This week’s instalment of the #SBIDinspire interior design series features a heritage conversion property rich in original detailing and upscale interest. Situated opposite the Dutch Royal Palace and once a bank, Hotel Indigo The Hague – Palace Noordeinde wears its prestigious heritage proudly. Complete with underground speakeasy which was once the banks vault, the hotel is a true icon of the city, and exemplifies The Hague’s prestigious royal and political connections. Portraits inspired by royalty adorn the walls, and original mouldings and light fittings have been carefully restored by local craftspeople. Art Déco stained glass, aged brass lamps and original green marble columns evoke the luxury world of private banking. A carefully curated selection of bespoke furniture choices cater for both hotel guests and well-heeled locals, be they there for a fresh morning coffee in the all-day Stocks & Bonds brasserie or a late night cocktail in The Gold Bar.
Company: HUGO interior design
Project: Hotel Indigo, The Hague
Project Location: The Hague, Netherlands
What was the client’s brief?
Hotel Indigo The Hague needs to communicate the unique cultural and historic offerings of this unique Dutch city of power, wealth and government. A sense of prestige and exclusivity should be celebrated within the hotels design.
What inspired the design of the project?
HUGO interior design was inspired by the most unique and important buildings in the neighbourhood, such as the Royal Palace, Dutch government and International Court of Justice. The hotel is situated on Noordeinde street, directly opposite the Royal Palace. As a result, hotel rooms on Noordeinde side have a unique view on the palace. The chic Noordeinde district is primarily known for its distinctive fashion boutiques, galleries and art and antiques dealers, located in beautiful art nouveau buildings. With this neighbourhood story the design of the hotel should be sophisticated and high-end, where guests experience a royal and wealthy feeling. Wealth and royalty were key words in the design of Hugo Broeders, since the Royal family and the Nederlandsche Bank are inextricably linked to the history of this building. One of the most important starting points in the design was the building itself, with its historical and architectural elements such as the various marble, glass, mosaics, ornaments and woodwork. Characteristic materials for that time for buildings with a purpose like this. Hugo Broeders: “We have had the beautiful panelling disassembled, because we wanted to make headboard of this. We reused cupboards and steel doors, especially in the public areas where guests can experience them. We have implemented the patterns of the old woodwork in the new interior components such as the doors and carpets. Artwork is mostly inspired by coins and banknotes. And because the vault plays such an impressive role in the building, we have designed a multifunctional safe that will have a place in every room. We wanted all guests to have their own safe, so we designed a multi-functional steel safe that is positioned in each room. The safe contains a safe (of course), a minibar, coffee and tea making facilities and storage space. It seems and works like a real vault, you have to turn the wheel to open it. It is a feature that embodies the history of the building.
What was the toughest hurdle your team overcame during the project?
Every space, every room is not only unique in size, but also in form. Working on a property like this, you have to detail everything because every part of the building is unique and different from another part. Although you have the most wonderful materials to work with, you’re limited in possibilities. What you see is what you get, so you have to be very creative to make sure you get the most out of what’s available. You need to create spaces and add materials that are complementary and meet up to the standards of modern day regarding comfort, look and feel. To celebrate this uniqueness and work with the challenges, the idea was that guest should have a unique experience, even if they visit the hotel multiple times. That means three room types were designed, all different in atmosphere and appearance: Royal Residence – street facing rooms with Palace view, experiencing the feeling of residing in a prestigious street in a room with stained glass windows, high ceilings, wood panelled walls and headboards and a dark red and blue grey colour palette with warm velvets and antique brass details. Court Capital – the feeling of wealth comes across in these (some split-level) rooms. Using leathers and a light and dark green colour palette with polished brass details, guests feel the power and history of the building and the city. Loft Living – more contemporary rooms on the top floor and in the attic, combining old beams and slanted ceilings with concrete flooring and rooms in the newly build part of the hotel with large glass curtain walls on the backside of the hotel. Adding variations in grey and an ocre colour palette, soft fabrics and satin brass details, this room feels like modern Dutch living in the city. The combination of this property and the concept of diversity in rooms was challenging. Procurement was difficult, chances of making errors are big and it took a lot of time to make sure the results are as intended.
What was your team’s highlight of the project?
