Challenging you to think through your exporting journey, this virtual event will explore the benefits of exporting, helping you build or refine your strategy and combat the issues associated with the transition into new markets. As you venture into overseas markets, you want to ensure that your business is:
Hear expert insight on the legal, financial and logistical obstacles associated with exporting and how to mitigate these risks and trade safely overseas. Learn how to develop your business model and connect with like-minded London businesses on the same exporting journey as you.
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UK hospitality and design suppliers are invited to join the UK’s Department for International Trade (DIT) and the British Contract Furnishing Association (BCFA) for a spotlight session exploring current and future projects in Saudi Arabia, Qatar and the United Arab Emirates. You will hear from industry experts about developments across hospitality in the GCC and set-up and licensing requirements. We will be joined by two leading global hotel chains operating in the Middle East and best practice will be shared by a true British success story in the region
The green oak building tradition of the Hogg family forms the inspiration behind Rachel McLane’s crafted designs in the new 40-bedroom Sandburn Hall Hotel in the Yorkshire countryside.
Design-led and built to a country-style specification, the 1,000-acre Sandburn Hall estate was developed by the late Mike Hogg seven miles from York. The new adjoining hotel complements what is already one of North Yorkshire’s leading golf, wedding, events and business venues.
When Pickering-based Rachel McLane was contracted in 2018 to provide her innovative, specialist interior design work for the ambitious new build it was immediately clear that the Hogg family wanted to build on Mike Hogg’s legacy.
“From day one we worked very closely with the client to incorporate the Hogg family firm’s wonderful custom building heritage into the design, bringing that history, the shape, feel and emotion of that green oak frame building structure to the fore,” said Rachel.
“Given the freedom to interpret their brief we have created a design that not only makes the most of the space and enhances the building, but understands and incorporates the Hogg family heritage, interests, and craftsmanship into the final design.”
The new hotel’s centrepiece uses natural green oak beams to frame a triple-height lobby as part of Sandburn Hall Golf Club, Grand Function Room and Tykes restaurant. Hand picked artwork is established on the walls, including photos of green oak frames and black and white prints going around the corridors and rooms. The designs also take some of their inspiration from the local area where York and the East Coast are evident in the natural colours, earthy tones, and real materials including vintage maps depicting the Sandburn Estate.
“In doing so, we were able to fulfil an important part of the brief that the rooms and spaces had to feel individual and not corporate,” added Rachel.
Rachel’s design vision created a unique cohesive feel across all rooms and into the common areas ensuring that the Hogg family connections to nature and craftsman trades were reflected in the room décor. Rachel commented: “The designs merge the traditional and the contemporary and aim to achieve a balance that bridges the core golf, wedding and business customer base.”
The Rachel McLane team’s design expertise is evident throughout the new hotel’s range of 40 double and twin rooms all with dressing areas, including larger family, luxury and accessible rooms, and two luxury suites. They also all come with handcrafted built-in case goods. “We wanted the signature and family rooms to be fun, a bit urban and industrial where the raw richness of exposed brickwork and soft leather combine with cool-toned sawn grey oak flooring and built-in bespoke joinery.”
Well lit, spacious and airy with eclectic pieces of furniture that differentiate between room types, the large windows of these signature and family rooms are of a natural oatmeal palette, soft grey and brick in a modern, fresh design that naturally marry the hand-crafted structure of the building.
Super-king beds and luxury, made in Yorkshire Harrison Spinks mattresses are a feature, and bathrooms are a mix of contemporary and traditional with the emphasis being on quality and timeless design. The hotel’s premier rooms, including the courtyard premier, have been designed with a feel that is classic and calm with raw, untreated materials to give a fresh, bright, light and airy atmosphere. Reclaimed bricks are softened by natural cream and teal curtain fabrics with artisan hand-blocked characteristics. Elements of teal and natural weave have been picked up in soft woven tweeds and the carpet’s muted tones, and the furniture has a comfortable country feel in a calm palette.
“The biggest challenge was the length of time it took from creating the fixtures and fittings specification to fulfiling the initial design with Covid-19 a constant hindrance. We found that not only were some products unavailable, but more than one company had ceased trading.”
Despite the challenges of a long project Rachel says that the team has loved working on Sandburn Hall Hotel: “The client is a pleasure to work for, they appreciate high-quality workmanship, attention to detail, and above all understand the value of design and the difference having a designer on board makes to a project.
