be balanced, which can often be a daunting and very time consuming task.
This is where Opitome comes in. We provide the technical assurances and help with time management for designers. We become an extension of the team, working closely with designers to provide the right solutions quickly, whether it is regarding the design, price point or technical aspect. With Opitome, you are in safe hands. Our years of experience and expertise in the industry have earned us a loyal client base. We help elevate interior design projects to new heights with our unparalleled services and solutions.
We work closely with interior designers to understand their vision, timescales and budget for a project and provide tailored hardware solutions that complement the design aesthetic while meeting practical requirements such as security and accessibility.
Organising samples can be time consuming, especially when short notice is given, so our support in sourcing and delivering samples and swatches, often hand-delivering them at short notice, is always appreciated by our clients and helps to ensure that projects remain on schedule. Our all-inclusive approach means that we will write the detailed schedules to include all associated products such as locks, latches, hinges and so on. This not only free’s up the time for the design teams but also provides the assurances that everything will be fit for purpose and within budget. Finally, we ensure that the goods receive one final quality check at the Opitome offices, before being packed into labelled door sets and sent to site or the client.
The company has gone from strength to strength and there are many significant highlights. I’d have to include the successful completion of several high-profile projects, including luxury residential developments in Mayfair, Kensington and the Cotswolds, where our teams consulted and supplied all hardware throughout. Plus a major commercial office building in the Middle East, along with a royal Palace! We hold a really strong mix of specialisms.
Our team is also growing and Natalie Kelly joined us at the end of 2022 as Opitome Client Relationship Manager, with a specific focus on the interior design partners. Natalie comes with much experience within the industry and from a luxury hardware manufacturing background, bringing a different aspect to our team strengths. Her client centric approach ensures we’re continuing to provide the best level of support as our company and teams grow.
In the last year or so, there has obviously been an increased focus on the use of natural and sustainable materials in luxury architectural hardware design. This has led to an increase in the popularity of quality, more robust materials such as brass, bronze, and leather.
In terms of finishes, we have seen a continued trend towards the use of matte and brushed finishes, as opposed to high-gloss or shiny finishes. This gives a more understated and refined look to the hardware. Antique Brass also continues to be as popular as ever.
Another design trend that has emerged is the use of organic and fluid shapes in architectural hardware design. Rather than the traditional geometric shapes, we are seeing more curves, twists, and asymmetrical designs. Although the classic designs are still extremely popular, particularly in the antique brass and dark bronze finishes.
Finally, there has been an ever growing interest in customisation and personalisation of architectural hardware. Clients are looking for unique and bespoke designs that reflect their personal style and taste, and manufacturers are responding by offering more customisation options.
The interior design industry is constantly evolving, and trends are likely to continue shifting towards sustainable, natural materials and innovative technologies. Designers who stay ahead of these trends and adapt to changing client needs will be well-positioned for success in the future.
As people become more conscious of their environmental impact, the interior design industry is likely to continue evolving towards a greater focus on sustainability and eco-friendly materials. This trend has already been seen in the increased use of natural materials such as wood, stone, and plant-based fibres in interior design. Not only are these materials more sustainable, but they also add a sense of warmth and comfort to spaces.
In addition to sustainable materials, technology and innovation are expected to play a significant role in the future of interior design. Smart homes, for example, are becoming increasingly popular, with homeowners using apps and voice control to control their lighting, heating, and security systems. A very interesting time.
We’re thrilled to again be working on some incredible projects this year, and we’re currently busy writing schedules and organising samples for sign off, to ensure everything runs smoothly. We have a range of exciting overseas developments lined up, as well as work across London and the rest of the UK. Our focus remains on maintaining strong relationships with key manufacturers, so we can develop products that truly meet the needs of our clients. We’re always listening to our customers and looking for ways to further improve our service, so we can provide even better support to our partners.
In addition, we’re excited to announce that this year marks Opitome’s 10th anniversary! To celebrate this milestone, we’ll be collaborating with select partners to develop new and innovative designs. We’re constantly pushing the boundaries of what’s possible with architectural hardware, and we can’t wait to see what we’ll achieve together in the years to come. So watch this space!