When the bank closed its doors in 1994, it was impossible to remove the massive doors from the vaults where the gold stock was previously kept. The round safe door is still one of the most impressive elements in the building. The vaults are in the basement, if there is no need to go down they are not seen by guests. Wanting to make sure that guests would experience these special spaces, a speakeasy was created here. The story goes that the bank was once connected to the Palace through a corridor. Everything indicates that this came out in the space that we transformed into this speakeasy. From the lobby you have easy access to the speakeasy, making it possible for everyone to have a drink at this very special “Gold Bar”.
Questions answered by the Founders of HUGO interior design, Hugo Broeders and Debby Wentink.
If you missed last week’s Project of the Week featuring an innovative hotel design which strives to redefine the concept of luxury, click here to see more.
We hope you feel inspired! Let us know what inspired you #SBIDinspire
HUGO interior design | SBID International Design Awards 2018
This week’s instalment of the #SBIDinspire interior design series features an innovative hotel design which strives to redefine the concept of luxury, five-star hotel experiences by connecting with the neighbourhood which surrounds it. In a world increasingly congested with fussy design, this project demonstrates a new type of luxury. A refreshing perspective, celebrating the Kaohsiung harbour and all of the creative energy of the commercial surroundings delivered with wit and charm. The Hotel Indigo, Kaohsiung Central Park is located in the heart of Kaohsiung, Taiwan. The neighbourhood and its dynamic port served as the inspiration for the design. Located in a vibrant suburb within Kaohsiung near the bustling commercial harbour, the hotel experience was conceptualised as the journey of goods from the harbour to the shelves of Kaohsiung’s boutiques and emporiums.
Company: Hirsch Bedner Associates Hong Kong
Project: Hotel Indigo Kaohsiung Central Park
Project Location: Kaohsiung, Taiwan
The client owned an old shopping mall in an area near the Kaoshiung port and wanted to convert it into a hotel, but wanted the hotel to somehow relate to the previous history of the building and to the neighbourhood that was deeply connected to the nearby harbour and undergoing a process of urban renovation. The brief was therefore to redefine the concept of a five-star hotel experience, shifting the notion of luxury, as it’s commonly envisioned. The objective was to connect with the local area, allowing the hotel to become an energetic part of the urban fabric and distinguishing itself from other large five star hotels.
As a consequence of the context in which this project came to life; the commercial aspect of the building and the evolution of the neighbourhood from an industrial harbour to a gateway to the world, became the main inspiration. The Kaohsiung neighbourhood and its dynamic port was the central inspiration for designing key areas of the hotel. Located in a vibrant suburb within Kaohsiung near the bustling commercial harbour, the hotel experience was conceptualised as the journey of goods from the harbour to the shelves of Kaohsiung’s boutiques and emporiums. Inspired by the humble local emporiums where products such as soft drinks, canned and picked food are part of everyday life for Taiwanese, beautifully designed feature walls depict the tops and bottoms of cola bottles with fun messages. Digitally printed wall coverings featuring opened jars and tins of food adds a splash of colour, character and provincial flavour.
Due to the trade barriers between Taiwan and Mainland China most of the finishes had to be locally sourced or engineered from scratch. The process was difficult but extremely gratifying. Thanks to this project, new products and finishes are now available in Taiwan!
The reaction of guests and visitors; some thought it was brilliant and told us they felt the connection to the neighbourhood, others found the project was at the limit of their comfort zone and didn’t like it entirely. That to us is a good sign, it means we succeeded at giving to the hotel a distinct personality and when it comes to personality, we simply just don’t all feel the same!
Why did you enter the SBID International Design Awards?
The project was very appreciated in Taiwan but to some it felt like it was pushing the boundaries of their comfort zone. So we were curious to see how it would have been received by an international audience and the SBID Awards was the perfect platform to do this!
Questions answered by Federico Masin, Partner at Hirsch Bedner Associates Hong Kong
If you missed last week’s Project of the Week featuring a hotel design which delicately balances timelessness and tradition with industrial modernity, click here to see more.
HBA Hong Kong | SBID International Design Awards 2018
This week’s instalment of the #SBIDinspire interior design series features an elegantly timeless, yet industrially modern and edgy hotel interior design based on the narrative of two Turkish sisters – one who lived in New York City and the other in Paris. Envisioned as a portal between two worlds, the Fairmont Quasar Istanbul’s hotel lobby leaves a lasting impression to those who walk through it, beckoning passersby to explore and engage. White marble floors found at the entrance contrast against warm wood floors covering the reception area, crafting a carefully balanced procession. Guests check in at the bespoke reception desks showcasing wood, metal, and stone. Oversized, locally crafted lanterns accent the corner of the lobby and signify the entrance of the bridge connection to the business centre. Similarly, a dark and striking carved stone wall flanks the side of a “runway” that connects the lobby with the Great Room. The design team used the walkway to echo the overall project’s interior design concept of merging two different narratives into one, by blending urban culture and industrial flair with traditional features and a strong sense of place.