“It’s also lovely being local to a project as you feel like you are contributing towards the good of the local area.”
About the Author
Rachel McLane developed a wealth of experience designing for the retail sector for eight years in London and York before setting up her practice, Rachel McLane Ltd specialising in the design of interiors for professional clients with commercial interests.
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With ‘renew, repurpose and replenish’ at the heart of her work, award-winning interior design consultant and SBID Accredited Designer, Rachel McLane has just completed the Bike & Boot – Scarborough’s newest hotel. As well as the design and fit-out of the 65 bedrooms, Rachel’s Yorkshire-based designers have created eye-catching common areas including the bar, residents’ lounge, film club and restaurant.
“We were fortunate with the Bike & Boot as the building was once a row of Georgian terrace houses and retains much of the original architecture. Even now, the envelope of the building remains true to its heritage,” said Rachel, who heads up a close-knit team of specialist designers experienced in concept design, design detailing and space planning for the hotel, residential, retail and leisure industries.
“It made no commercial sense to strip back and re-plaster the walls. Rather than hiding the faded grandeur of the original building, we have worked with it and given it a new lease of life.”
“My attitude is not to be overly precious; interior design is not about me forcing my ideas onto a client and their customers. Instead, it is about creating something that works for them and enhances their business. It is about producing the best solution we can, for the budget – but that does not mean holding back on quality or design. And good design does not have to cost the earth.”
Striving to be local as far as possible, Rachel employed craftsmen and suppliers from the area who were passionate about harnessing their skills to revitalise this once grand feature of the Scarborough seafront. This work has included bespoke case goods, re-upholstering furniture, sourcing local photographs for bedroom doors, creating graphic blinds using original railway poster designs and producing wall mounts featuring bicycle seats and handlebars instead of the traditional taxidermy heads. Other bespoke items in the hotel on Cliff Bridge Terrace include clocks made of brightly coloured bicycle bells and flip flops. Bespoke lighting was created from old bike wheels and crates, and a bespoke handle for the residents’ lounge is based on the ampersand between the ‘Bike’ and ‘Boot’.
A Georgian inspired colour palette was used to paint over the old anaglypta wallpaper giving the rooms a new identity and feel, and the team also designed and commissioned wallpaper based on activity maps of the area and recreated posters of original postcards of Scarborough from its heyday as a fashionable spa resort.
The design and installation of the Bike & Boot’s new hotel bar shows all of the company’s green, recycling values coming through by giving a second life to the metal back-bar of an old venue in Leeds at the same time as commissioning a Harrogate based company to produce the joinery elements to Rachel McLane’s designs.
“If you have been walking or cycling all day, you want to be able to relax and feel at home,” said Rachel. “The team sourced the bar furniture with that in mind – some of it was new and some of it was pre-loved and repurposed. An old chair can be upholstered by a skilled tradesman, and by choosing fabric of the right quality and design, the result looks great and provides the luxury of comfort.
“Renew, repurpose and replenish is an ethos at the heart of our work. I believe in avoiding sending things to landfill or bonfires whenever possible, and I am glad to say we have done our little bit with some of the bar and restaurant furniture at The Bike & Boot. This has also helped to reduce our carbon footprint in shipping in new products,” added Rachel, who worked on the concept of the Bike & Boot for two years with its directors Simon Kershaw and Simon Rhatigan, and for the last nine months with the local refurbishment contractor Infiniti Roofing & Construction.
The question that immediately arises is: how could our homes change following the emergency from Covid-19? This “change” doesn’t exclusively come from the need of adopting higher hygiene precautions, but also from the search for home wellness and from the will of maximising the functionality of our internal spaces.
“Staying at home” and “working from home” has given rise to new needs but also favoured the recovery of spaces that seemed to have gone out of fashion. The new total home project therefore starts from the need to exploit even small spaces to bring together various ways of living, starting with the re-evaluation of the entrances. These are the main areas to consider:
1. Entrance 2. Home workspace 3. Kitchen as an extension of the living area 4. Outdoor area 5. Relaxation and wellness area
An example of this shift is evident in the concept for one of my latest projects, showcasing how I was required to update an interior design scheme to suit clients changing requirements due to Covid-19. The first draft was made in January but, after the lockdown, the users needs have changed and consequently, so has the design criteria. Here were the design proposals:
First of all, in this design it was necessary to reconsider the entrance / hallway as a filter room between the outside and the home. In the second proposal made to the client, we designed a dividing wall before entering the living area. This space now offers a place to store everything we bring in from outside (such as shoes, masks, coats, telephone, keys, etc.). The insertion of a table top serves to store hand sanitiser, with the option of a cupboard to install a Samsung AirDresser for antibacterial treatments.