Opitome is proud to be an SBID Accredited Industry Partner, which is a significant achievement and reflects our commitment to providing high-quality, innovative hardware solutions for the interior design industry. We are proud to have met the highest standards of professionalism, quality, and customer service required to become a partner.
Being an SBID Accredited Industry Partner is not only a recognition of our achievements, but it also provides us with a platform to connect with other industry professionals, attend networking events, and participate in prestigious awards programs.
These events are a great opportunity for us to showcase our products and services, collaborate with other experts in the field, and keep up-to-date with the latest industry trends.
In short, being an SBID Accredited Industry Partner is an important part of our commitment to excellence, and we look forward to continuing our relationship with SBID in the years ahead.
Questions answered by AJ Powell, Founder & Director, Opitome.
About Opitome
As industry leading experts, we specialise in the consultation and provision of truly exceptional door, window, and interior fittings for high nett worth projects globally. Providing a fully complimentary service, you will benefit from our 360 degree approach. From design concept through to after project care. We’ll work with you to understand your design brief, take care of organising samples and swatches, create detailed door and window schedules, provide technical and onsite support and much more. This is where we are exceptionally different. We look forward to supporting you on your next project.
Award winning and WELL certified Interior Designer, Emma Webb, is passionate about designing for the wellness of her clients and focuses on delivering restorative spaces. Her creative vision and expertise in implementing the principles of Biophilic design and Nudge design result in interiors that are beautiful, restorative and supportive of positive lifestyle choices. Over a 25+ year career, Emma has built an extensive portfolio of distinctive projects in Ireland and Internationally. Emma’s qualifications include a Bachelor of Arts in Psychology, WELL Building Standard professional accreditation as well as certificates in Biophilic design, Healthier Materials and Sustainable building.
I was always arty and had planned on being an artist when I left school. But my parents told me to get a “proper” degree before I could go to Art College, so I did a degree in Psychology at University College Dublin. It was here that I learnt how much people were impacted by the natural and built environment and so I went on to study Interior Design and open my design practice in my early twenties.
Whilst working on every project is invigorating, I really enjoy the energy and camaraderie encountered on our building sites. I work with many skilled tradesmen and artisans, and I love to see what they produce and to learn from them.
Achieving Business All-Star Accreditation and being named South Dublin Interior Design Company of The Year 2023 by the All-Ireland Business Foundation.
I love a tricky building that needs to be completely remodelled for today’s busy lifestyles. I can lose myself for hours as I imagine myself in a client’s shoes working out how to best use the available space.
Lead times for materials can be very challenging especially here in Ireland, where we are at the mercy of weather impacted sea crossings. So our building programmes often require careful monitoring and good communication with clients, keeping them up to date.
I wish I had appreciated the power of marketing! When I was setting up my business we didn’t have social media to publicise on. We relied on referrals for new projects as well as sometimes investing in advertising or editorials in glossy interiors magazines, which was very expensive. This meant that we really overlooked the power of advertising in the early days.
Don’t build toxic interiors! Understand what your materials are made from and how they are produced. Research their impact on the environment and on people’s health.
Wellness interior design and Biophilic Design are still very much on trend – although I think that this is more of a movement than a trend and here to stay. So, I think we will see more responsible sourcing of materials and a focus on health and sustainability developing over the coming years.
I’m really proud to be accredited by SBID. When you are self-employed it’s easy to forget to celebrate any success and so thank you for reminding me that after 28 years in practice, weathering a global recession followed by a pandemic and then a war, that I still love what I do!
Questions answered by Emma Webb, Founder, Emma Webb Design.
About Emma Webb Design
ARCHITECT@WORK London is all set to return to the Truman Brewery, right at the beating heart of the Architecture & Design Community on 22nd & 23rd March. With over 200 carefully selected product innovations on display, the 2023 edition is packed with inspiration.
During this annual appointment, the talks programme will focus on a very hot topic: Energy & Ecosystems. With trend-setting sessions on how architecture and interior design can actively contribute to energy saving in a creative way.
With a minimum of time and effort, you can easily expand your technical knowledge at A@W London. Every stand has got experts present to give you insights on how to best use the innovations.
Complementary catering in the unique setting are included during this two-day trade event aimed at architects, interior designers, project developers and other specifiers.