Company: Wilson Associates
Project: Fairmont Quasar
Project Location: Istanbul, Turkey
This project is developed by joint venture company, Viatrans Inc. – Meydanbey. The multi-complex encompasses a hotel, serviced apartments, and offices set on the site of Turkey’s first liquor factory that was designed by the Parisian Art Deco Master, Robert Mallet Stevens in the 1930’s. This is his sole masterpiece, the only one ever built outside of France. This is the first project by Viatrans Inc. – Meydanbey and they had a vision to create the most innovative and luxurious development in Istanbul. They also had a vision to turn the liquor factory into an epicentre for arts, fashion and culture — transcending the level of luxury in Istanbul to new heights. Rising above the slopes of The Bosphorus, Fairmont Quasar Istanbul serves as a hub for the well-travelled, fusing the sophistication of modern Istanbul with the unique lineage of its location and centuries of history. A new icon for the vibrant Mecidiyeköy district, Fairmont Quasar sits at a crossroads in Istanbul – where eclectic neighbourhood bazaars and colourful side streets meet modern shopping centres and commercial properties. This will be the first hotel for Fairmont Hotels & Resorts in Turkey, and the fifth property of parent company AccorHotel’s luxury brand portfolio within Istanbul. Situated inside the Quasar Istanbul complex, Fairmont Quasar Istanbul occupies two 40-story towers that sit atop a four-story office podium comprised of fitness facilities and luxury retail. The towers include Fairmont Hotel and Residences, as well as the Quasar Residences and offices, also managed by Fairmont. Opened March 2017, Fairmont Quasar Istanbul provides 209 guestrooms including 25 suites.
Robert Mallet Stevens was our inspiration for the interior design concept. The hotel is set on the site of Turkey’s first liquor factory that was designed by the Parisian Art Deco Master Architect. Built in 1930, the factory was and remains both an important political statement of the modernity of Turkey and a unique piece of Istanbul’s architectural history. Robert Mallet Steven’s design of flowing concrete and glass, the industrial feel of the distillery equipment lent to the fervour of the Bauhaus design trends of the time. The factory itself emanated feelings of progress, positivity, hope, industry, and advancement encapsulating the birth of a new nation. Form following function, yet Robert Mallet Stevens never forgot the human touches through Art Deco details, intimate scaling, and compression versus expansion. This was the very same spirit that we wanted to transport into 2017 and into Fairmont Istanbul— To bring this sophistication into the millennium. The hotel is purposely designed to echo this bygone industrial age but interpreted in a new luxurious and relevant manner. Spaces are both intimate and expansive, filled with light; the materials used tactile and even nostalgic; all composed to recapture that ‘magic’. This design strategy is further enhanced with a more human story: We created a unique tale of two Turkish sisters, one living in New York and the other in Paris, both returning to Istanbul and bringing home with them the design sensibilities of the two cities to Istanbul. This tale is a story of souls bound together through time; timeless yet modern. These sisters, having lived in such rich and vibrant cities wanted to return to Istanbul with their adopted communities of Paris and New York, adding yet another rich layer to the fabric of the city. Istanbul is the perfect synthesis between East and West as Paris-New York are the shining beacons of the old and new worlds. This sets the perfect stage for the sisters to converge and star in a performance of life, love, and expression. This was our inspiration for the Fairmont Istanbul. This is our tale of old and new souls, bound together through the ages.
The main design challenge for us was to create a sense of place without being overly colloquial; the owners wanted the hotel to be modern yet timeless with a true sense of nostalgic elegance. The imposing glass and steel architecture of the towers also presented unique challenges to crafting this look. Furthermore, the structural grid left for the interior spaces that were somewhat compartmentalised into rooms of varying sizes also posed a design challenge for us. By echoing Robert Mallet Steven’s spirit of both compressive and expansive spaces, intimate yet grand, and merging influences of Parisian chic with New York industrial flair, we created harmonious design concept that helped mitigate these challenges. The result was a very interesting design with a variety of “feelings” and moments within the hotel. The creation was a multi-layered fabric of experiences much like the fabric of the city of Istanbul.