The kitchen returns to offer more functional storage spaces. The 3 fundamental areas, such as the one dedicated to storage (fridge and pantry), cooking and washing/preparation have been zoned, offering each area more operating space. The client also felt the need to separate the kitchen from the rest of the house without oppressing the space.
Sliding glass doors have been inserted to maintain visual contact with the dining room and at the same time contain any kitchen odours but, if necessary, the environment becomes open plan – making it easy to control the use of space for children who may study and play in the living area.
The need to have a private home studio was a must-have request since the very beginning with exclusive access to the studio. An adjoining reception room, where to wait in complete safety, has now been provided. The separation with the rest of the environment is represented by a plasterboard wall with a glass door inserted to let the light filter from the outside, as well as enjoying the views of the garden.
A small intervention was also made in the sleeping area. More and more concerns arise regarding how long the coronavirus can survive on clothes and how to properly sanitise them. Since the clothes we travel into the city in are the same we will return home in, we have also proposed a system for sanitising and cleaning clothes and shoes in this area. By slightly reducing the square meters of the walk-in closet and the private bathroom, a niche has been created in the hallway of the sleeping area, where the Lema wardrobe with Air Cleaning System will be installed.
This post is part of a series exploring the ways that the health emergency of Covid-19 has changed the way we conceive public and private spaces. Click here to read the previous post about public spaces.
Elisabetta de Strobel is an internationally acclaimed Interior Designer and Art Director, originally from Rome. Her studio offers expert consultation services for interior design, product design, branding and strategic market analysis.
Lockdown measures are slowly easing across all aspects of work and social life as the hospitality industry is given the green light to begin re-opening to the public this July. For many of us, the concept of travelling seems like a distant memory; dreaming of the day you can book that weekend away or arrange for a long, relaxing week abroad. As society braces itself to resume holiday planning and commence those halted travel plans in a Covid-19 world – we’re sharing some of the inspiring hotel bedroom designs from last year’s SBID Awards finalists that we’d love to be paying a visit this Summer!
CaberlonCaroppi Architetti – Hilton Molino Stucky
Once an efficient flourmill, Hilton Molino Stucky is today one of the most important international hotels in Venice. Curated by CaberlonCaroppi, the renewal of the common areas and the first 90 rooms reflects the soul of the industrial building and the one of Venice and its wonders. The design narrative starts from decorative and graphic details with special attention paid to figurative elements, introducing the theme of gears and grain, main elements that characterize rooms. Along the corridors, the soft colours of the walls, the elegant lamps and the geometrically textured carpet blend perfectly with the cast iron pillars that characterise the architectural structure. A particular attention has been paid to all the lightening elements, designed or modified specifically for the setting of the Molino, so as to obtain a product that is not only functional but also in line with the entire mood.
Concorde BGW Group – The Bedford
A pub that helped launch the careers of Ed Sheeran and Michael McIntyre has reopened after Concorde BGW carried out its multi-million-pound refurbishment. The extensive renovations to the 22,000 square foot pub, grass-roots music venue and London’s longest running comedy club were carried out across its five bars, restaurant, four private rooms, ballroom and 250-capacity live music club. The Grade II Listed building is utterly unique in terms of character and strategies were developed to ensure much of its age-old charm was maintained. Once planning permission was obtained, 15 new, individually designed ensuite bedrooms were built on the second and third floors. The bedrooms add another layer of luxury to a truly unique building. Designed with the history of the building in mind, the rooms allow you to drift back to bygone ages.
Celia Chu Design & Associates – Luxury Is Personal
Located in the central heart of Taipei, the twin towers building was designed by Richard Rogers and has reached a new level of high-end residential living. CCDA was inspired by the lifestyle of the modern British gentlemen, believing true luxury not only manifests itself in the physical space but is also reflected in interests, habits, collections and art. Bespoke crystal light fixtures from the Czech Republic, commissioned silver glass panel art by the fireplace, a wine display room, spa-like bathroom and other details were designed to shape a vision of personalised luxury.