A@W encourages networking and downtime as well as deal making opportunities!
Admission is free for all trade visitors. Attend the London edition of this internationally renowned event and register online.
On International Women’s Day, we wanted to recognise female entrepreneurs in the industry. This year, we would like to shine a spotlight on Honghui Liang, the Managing Director of Liang & Eimil. A husband-and-wife team of two, Honghui and Frank established their company to bring much-needed modernity to the interior design industry in a world dominated by ornate furniture and shabby chic homes.
Liang & Eimil takes pride in creating expertly crafted designer furniture, lighting and accessories. They offer clients innovative solutions for interior design and hospitality sectors. “We pride ourselves on the fact that we constantly innovate and bring new designs to our customers, exploring new materials and styles.”
Commemorating the feminine spirit, Liang & Eimil sheds light on the affects that build the environment every day, not just on March 8th. The choice to highlight Honghui and her dedication to embrace equity was taken for this year. Join us as we investigate methods for fostering inclusion, inspire you to start your own business, and offer you curated content that includes an exclusive interview.
According to Honghui, being a successful entrepreneur requires dedication, hard work, and perseverance with a strong will. It must serve a purpose. She is most proud of building Liang & Eimil from the ground up during a ten-year period.
Honghui explains how she has always been very independent ever since she was a child. She is a doer and achiever, always keen for an adventure. In 2009, she relocated to London to join her husband, Frank Eimil’s business and says, “I adore interior design and the pieces my husband creates. He is a wonderful designer, and I am good at running a business, so we are a perfect combination”. She adds that she is extremely proud of the brand they have both built together, claiming that their complementary skills are the key that has led them to where Liang & Eimil is today.
Prior to moving to the UK over ten years ago, Honghui worked in a variety of fields. She was a consultant for many Italian companies looking to expand into China, and she also ran her own business with a friend in the oil and gas industry. She says, “I am enjoying more of what I am doing now because I believe I am creating something meaningful.” Liang &Eimil’s mission is to bring luxury lifestyle into the lives of people and change the way they live and feel at home. Their objective is to make an ordinary day a memorable one, with the luxury of comfort, elegance and enhanced way of living.
When asked about the gender shift in leadership roles, Honghui believes she has seen a transition from male dominant to more female leaders since starting the business, as she noticed an increase in the number of companies led by women. “I believe the difference between male and female leaders is that women prefer a more collaborative approach of leadership by nature, whereas men tend to lean towards a command-and-control style.”
On the topic of fair and equal working environment, Honghui encourages impartiality by ensuring that no hidden characteristics are used to discriminate against employees. She also proposes that equal access to benefits and working conditions for all employees, as well as fair and consistent hiring and promotion procedures be established. Lastly, fair processes and procedures are to be set for dealing with employee grievances and disciplinary issues.
Often, there is the double-bind dilemma for women in leadership. Gender stereotypes frequently undermine women’s ability to lead. Men are seen as being strong, decisive and assertive when they take charge, while women are seen as competent but unpopular when they do the same. Women leaders frequently exert twice as much effort as males for the same accolades. Honghui thinks this needs to change as she stated, “to give more women the chance to succeed at all levels, in all occupations, and in all spheres of life, it is time to rethink what it means to be a leader. We ought to evaluate each employee according to the same criteria.”
The most difficult challenge they faced was when their warehouse caught fire. All their inventory was destroyed, but they remained calm and overcame the hurdle. They were lucky that everyone around them were very understanding and supportive, including their customers. “While faced with a challenge, it is important to discuss transparently to arrive at a solution.”
Work life balance is also another of Honghui’s constant battle. Being a family orientated individual, Honghui tries to spend as much time as she can with her family while balancing the two things that are most important to her: her family and her business. But how does she manage it? She says, “It’s nearly impossible to strike a balance with only 24 hours in a day, so I devote more time to my family by sacrificing on my sleep.” She expects to be able to devote more time to her family and children as more mid-level managers join the team and Liang & Eimil expand.
As SBID is the accreditation body for interior design, we had to talk interior. As Honghui enjoys reading, her most important pieces of furniture in a home are chairs and shelving. “Reading a book in a comfortable chair with shelving to display all of your favourite books and most treasured photo frames of your loved ones, where you can keep all of your beautiful memories, are most precious.”