Some of the team highlights for the Fairmont Quasar Istanbul project include the hotel lobby and the luxurious Presidential Suite. Inspired by local Turkish culture, the 1930’s liquor factory and The Borphorus Strait, and the tale of two sisters, the lobby includes a fireplace, angled ceiling panels, eclectic groups of seating and a custom Turkish-inspired carpet by Golden Hali. The area is imbued with timeless, modern and local design such as large windows that look out onto the lobby garden – commonly found in Turkish architecture. These windows effortlessly create a sense of light and openness, and are bordered by floor-to-ceiling black metal geometric screens. All of the interior design details merge together to create a great public space for guests to sit, relax, and even enjoy a drink if they so choose. Fairmont Quasar Istanbul’s most luxurious room is the Presidential Suite. This space is a multifaceted and dynamic design with details ranging from the custom carpets and leather-upholstered casegoods to Turkish accessories and artwork that create an elegant and modern décor. Inspired by the industrial elements of the Robert Mallet liquor factory, rooms at the Fairmont Quasar Istanbul are a mix of Turkish design with bespoke, custom-made pieces such as the desk which has been created as a multi-functional space for work, dining or relaxing. The space includes blue leather-tufted headboards, mini-bars in the style of vintage travel trunks and custom carpets by Ottoman Hali and Stepevi. The bathrooms feature showers that resemble a traditional Turkish hammam, offering a local experience. The dining room makes the suite a truly luxury place for guests to stay. The interior design elements include dark walnut millwork, patterned wooden floors and crackled accent wall covering as well as the sparkling orb chandelier and angular mirrored wall sculpture.
SBID is a trusted industry voice and highly regarded by the interior design community. Wilson Associates is very proud to be recognised by SBID and be able to showcase our latest projects on a global and influential platform. The projects submitted to the awards program gets better, and better every year, which encourages us to push the creativity envelope further and deliver even better work. To see the talent we’re up against and to be able to walk away as category finalists or winners is an incredible honour. And, it’s always a lovely feeling at the awards ceremony when the design community is united, there’s a real buzz!
Questions answered by the Wilson Associates, New York team; Joanne Yong, Principal Designer; Dan Kwan, SVP and Managing Director; Seiichi Mori, Design Director; David Dorfman, Project Manager; Keiko Matsumoto, Senior Project Designer; Kevin Caulfield, Senior Design Manager.
If you missed last week’s Project of the Week featuring a new casual dining concept and London’s first dedicated Avocado bar, click here to see more.
Wilson Associates | SBID International Design Awards 2018
This week’s instalment of the #SBIDinspire interior design series features London’s first dedicated Avocado bar. Hospitality design specialists DesignLSM share their latest interior project with a restaurant design which evokes a relaxed, bohemian ambience with a beautifully crafted design for the new casual dining concept – Avobar. Following the success of Avobar’s themed pop-up site, a new permanent restaurant has launched which presents the first all-avocado dining concept to arrive in London, creating a ‘must-visit’ destination for health-focused millennials. The 740 sqft restaurant accommodates 70 covers across two floors combining an open and social dining environment with an in-house retail space offering avocado-based skincare and lifestyle products to customers.
Company: DesignLSM
Project: Avobar
Project Location: London, UK
Our brief was to create a relaxed and inspired interior for the launch of London’s first all-avocado dining concept – Avobar. We worked closely with the client to curate an eclectic environment that provides ‘insta-worthy’ appeal, whilst capturing the ethos behind the Avobar brand. Located in the busy shopping hub of Covent Garden’s Henrietta Street, the 740sqft restaurant provides the perfect social setting for London’s avo-lovers offering a beautifully crafted menu and design dedicated to the popular super fruit.
Our restaurant design narrative draws inspiration from the laid-back modern aesthetic of California, featuring a relaxed and neutral interior palette – including distressed white timber, abundant hanging foliage combined with a range of printed and woven textiles. Guests can order via the central service counter which is entirely clad in avocado hued handmade tiles and framed by a rustic, draped gantry formed from peeled timber branches. We designed pockets of communal and intimate seating throughout the space, highlighted by soft brass and oversized rattan pendant lighting to induce a warm and social ambience into the space.
Particular design highlights include a striking living plant wall, pastel-coloured tiles and stunning botanical backdrops which have been designed to induce natural warmth as well as communicate the distinctive persona of the brand.
The toughest challenge was overcoming the initial planning constraints of the site, which impacted the timings of the design programme. However we managed to work productively and efficiently to ensure that everything was delivered and completed to a high standard for the client.