LW – Zabeel House
Zabeel House is a new lifestyle hotel by Jumeirah, catering for families, travellers and businessmen alike, with all the familiarities of the Jumeirah brand, in an afforded luxury way. This combination of Arabic culture and urban finishes comes together in the health club and spa. Reclaimed timber slats, concrete flooring and exposed ceilings are complimented and softened by Arabic rugs from the local souq and quirky artwork that continue down the corridor, into the changing rooms and treatment experience. Personal interaction is a key feature that runs through this hotel, seen through the recessed pops of seating down the health club corridor that allow for guests to pause a moment, relax and interact.
Roth Architecture – Aqua Villa
Located in the most private area of Azulik Tulum, the Aqua Villa was designed in harmony with the environment, respecting nature and making it part of the project. Water is the main design composition element inside the villa, fusing with the blue Caribbean Sea view. The contrast in colours, textures and use of the local materials allows the villa to become part of the landscape thanks to the natural materials. Exterior massage decks, Jacuzzi and netting allows guests to enjoy the space and the view in this unique environment which flows naturally into its surroundings. The interior design fosters a quiet and relaxing atmosphere, using reflection as an element; the mirrors and water in the floor give guests the sensation of space and serenity so they can enjoy the sounds of the sea and the wildlife that interact within the space constantly.
Dexter Moren Associates – Clayton Hotel, London
Clayton Hotel City of London redefines the concept of a destination hotel. The 212-key, four-star hotel is located in the vibrant Aldgate area of London, on the edge of the City of London, near to the Whitechapel Art Gallery and historic markets of Spitalfields, Petticoat Lane and Brick Lane. The hotel’s bespoke interiors reflect the history and charm of the area through the mix of materials, ceramics and furniture. The choice of lighting, colour palette and artwork visually reference elements from the culture of the area, including the Freedom Press, the Bell Foundry, warehouse metal and fabric trades and the diverse market culture. The designers at Dexter Moren Associates describe the concept as a ‘new order’: combining the old order and traditions of the East End with the future outlook of the City.
The Wall Design Corporation – The Shades of Clouds; the Valley of Hearts
This B&B is located in a mountainous region in the southern Zhejian Province. Given the unique geological environment, the south-facing location is wreathed in clouds. The area is known for its amazing natural scenery with clouds constantly passing by. The building was protected which posed a challenge however the remodelled building preserves 80% of the original architectural features. The interior is based on the Balinese lifestyle, in which the white colour symbolises the clouds. Windows have been replaced by the new larger versions, through which guests can truly appreciate the great views. In addition to the vintage decor, the preserved original yellow soil walls and doors further emphasise the spirit of simplicity.
Virserius Studio – Guest Rooms & Suites, W Atlanta Midtown
Arthur is a fictional character, conceived as a native Atlantan who was born and raised in Ainsley Park, located right behind W Atlanta Midtown. Virserius Studio’s concept for the hotel is the recreation of Arthur’s estate and secret garden, decorated with his awe-inspiring collection of art and other items obtained during his extensive world travels. He takes great pride in these collections and wants to share the stories behind these possessions. He also hopes they will make great conversational pieces, inspiring special moments among friends during their visit.
Goddard Littlefair – The Lowry Presidential Suite
The Lowry Hotel’s five-star, luxury Presidential Suite, is the largest in Greater Manchester, having undergone a complete revamp including a reconfiguration of the space and a newly enlarged dressing room. Beautiful, fitted joinery screens create a series of distinct but linked spaces, including a living area, dining area, bedroom, bathroom, dressing room, pantry and powder room. Drawing inspiration from Manchester’s rich industrial history, the suite makes reference to the city’s industrial forms, geometry and heritage, as well as the hotel’s namesake, L.S Lowry. Accompanied by a colour palette inspired by Lowry’s five colours, the new design has a luxurious residential feel, with light and bright tonal colours used for the walls, curtains and carpets, offset by darker joinery, with painterly or geometric-patterned fabrics.
The 2020 edition of the SBID International Design Awards is open for entries.
Entries close on Friday 14 August. Visit sbidawards.com to enter now!