Honghui’s favourite interior style is a cross of Art Deco and Mid-Century Modernism. Her home includes a variety of colour schemes as every room should tell a different story. From Liang & Eimil’s over 1,500 product line, Honghui’s favourite piece is the Brutalist sideboard as she likes the texture, use of the geometric patterns and the subtlety of its golden brass trims.
Honghui advises young female entrepreneurs who want to start their own business venture and succeed in business to “Identify a market. Take action to start out courageously. Take the chance and push yourself. Keep your vision clear. Be observant. Have faith in yourself and always stay positive.” She adds, “It’s important to create a great team by hiring good people. Take advice from your employees and consumers as well as from your mistakes.”
Honghui’s last message for aspiring female entrepreneurs is to have a purpose and be passionate. “Always maintain your confidence. Empower yourself to face challenges and risks without fear. Be creative as it allows you to concentrate on reforming and breaking through instead of solving problems. Be collaborative while also developing self-awareness. Self-awareness enables us to see things through the eyes of others. Determination. You will always go the extra mile and do whatever it takes to make it happen if you have a strong determination.”
Cover image: Featuring Liang & Eimil’s Lapis Sofa, Lapis Occasional Chair, Montier Mirror, Luca Floor Lamp, Icardi Pendant Lamp and accessories.
About Liang & Eimil
Liang & Eimil, a British brand that specialises in furnishing design for the residential and hospitality sectors, believes in making ordinary moments remarkable. Renowned for producing expertly crafted furniture, lighting and accessories, they take pride in offering innovative solutions that can be tailored to any interior design aesthetic.
The Rigby & Rigby Interior Design Studio are one of six standalone departments that form Rigby & Rigby, a multi award winning design and delivery Studio based in London. Led by Studio Director, James Ashfield has over seventeen years of international experience in the Luxury Residential sector.
The Rigby & Rigby Interior Design Studio has gone from strength to strength and James has been instrumental in the successful growth and creative vision of the department.
We interviewed James Ashfield, Studio Director of Interior Design at Rigby & Rigby to find out more about his background and insights on the residential design industry!
Rigby & Rigby Interior Design projects are detailed and diverse and the Studio has an impeccable reputation with many confidential ‘under radar’ projects. These leading international projects include a flagship residential development Lancelot House in Prime Central London; two Ski Chalet’s in Lapland, Finland; The Maybourne Riviera Hotel in the South of France and a recently completed award winning Private Family Office in Oslo, Norway.
Rigby & Rigby started as a developer in Prime Central London, and we have since become an internationally acclaimed design and delivery studio. The business was predominantly architectural and used to work with external interior designers but quickly realised the streamlined benefit of an in-house interior design team. Since then, Rigby & Rigby expanded, and now we offer six stand-alone departments that operate as individual services or one combined turnkey solution. Our teams still work with external consultants, for example the Rigby & Rigby Interior Design Studio is working with an external architect and contractor on two apartments in Mayfair. We’re one big family and we design and deliver projects together or with other families too.
From a design perspective, our style has evolved from the architectural origin. We believe that simple, refined and well executed design is the foundation for creating beautiful and luxurious interiors.
I regularly attend SBID CPD’s and supplier events to see, hear and experience the latest products and technology. I also enjoy expanding my design knowledge via theory and research. My team and I share regular design articles on a wide variety of subjects such as design movements, specialist luxury spaces, lifestyle practices, product design and unique materials and finishes.
As a small child I was fascinated with stained glass windows in churches – the combination of colour, a story and light in a grand oversized setting grabbed my attention. Through school, college and university I loved drawing and technology, and I made choices that pointed towards architecture and design. I joined a small architecture, interior and development practice that was very forward thinking and gave me the opportunity and confidence to test and experiment with design. Since then, I’ve been very lucky and led some incredible projects across the globe and I’ve enjoyingly experienced different cultures. It’s great when design has a context and thought, this is very much connected to where it all began for me with the stained glass windows and the colour, story and light.
The main ingredient is time, we streamline the project process and provide a space that answers our clients brief. All of our clients define personal luxury differently, so once we understand what they really want, and how we can help them to achieve it, we can strive to create an elegant environment where they can live an efficient and happy life.