A real highlight of the project was seeing the finished avocado toned feature tile wall, which took a great attention to detail to ensure that each tile was perfectly positioned and blended into one another. The striking wall is a prominent feature in the space for this restaurant design to create a true visual feast for Avobar’s customers.
Questions answered by Chloe Mager, Senior Designer at DesignLSM
If you missed last week’s Project of the Week featuring the ultimate, employee-centric and ergonomic office space, click here to see more.
DesignLSM | SBID International Design Awards 2018
On SBID’s journey to discover more about the personal experiences and careers of interior and design professionals throughout the industry, we interviewed the CEO at Panaz Holdings, Tony Attard. Tony shares his approach to that all-important work-life integration, the latest on his design agenda, as well as his thoughts on the predominant issues faced by the industry as a whole.
Can you describe your current job?
I am CEO of Panaz Holdings, Chairman of Alusid, Chairman of Marketing Lancashire, Director of BCFA and currently High Sheriff of Lancashire. My jobs are primarily strategic although I get involved with many of my company initiatives to ensure they are delivered OTIF (On Time In Full).
What is your background and how did you get into interior design?
I was always interested in the integration of Art, Design, Marketing and Business. I therefore applied to study Fashion Design at St Martins, and Design Management at the University of Manchester (formally UMIST). I eventually opted for Manchester as it was a little more technical (BSc) and I was offered a University scholarship by Courtaulds which ensured a fast track career in Industry. Design is to me about the delivery of a brief, and should be manged like any other management decision. Of course there is inspiration, but that should not be at the expense of delivering on time. The more stress, the more creative the solution!
Describe an average day in your job role..
My life is not about balance, it’s about life work integration. I wake at 6.30 am and either go straight to my computer to check emails and prepare for the day, or go to the gym. Either way I then shower and have a cup of tea. I have given up on Breakfast as the healthier option and do not eat until lunch time. I get to my first meeting either at 8.30 or 9.00 am, dependent upon who else needs to get there. As I have no children at home any more, child care is not an issue for me as it may be is for others. I am usually in meetings most of the day, however as I am now High Sheriff, I could have a number of other priorities. I represent the Queen for the Judiciary, therefore I could accompany a High Court judge on the bench for a trial, I could also be out with the police force or fire brigade, or even an ambulance. Meeting people in the voluntary sector has a been a great part of being High Sheriff; the work that they do in the community is invaluable to so many vulnerable people and must be encouraged and rewarded. If I am in London I usually eat out with friends or customers and then get to bed about 12ish. If I am at home in Lancashire, I have dinner with my wife Patricia, usually on our laps and watching an episode of a program we are following (Killing Eve is our latest one!). Then, I retire to my study to write an article (like this one) or catch up on the news, prepare a report or read a board meeting agenda. I usually go to bed at 11.30 pm and read for a bit before turning off the light as my eyes start to drop.. Kindles are great because I do not need the big light on!
Which elements of your profession do you enjoy the most and/or find the most rewarding?
The most rewarding aspect for any creative is to see one’s work in the marketplace. I love creating collections with my Head of Design, Sarah Lloyd and her team, but unless anyone buys it, we have not been successful in interpreting what our customers require. It’s always very gratifying to see our fabrics in an interior either great or small, and to see that our vision can become reality.
Is there anything new you are working on?
There are so many different things. We are constantly working on new collections at Panaz, releasing 10 – 12 per year. But the new Alusid Silicastone brief is particularly interesting. Alusid is a very new company that is making a new material called Silicastone that was developed for solid surface and tiles out of a sustainability project at the University of central Lancashire. It uses two waste streams from broken pre-consumer ceramics (baths, toilets, shower trays, tiles) and post-consumer glass that would usually go into landfill. We crush it and then make great solid surfaces for table tops, work surfaces, and wall tiles. The effects we can achieve have been quite amazing. There are a number of furniture companies now using the product as a standard working surface for tables and we have installed it in a number of Architectural projects. The tiles can be used inside or outside – are frost resistant and have high colour fastness to light. We have just been granted a Design Guild mark for it!
What do you find the most challenging aspects of your job?
Keeping creatives working on time!! No seriously, I juggle a lot of balls and try not to drop them. It makes for an interesting life!
What do you wish you knew before working in the field?
I got great technical training from the University so I was able to contribute quickly to Industry. I would have liked to have known more about how to start a business, however maybe naivety in that area helps you become fearless. You cannot be frightened about what you don’t know!!
What would you tell your younger self if you had the chance?