This week’s instalment of the #SBIDinspire interior design series features a hotel public space redesign. Virserius Studio completed the second phase of the redesign of the Renaissance Paris La Défense in Summer 2018. This involved a partial renovation of the lobby, removing the existing executive lounge, and creating a destination restaurant. Virserius Studio took into consideration the owner’s concerns by blending of older existing elements like the classical towers while incorporating more contemporary design elements. The aim was for the hotel to not just be for guests but for it to be a place the public in this busy section of Paris can incorporate into their busy day, whether it’s grabbing a coffee from the brasserie kiosk or a glass of wine on the way home or meeting on important matters during the day.
SBID Awards Category: Hotel Public Space Sponsored by Viva Lagoon
Practice: Virserius Studio
Project: Renaissance Paris La Defense Hotel
Location: Paris, France
What was the client’s brief?
The brief for the project was to reflect the La Défense neighborhood and its surroundings through carefully curated art and lighting. This involved a partial renovation of the lobby, removing the existing executive lounge, and creating a destination restaurant. We wanted the hotel to not just be for guests but for it to be a place the public in this busy section of Paris can incorporate into their busy day, whether it’s grabbing a coffee from the brasserie kiosk or a glass of wine on the way home, or meeting on important matters during the day.
What inspired the interior design of the project?
First, we wanted to pay homage to the art and fashion of Paris. However, we wanted to add elements reflecting the landscape of the beautiful French countryside, located not too far away.
What was the toughest hurdle your team overcame during the project?
Renaissance Paris La Défense belongs to 3 political districts, which presented a logistical and construction challenge. We had to file permits in each district; some were liberal, and some were more lenient. There were many stakeholders, complicating the process.
What was your highlight of the project?
Light sculpture that spans 3 floors, focal point 50 ft, visible from everywhere, custom designed by V/S to connect all three floors to penetrate all three level. It’s handblown glass representing algae, but more like snowflake or flower.
Why did you enter the SBID Awards?
A design excellence award distinction from SBID is one of the most prestigious a firm can receive in this industry. With each completed project, we want to present our work to a jury of peers, and recognition is always appreciated.
Questions answered by Therese Virserius, Founder and Lead Designer at Virserius Studio.
We hope you feel inspired by this week’s hotel design! Let us know what inspired you #SBIDinspire
If you missed last week’s Project of the Week, featuring a residential design making use of its surrounding nature, click here to see more.
The COVID-19 health emergency has accelerated the design process exponentially, pushing companies to respond to new, emerging needs with intelligent and functional strategies, whilst adopting innovative ways to reconnect with the world and make a difference. Moreover, the goal and great merit of the designers lies in the ability to grasp the trends and changes of the eras they live in, and convert them into objects and ideas.
The reopening of public places is the driving force behind the latest challenge designers face – to completely rethink common places in order to recreate new spaces, where all the design elements are in harmony with each other and in which the emotional component reflects the same sense of security and “feeling at home” sensation. All of this is done by involving the consumer in a very conscious way. Enough with the banal and unaesthetic plexiglass plates, we must uncover more client-friendly alternatives!
Whilst COVID-19 is bringing increasing attention towards health and wellness related issues which affect all sectors from food, retail and furnishings to travel and beauty, social attitudes towards sustainability and environmental factors is also still gaining momentum. New products and environments will be strongly influenced by the principles of the Circular Economy, based on concepts such as sharing, reusing, repairing and recycling existing materials and products, abandoning the bad habit of disposable use.
In public places consumers want to feel protected and “safe”, for this reason working environments will have to be organised according to some guidelines.
After months of lockdown, it’s important to return to the workplace feeling at ease and be encouraged to act responsibly. A six feet office has fixed workstations, semi-isolated or limited by graphics that visually delimit the space, making the safety distances perceived. The periods of ongoing isolation at home have questioned societies habits, encouraging them to seek more and more balance between private life and work life – and will be increasingly eager to work in an environment that reflects the home environment, in colours, furnishings and perfumes.
They must have a partially insulated entrance that acts as a filter with respect to the rest of the room where you can carefully sanitise your hands, deposit your clothes and wear disposable shoe covers. In this regard, Samsung has created AirDresser, a sanitising cabinet that eliminates bacteria, mites and viruses through steam jets.
The menu will be contactless and digital: with the Sooneat app, every customer from their smartphone can avoid the queue at the entrance, sit at the reserved table, consult the menu, photos of the dish, order and pay with a simple click.