The market is continuing to grow with major new luxury developments such as Battersea Power Station in London, UK and Atlantis The Royal Residences, Dubai, UAE, to name two.
At a micro scale, we have seen an influx of technology into the home. Everything can be controlled and monitored from afar and technology is affecting the way we create spaces too. Its use is beneficial to the environment, with greater control and efficiency of utilities and systems.
The use of 3D design and Virtual Reality has enhanced our process and changed the way that we develop and present a project. Within our team we recruited 3D designers to model space and product, streamlining our offering and further engaging the client in the design process.
At a macro scale, the world has a vast abundance of development happening across the globe. With so much development and strain on the environment it’s critical to implement good design and avoid unnecessary waste. Quality and craftmanship are everlasting. Colour and trend are transient. If the bones of a project are well considered and efficient, and a combination of good quality and sustainable products are used, then our impact on the planet is minimised.
UHNW clients’ tastes have changed too. There is more appreciation of ‘less is more’ and a greater concentration on quality and attention to detail. We curate interiors that combine both custom and branded furniture. When installing a sofa from a top Italian supplier we buy into the history and culture of furniture making, and the years of experience that have gone into designing and manufacturing a perfectly executed product. The elements adjacent to the sofa, such as the rug, tables and artwork, are products we custom design to create a truly unique product and arrangement. This same principle is applied across a project, and this creates a new luxury, one that is personal, refined and less pretentious.
I’m inspired by so many people, places and objects. I’m particularly fascinated with Brazil, its outdoor lifestyle and the rich abundance of design. I love the sea, sun and sand. Brazil is a country of continental proportions, with regional differences in biodiversity, society, economy and industrialization. From Oscar Niemeyer’s architecture to The Campana brothers reclaimed furniture, the multiple interpretations of function and beauty, along with the manufacturing processes, result in a varied production of design.
Our interior design studio has a strong year ahead with some incredible projects coming live next year. One of our flagship projects, Lancelot House, a one-minute walk from Harrods in Knightsbridge, is due for completion. This project has been in our department for five years so I’m very excited to see it realised. We are also delivering a number of UK projects, two apartments in Knightsbridge, two show homes in Mayfair, a townhouse in Chelsea, and our international projects too, a villa & two apartments in Dubai, UAE, and a residential development in Tokyo, Japan.
This is a very exciting period for our team and it will build on the success of the award-winning projects we’ve delivered over the past year.
During my stay in the Middle East I dedicated time to an animal welfare charity and rescued stray and injured animals – at one point I had 12 rescued animals in my home and then returned to the UK with three pets, Vanilla, Pudding & Pie, who are all formerly strays.
Questions answered by James Ashfield, Studio Director, Rigby & Rigby.
About Rigby & Rigby
Rigby & Rigby is an award-winning multi-disciplinary design and delivery studio based in London. With full-service capabilities spanning across development management, architecture, interior design, construction, and private client services, Rigby & Rigby offers clients a complete turnkey solution from concept through to completion.
The Sustainable Design Summit (SDS) brings together brand owners, designers, and trusted suppliers from across cruise, hotel, and aircraft interiors to cross-pollinate ideas alongside leading sustainability experts.
Taking place on 29 November 2022 at The Brewery London, SDS is the first event of its kind to unite these three sectors to discuss sustainability as it dominates conversations and market drivers.
In just one day, delegates will gain actionable insights from the panels of experienced practitioners, discover a showcase of intrinsically green products, and come away with a framework for tangible steps to take into their next interior design project.
Sustainable Design Summit tackles the biggest challenges of designing sustainably head on; their crucial plenary Pitching to Stakeholders: How to Hold a Conversation About Sustainability unites the decision makers of all three sectors, including Bryan Liska, Director of Design Caribbean & Latin America Hilton Hotels, Thomas Westergaard, Consultant at Hurtigruten Expeditions sand Tasha Jackson, Sustainability Boeing.
Chatham House Rules will be in place for sector specific breakout sessions, where each sector can frankly and openly discuss the unique challenges of designing sustainably for that sector, the niche governance informing sustainability progress in that sector and what the delegates as brand owners require from certification societies and the supply chain. View the full Agenda here.