Don’t say no to an opportunity because it may never come around again.
What has been your favourite project to work on?
I am very fortunate to have had a great creative life, I have great customers who work on some amazing projects with us, including Palaces, Cruise ships, Restaurants, Night clubs, Hotels, healthcare facilities, Hospitals and work spaces. Each project is different with many interesting solutions so to pick one out is very difficult.
What do you think is the biggest problem the interior design industry faces?
I think that Interior design is very undervalued. There is the MD’s wife syndrome where somebody that does up a home thinks that they can create a commercial interior. Dreadful mistakes can occur when this happens. The Industry must ensure that professional integrity is maintained and standards upheld. I also think that people should value intellectual copyright.
Which people do you admire the most in the industry and why?
Anybody that works that extra hour or goes that extra mile to ensure a customer is happy and satisfied.
If you were inspired by Tony’s story and want to learn more about interior design, click here.
This week’s instalment of the #SBIDinspire interior design series features the refined and sustainable hotel experience with QO Amsterdam. The QO represents a departure from most hotels, at its heart is an ethos focused almost entirely on curating and working with the natural environment. Aiming to be one of the most sustainable hotels on the planet; at every stage of design, the environmental impact was considered the forefront of the decision making process. The building itself actually breathes, with exterior panels that automatically open and close to keep heat in and out to ensure as little power is required to heat the building! Conran&Partners were responsible for designing the QO’s Guest Rooms, curated by the IHG Interior Design Department, to create a space that felt pure, clean, minimal yet timeless, luxurious and hugely appealing.
Company: Conran&Partners
Project: QO Amsterdam
Project Location: Amsterdam, Netherlands
To create a hotel with a difference that provides contemporary luxury with a social and environmental conscience. The hotel is a ‘circular’ design that produces its own energy, grows its own plants and cares about its community. Our concept was to combine materials that bring a feeling of luxury with others that reflect the industrial spirit of the area, the building itself and the philosophy of the QO.
What inspired the design of the Project?
We looked at what luxury means today to develop what the guest would enjoy spatially – taking into account the amazing views through the full height windows and the size of the rooms available to us.
We overlaid this with research on natural, sustainable and local materials to bring in the context and make very conscious decisions about the materials we were using, for example using engineered brick for the bathroom enclosures, exposed concrete ceiling, and a local limestone for the vanity. Keeping the palate paired-back and natural helped to reflect the story. We wanted to be true to how the building is actually built. So we enhanced and celebrated what it’s made from. Then we brought them together within a space which we deliberately designed open-plan so you immediately experience the light and incredible views as you enter.
Tight timelines and restrictions in the layout and services – but challenges are opportunities in our view!
Working with a team passionate about the end result and having the opportunity to create a very modern version of luxury. For example, the rooms as a whole are all controlled by an innovative iPad control systems, and ingenious touches of hidden technology that make a stay surprising and effortless. By simply putting your foot out of bed, a gentle nightlight detects this movement and glows outside the bathroom to calmly direct you without the need for switches or buttons, or the risk of accidentally switching on the master switch in the middle of the night!
This project is very special with numerous passionate different parties involved working together to create a hotel that shows the industry that hospitality can be sustainable.
Questions answered by Tina Norden, Director at Conran&Partners
To ensure you are kept up to date with the latest interior design inspiration, sign up for our newsletter and follow us on Instagram @sbiduk
If you missed last week’s Project of the Week featuring the tranquil tearoom nestled amidst a verdant bamboo grove in Shenzhen, click here to see more.
The 2018 edition of the SBID International Design Awards is now officially open for entries! Click here to register or enter your project!
Conran&Partners | SBID International Design Awards 2018
This week’s instalment of the #SBIDinspire series features the re-development of DeVere Tortworth Court Hotel, a historic Gothic mansion which is located within a scenic parkland on the Cotswold Edge, beside the Severn Valley and close to Bristol.
Tortworth Court is an elegant and sophisticated hotel surrounded by enchanting scenery located just outside of Bristol and dating back to the 11th Century. Over the past 12 months the hotel has undergone a lavish refurbishment as part of the DeVere property refurbishment programme. Virtual Resolution has been working alongside DeVerve and its design/development teams to visualise the proposals for Tortworth Court, Wokefield Estate, Latimer Estate and Wotton House. This project was particularly challenging due to the listed nature of parts of the building, the complex ceilings, bookcases and fireplaces required detailed modelling. The CGI’s & 360-degree views created within 3Ds Max, Vray & Photoshop have been used not only to inform guests of the re-development, but also assist the design team and management specify fittings and fixtures that would enhance this beautiful building.