Speaking of tables and chairs … how will they be organised? Large-sized restaurants will have the opportunity to rearrange the tables according to the safety distances provided, but what about small restaurants? To one of my clients I proposed a shaped table top to be screwed simply to the existing table structure, optimising the space compared to combining two square modules.
It will also be very important to reorganise the outdoor spaces. It will be one of the most important missions of restaurants and bars to guarantee an experience up to the past again.
The visit to the hairdresser and beautician will be much more psychological than one might expect, it will be a 360° wellness and beauty experience with customisable treatments and mainly green products, all bookable through an app. New restyling for waiting rooms where possible, with modular furnishing solutions that are able to maintain a minimum contact between customers but respecting the safety distance. The image represents a typical Martex furniture solution before and after Covid-19. The furnishings can be adapted according to needs and are covered with 100% antibacterial fabric.
This post is part of a series exploring the ways that the health emergency of Covid-19 has changed the way we conceive public and private spaces. Click here to read the previous post about private spaces.
This week’s instalment of the #SBIDinspire interior design series features a lakeside residence designed for an active couple approaching retirement. The client sought to create a home that celebrated the environmentally protected nature surrounding them, where they could enjoy aging in place while granting space for another generation to visit and entertain around lake life. Nature is brought indoors through the extensive glass and is emphasised by the mixed material palette including reclaimed wood, granite, and earth-toned walls. The home’s incorporation of sustainable and accessible design elements ensures that Arcadia House will be the heart of the family for generations to come.
SBID Awards Category: Residential Design Over £1 Million Sponsored by THG Paris
Practice: Visnick & Caulfield
Project: Arcadia House
Location: Massachusetts, United States
The client wanted a home that would act as a gathering place for family and close friends. They felt the home should celebrate its natural surroundings and experience nature indoors. Most importantly, the clients, an active couple, are nearing retirement and wanted their space to accommodate aging in place.
The space is inspired by its immediate surroundings, by being immersed in nature, and by the site’s relationship to the water.
Working within the constraints of the environment proved challenging. The design and construction of the home contended with multiple setbacks surrounding the water, undeveloped land, and sloping topography throughout its uniquely shaped lot. The team overcame the environmental protections in place by using them as interest-driving constraints to derive the form and placement of the house.
Seeing the client fully immersed in their home is immensely rewarding. The highlight of the project is seeing it become a setting that we as designers envisioned – one which brings together family and friends.
We were inspired by the variety and quality of work at the SBID Awards, and hope to take part in the field with such international talent.
Questions answered by Cora Visnick, Architect at Visnick & Caulfield.
We hope you feel inspired by this week’s residential design! Let us know what inspired you #SBIDinspire
If you missed last week’s Project of the Week, featuring a 1960’s inspired hotel, click here to see more.
This week’s instalment of the #SBIDinspire interior design series features a 1960’s inspired Hotel Public Space. 2019 SBID Awards Finalist, Smallwood, had the challenge of ensuring a strong arrival moment for guests, given that the hotel entrance shares a lobby with the office tower and the residences. It was therefore important to give the guest a strong visual impact and to zone the arrival experience of a Waldorf Astoria that could easily compete against the multiple design languages of the adjacent office and residential lobby spaces.
Practice: Smallwood
Project: Waldorf Astoria Dubai International Financial Centre
Location: Dubai, United Arab Emirates (UAE)
The client’s brief called for a mid-modern approach, and unusually for Dubai, without any cultural references to the locale but a design that reflected the styling of the exterior architecture.
The client gave the styling of the American television series “Mad Men” as the design direction, so a strong New York sixties feel to the interior architecture and FF&E was used throughout.
To create a series of zoned spaces across Level 18 that prevented square meterage from being lost to circulation. With a total interior width of 25metres and a length of over 80m, Smallwood created ‘rooms within rooms’ so that the spaces interconnected, obviating the need for multiple circulation routes.
The opportunity to design an interior of a hotel in the Middle East with a cool aesthetic very different from the more typical hotel projects in the region.
We believe SBID is a highly prestigious design awards competition and it is a great way to showcase our new projects across the region to both operators and developers.
Questions answered by Joshua Rayner Roger Judd, Interior Design Director at Smallwood.
We hope you feel inspired by this week’s Hotel Design! Let us know what inspired you #SBIDinspire
If you missed last week’s Project of the Week, featuring a charming Chicago Hotel, click here to see more.
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