The onsite product showcase will be displaying the most forward-thinking sustainable products across the aviation, cruise, and hotel interiors industries. The products were selected with a keen eye on energy efficiency, weight saving, re-cycling and reusing, and reducing carbon footprint. Thought-provoking products include lighting company Cristallux and their zero waste, 100% recyclable alternative material Alamar and Continental’s breathable upholstery material, including the VyP Coffee range created using spent coffee grounds. Aviation specialists Anker will be showcasing their AIRlight ECO surface material made with 100% recycled yarn while Volume Creative will give a glimpse into Spared, a creative service that turns waste destined for landfill into beautiful objects.
Ahead of Sustainable Design Summit, speakers revealed what they were most interested in learning and sharing with the delegates. Alan Stewart, Company Director at SMC Design highlighted his desire for sustainability guidance from classification societies and collaboration with IMO, ‘In order to be truly sustainable, we need to have some type of guidelines in place. There needs to be some sort of classification to allow us to understand just how sustainable products and materials are before we design with them. We’d also like to welcome working with classification societies and receive guidance from them on sustainability.’
Meanwhile Thomas Westergaard, Consultant, Hurtigruten Cruises expressed interest in hearing from how other brands were including sustainability in their value propositions. He wanted to see how ‘important is it for companies to attract not only tomorrow’s travellers, but today’s travellers.’
Speaker Luke Pearson, Co-founder and Director, Pearson Lloyd, said of seeking cross-disciplinary solutions to sustainable design questions, ‘Working in a multidisciplinary studio, across lots of different fields, we regularly find that we’re able to take good ideas from one area and apply them to another. Ultimately, that approach is the one we’re going to have to take if we’re really going to solve this problem, because we have very little time to solve it.’
Book your pass today to collaborate with leaders of the cruise, hotel, and aircraft interiors sectors on shaping the future of sustainable interior design.
Our curated calendar of key industry networking opportunities and events for the interior design community features annual trade shows, exhibitions, conferences and design festivals, as well as the latest CPD training, talks, and online webinars.
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Middle East Design & Build Week is a new networking and sourcing platform for the construction and design industries. The event is co-located with Middle East Manufacturing & Technology Expo, providing opportunities for the construction and design professionals to explore solutions in the manufacturing and technology sector. The event is expected to attract over 200 exhibiting companies and 3000 visitors from the UAE and across the world in the first edition and around 10 international pavilions. It covers a number of key areas in a region which continues to invest heavily in new infrastructure development offering huge potential to key UK creative supply chain sub-sectors.
Middle East Design & Build Week will be an event offering opportunities for companies across the construction (architecture), interior design, hospitality, and commercial industries to showcase their expertise and products to influencers, key decision-makers and buyers from across the region. The show is organised in partnership with Abu Dhabi Chamber of Commerce & Industry. Key themes include: building envelope & specialist construction; building interiors & finishes; interior design & interior furnishings and fittings.
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The UK Tradeshow Programme offers the industry support towards costs of affiliated events, available for both exhibitors and attendees.
The Hotel Show Saudi Arabia, is the Kingdom’s largest and most established trade exhibition for the hotel and hospitality sector. The event was launched in Saudi Arabia in 2012 and is a must attend event for anyone buying products and services for Hotels, Restaurants, and Sports & Leisure Facilities.
The Show spans interior, F&B areas, hygiene, operating equipment & supplies, technology & security among other services.
The Hotel Show Saudi Arabia is committed to attracting the Kingdom’s leading buyers through a programme of events that educate, inspire and entertain. The 2022 event will include more educational content than ever before.
For the September 2022 edition, following the past two years surrounded by our own four walls, Maison&Objet Paris is inviting visitors to step inside the new kind of world we’ve all been dreaming of, echoing a deep-rooted need for meaning and emotion.
Where: Paris Nord Villepinte exhibition center
When: 8-12 September
Email [email protected] to claim yours! Non-members can click here to register now.