SBID had the opportunity to speak with Tim Power, Director of Virtual Resolution about this outstanding CGI & Visualisation project.
Company: Virtual Resolution
Project: DeVere Tortworth Court Hotel
Project Location: Britsol, United Kingdom
We have worked on a wide range of projects with the Principal Hotel group to support a major UK wide refurbishment programme. Our CGIs and 360 degree views have helped bring to life proposed multi-million pound refurbishments at a number of their properties.
For this project DeVere’s design and development team partnered with us to visualise their proposals to transform Tortworth Court in the Cotswolds. Each image was to be used as part of the design, sign off and public engagement process and therefore had to accurately portray the internal and external design teams’ aspirations.
Each view clearly visualised the proposed fittings and fixtures as well as showcasing exactly how each detail integrated with the existing buildings and complemented the features that would be retained. We were commissioned to create stunning visuals that accurately represented the design proposals for the mansion house, including its guest suites, bathrooms, main bar, function rooms, meeting rooms and exceptional Victorian conservatory, The Orangery.
The inspiration for this tasteful refurbishment was to maximise the essence of a grand English Country Estate, rooted in tradition but with a contemporary and eclectic approach. The space would reflect the grand traditions of Great Britain and the country manor house, with a modern feel that combined comfort and style with grace and character.
Tortworth Court is a Grade II listed Victorian mansion and the complex ceilings, bookcases and fireplaces required detailed modelling. The building has some stunning features and our challenge was to portray these accurately and to scale in each of our visualisations, whilst showing how the contemporary design elements would work seamlessly with these assets to create an impressive overall impact.
The design team at DeVere Hotels had truly great vision and it was a real privilege to work alongside them to bring their ideas to life. The whole Virtual Resolution team found this an inspiring project to work on and we enjoyed playing our part in creating a series of great images which have now been turned into reality.
We do some fantastic work that regularly pushes boundaries and exceeds client expectations. We rarely shout about it but in the case of Tortworth Court we felt the project was a perfect example of how CGI and visualisation can be used effectively to create a more experiential approach to marketing and interior design.
Questions answered by Tim Power, Director at Virtual Resolution.
To ensure you are kept up to date with the latest inspiration sign up for our newsletter and follow us on social media.
If you missed last week’s Project of the Week with the artful restaurant Alkimia click here to see more
Entries were received, finalists deliberated and the winners of the SBID International Design Awards 2017 have been announced! Click here to see the full list.
Virtual Resolution | SBID International Design Awards 2017
This week’s instalment of the #SBIDinspire series features Alkimia, an artfully abstract restaurant located within the heart of Barcelona.
Alkimia is located on the main floor of a modernist building (dating back to 1864) which had previously been left unoccupied for 40 years. The project design was carried out taking into consideration two main elements: the pre-existing architectural context (including its old patina & typology) and the specific gastronomic offer of the Michelin-starred restaurant Alkimia (the menu is 80% fish). The designers wanted to establish a meaningful relationship between the architectural context & the new design. Safeguarding the existing architectural context of the building was paramount. Generating a sensory path where customers are indulged by flavours, fragrances, and all sorts of perceptions were also an vital part of the Alkimia experience.
The restaurant has been conceived as a continuous scenography fostering a seamless sensory experience. The different parts of this scenography feature ocean inspired skins, art installations & custom-made furniture which establish a unique relationship with the surrounding space. Nothing is forever, everything is bespoke. In order to preserve the existing architecture, neither structural interventions nor permanent transformation of the building were proposed. Even the vintage patina on the walls has been kept. Overall, the project is based on a dialogue between digital fabrication and craftsmanship.
SBID had the opportunity to speak with Carmelo Zappulla, PHd Architect with External Reference.
Company: External Reference and Chu Uroz
Project: Alkimia
Project Location: Barcelona, Spain.
The restaurant is located in the centre of Barcelona, on the main floor of a modernist building (dating back to 1864) left unoccupied for 40 years. The project design has been carried out taking into consideration two elements: the pre-existing architectural context (including its old patina and typology) and the specific gastronomic offer of the Michelin-starred restaurant Alkimia (which is 80% based on fish).
1 – The relationship between old and new, digital and artisan.
The project was conceived as a series of physical interventions, or artistic installations that work as mobile or ephemeral devices in dialogue with the old apartment. These elements are the ‘fish spine’ which generates a path that bring you from the reception to the dining rooms and which separates the Unplugged from the formal area.
2. The ‘Alkimia Lab’ is making a new interpretation of the nobiliary entrance of the apartment.
3. The winery, the gallery, the sofa, all the elements are contemporary, new filters that allow you to see the old space and patina.
All these elements are designed using cutting edges parametric software. The fabrication is created through a digital fabrication process, artisanal knowledge and hard work. For example the mold of the AURA chair is 3D printed however its production is completely traditional: cast aluminium, hand welding and polishing, upholstery…
4. The Jordi Vila’s Cousin and his vision of mixing together traditional ingredients with new techniques like an alchemist. From this, the name Alkimia.
To design all the custom made furniture, components and manage and instruct manufacturers who had never completed something as challenging.
Because it is a very prestigious award.
Questions answered by Carmelo Zappulla, PHd Architect at External Reference.
If you missed last week’s Project of the Week with the historic York Theatre Royal click here to see more
External Reference| SBID International Design Awards 2017
This week’s instalment of the #SBIDinspire series features MKV Design’s glorious renovation and extension of Hôtel Royal Savoy, Lausanne, Switzerland. Drawing on the Art Nouveau heritage of the original property while redesigning the spaces in the old building, aiming to delight today’s international travellers and local guests. By contrast, the new wing is resolutely modern in style with smart, streamlined interiors. Throughout, luxury has been taken to a new level with elegant new guest rooms, magnificent suites and captivating public areas while connection to the hotel gardens as well as the city has been restated with ingeniously created views at both ground level and from the rooftops.
SBID had the opportunity to speak with Maria Vafiadis, Founder and Managing Director of MKV Design.
Company: MKV Design
Project: Hôtel Royal Savoy
Project Location: Lausanne, Switzerland
Hotel Royal Savoy was once one of Lausanne’s Grandes Dames but was closed and in disrepair when the project began. The vision was to reinvent the legend, taking design cues from the old building but essentially creating a new hotel. In the process, the footprint of the hotel was virtually doubled with the addition of a new wing.
The concept of the classic grand hotel is particularly Swiss and design inspiration was found in the hotel’s beautiful gardens, its quintessentially Swiss views of Lake Geneva, the Art Nouveau heritage, whispers of history and the owner’s private art collection.
The new plan takes guests on a journey through distinctive spaces, each one heralded by a custom-designed decorative screen. From the classical arrival hall onto the lounge where a grand double-height space is revived as a glamorous showpiece with dramatic lighting and new furniture that hints at Art Nouveau. There are new plaster mouldings, in a style similar to the original, while elegant hand stencilling replicates earlier decoration to the walls. The bar is the next stage, looking towards a new glazed extension and the sudden vista of the gardens. To one side, the walkway, which may be fully opened-up to the sunshine, flows through the garden to the new building.
In reality, there weren’t any great hurdles in this project. We’re used to reinventing Grand Dames for the next generation and always find them a great joy and privilege to work on as we relish the research and sensitive considerations that this kind of project involves.
The spa was a certainly a highlight for us. The boldly contemporary design means that it is completely unlike anything else that Lausanne has to offer and it is thrilling to see how well it is being received by both hotel guests and local people. It was also a real pleasure to be able to work with some of the original elements of the hotel such as a historical wall mural depicting a rural idyll, which was relocated from the entrance lobby to the restaurant, as well as antiques and artwork from the owner’s personal collection.
Further to this, the team relished the opportunity to create guestrooms in both the new and heritage buildings that made the most of the spectacular views over Lake Geneva and the beautiful hotel gardens. The opening up of the rear of the original building with the glazed extension and terraces continues this connection between indoor and out.
SBID is one of the most highly respected awards schemes in the industry. We value the calibre of the projects entered and take pride in having our work judged by such an esteemed panel.
Questions answered by Maria Vafiadis, Founder and Managing Director of MKV Design
If you missed last week’s Project of the Week with JHP Design, click Here
Entries to the SBID Awards 2017 are now open and accepting submissions, to find out more and enter Click Here.
MKV Design | SBID International Design Awards 2016
Photography by Robert Miller.
Join SBID
Find out more about our flexible membership structure.
By subscribing, you agree to be added to SBID’s mailing list. As an industry’s standard bearer organisation, we strive to bring you the most up to date news and access to exclusive industry content through our various newsletters.
First Name
Last Name
Email Address
I accept the SBID Terms of Use