It’s a fact, the times in which we are living have sparked a yearning for interiors that strike a subtle balance between being anchored in the real world, surrounded by artisan pieces, craftsmanship and tactile materials, and, at the other end of the spectrum, an appetite for digital living, free of all physical ties. Maison&Objet Paris illustrates this social undercurrent with its “META SENSIBLE” mantra, which paints a picture of a physical world that is no longer in opposition with its digital counterpart. Better still, the two worlds are mutually influential, cross-fertilising and even merging to become a brand-new media for creation, communication and distribution. It is a concept that was forged by the NellyRodi agency, and will be rolled out through a range of different activities come September.
A vast number of designers and makers have, indeed, already got on board with the trend, seeing homes as protective nests with curvaceous silhouettes whose bubble-gum decors are paired with iridescent hues for a new phantasmagorical feel. Objects, fabrics and furniture all draw on a naive or dreamy repertoire. In the age of an ultra-pixelated metaverse, the (real) home exudes a soft and uplifting vibe. In that vein, the brands like Pink Stories, PolsPotten, Mojow or Italian firm Saba – which has already started retailing its sofas NFT form – already look set to be absolute musts.
Once again this year, Maison&Objet Paris will clearly be so much more than simply a trade fair: it will be a place that invites visitors to explore unique sensory experiences and tap into tomorrow’s trends. As well as the “in” event (at the Exhibition Centre), Maison&Objet Paris will also host “off” events (Paris Design Week) as well as “on” events (online via the MOM digital platform and the Maison&Objet Academy). Proof itself that hybridisation is now a firm fixture within decoration, design and lifestyle community, too!
The Designer of the Year – Cristina Celestino – will stage an enchanting new restaurant design in the Signature space in Hall 7. Bonjour Bonjour Bonjour The ‘What’s New?’ programme, meanwhile, will showcase the inspiration spaces put together by Elizabeth Leriche, François Delclaux and François Bernard. These three trend-spotters are returning to the trade fair once more to share their hottest finds for the autumn season, with colour-packed installations that are guaranteed to deliver a decidedly upbeat experience.
That same curative vibe will filter through to every part of the event, with Maison&Objet Paris shining a light on innovation right across the board. Visitors will be able to engage with emerging brands (that have been awarded the new Future on Stage label), discover the new guard of French designers (Bina Baitel, Samuel Accoceberry, Charlotte Juillard and Pierre Gonalons, will be presenting their self-productions for the first time ever in the heart of the Signature space in Hall 7), and meet the up-and-coming stars of the Dutch design scene, who are honoured in this edition’s Rising Talent Awards section and were carefully hand-picked by a high-flying jury (Ineke Hans, Hella Jongerius, Kiki Van Eijk and Wieki Somers).
The “Cook & Share” sector (Hall 3) is also set to be yet another of this edition’s absolute musts. It will give visitors the chance to discover dishes rustled up by Gault & Millau’s carefully curated “109” selection of chefs who are already on track for becoming some of French gastronomy’s biggest names. “Waww la table”, meanwhile, will blow a breath of fresh air through the world of tableware, using installations to demonstrate just how much the sector’s traditions have changed. The team will also invite the jury that judges its year-end table setting contest (India Mahdavi, Thierry Marx and Stéphane Bern) to award prizes and host a one-off talk.
The edition’s final flourish will come in the form of Paris Design Week, Maison&Objet Paris fringe event, which will set up home in three of the capital’s most buzzing neighbourhoods and will also embrace the trend for all things “phygital” (part-physical, part-digital). The importance of craftsmanship and new ecological solutions will notably take centre stage at the Paris Design Week Factory at the Espace Commines. Digital design, meanwhile, will be the focus of numerous exhibitions, showcasing creations from designers and architects alike. A record number of showrooms will also be open right across the capital, with a special itinerary inviting visitors to cast their eyes over Parisian stylists’ favourite furnishings.
About Maison&Objet
For 25 years, Maison&Objet, organised by SAFI, has been engaging with and bringing together the international design, home decor and lifestyle communities. Maison&Objet’s trademark? Its unique ability to generate connections and accelerate business, both during trade fairs and via its digital platform, but also through its unique talent for highlighting trends that will excite and inspire the home decor world. Maison&Objet’s mission is to reveal talent, spark connections and provide inspiration, both on- and off-line, thereby helping businesses grow.
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