Art is at the Heart of Rachel McLane’s Interior Designs for Farm Barn Conversions

Art is at the heart of Rachel McLane Ltd's interior designs for the new high quality Eden Valley farm barns conversion of the Flakebridge Estate.

The major interior design project has an array of traditionally constructed stone and slate barns, cattle byers and dairy into a stone hospitality centre and holiday cottages which are now open at Appleby-in-Westmorland, Cumbria.

The main old barn has been transformed into the hospitality centre for the new facility with a drawing-room, bar and breakfast room, shooting/gun room and a large commercial kitchen. An adjacent barn houses a billiards room and wine cellar. Seven stone cottages have also been converted from the former farm buildings and come with their own bespoke kitchens and en-suite bathrooms.

Rachel McLane Ltd worked from the architect’s planning drawings at an early stage to incorporate their vision into the internal detailing including all the internal finishes, electrical and lighting positions and spatial arrangements. Rachel McLane Ltd sourced all fixtures and fittings, including bespoke joinery, lighting and furniture.

As part of the project Pickering-based Rachel McLane Ltd's award-winning design team have created a unique and original look for the development after commissioning an abstract acrylic/multi-media painting by fine artist and founder of Red Dog Glass Design, Sally Coulden.

"I'm a big admirer of Sally and her art and have wanted to work with her for some time now," said Rachel, whose business has won and been finalist in numerous awards including the Northern Design Awards Best Hotel Interior Design 2020 for their work on the Bike & Boot Hotel in Scarborough.

"The farming history, stone and timber structure of the barn and the cottages with the addition of Sally’s artwork gave us the perfect opportunity to create a unique and beautiful design which compliments the surrounding landscape of the farm.

She visited the estate as part of the preparation and to fuel her inspiration for the original painting. Having found a great view which she felt captured the essence of the landscape she spent several days sketching, taking photographs and getting to know the environment before heading back to her studio to start work on the painting." - Rachel McLane

The end result is a 2m x 1.5m abstract painting on canvas, which now hangs in the main barn and reflects the rural, family nature of the estate, with found objects from the surrounding fields, including foliage and pheasant feathers.

"It was a leap of faith on Rachel's part as we hadn’t worked together before but it has been such a brilliant partnership throughout the process. In addition to the original painting, Red Dog Glass Design has created a contemporary art glass panel which sits behind the aga in the main breakfast room, the design for which has taken specific features from the original painting." - Sally Coulden

Rachel McLane Ltd was part of a project team led by LHL Group, architects, quantity and building surveyors, and GEM Construction, both of York.

LHL Group's managing director Richard Hampshire said, "We were able to incorporate Rachel into the full design team at an early stage, so this has made the integration of architectural and interior design so much easier and has avoided any design clashes at the outset, and ensured that we were all working to budgetary constraints.

Working in old buildings is always challenging but every project meeting has been well spirited and any problems were countered with solutions in the quest to meet the brief and it is clear to me that we had a team all working to one goal. The unique Rachel McLane Ltd flare shines through."

Giles Bilton, of Morgan Bilton, who acted as land and estate agent on the property for the owner Flakebridge Estate said, "This was a lovely courtyard of old farm buildings which were once part of a tenanted farm within the Flakebrigde Estate. We were able to purchase the land and old farm buildings in the knowledge that the tenant farmer was soon to retire.

The seven cottages of this first phase sleep 24 people, with five two-bedroomed and two one-bedroomed cottages, but the eventual plan is to sleep at least 34 including a new as-yet-to-be built five-bedroom home. Low Barn is available to book as individual cottages, or the entire complex."

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This week’s instalment of the Project of the Week series features a modern and collaborative office design by 2022 SBID Awards Finalist, Elkus Manfredi Architects.

AEW Capital Management asked Elkus Manfredi’s team to design a culturally transformative workplace for its office in Boston’s Seaport District. Company leadership sought to offer a rich mix of options for employees to encourage collaboration, remove hierarchy, and enable people to work in an environment suited to their individual working styles. The design approaches the workspace in a new way­ – not as a container for staff, but as a tool for success and a model for health and wellness.

Well Gold and Well Health & Safety-certified, the reimagined 75,000-sf office features abundant daylight, sweeping views, a wide variety of work settings, and a collection of original artwork that speaks directly to the depth of AEW’s commitment to diversity, equity, and inclusion. Designers turned AEW’s office inside out, moving offices to the interior and positioning workstations, collaboration areas, and the employee café nearest the windows, where views can be enjoyed by the most people. A mix of meeting rooms, offices, workstations, and collaboration zones form work “neighborhoods.” Throughout the office, the ongoing dialogue between upscale and industrial elements creates an environment that is sophisticated while still comfortable and unpretentious, capturing the firm’s leadership position as well as its inclusive, approachable culture.

What was the client's brief? 

AEW Capital Management asked Elkus Manfredi Architects to design a culturally transformative workplace for its office in Boston’s Seaport District. Company leadership sought to offer a rich mix of options for employees to encourage collaboration and mentoring, build community, and allow people to work in environments suited to their individual working styles so they could do their best work.

What inspired the design of the project?

From the start, our design team was inspired by the commitment of AEW leadership to their employees, by their open-minded and collaborative exploration of new ways of thinking about workspace, and the trust they put in us to achieve their vision. They were deeply immersed in exploring new ways of supporting their employees through design, from the choice of furniture for each neighborhood “back porch,” to the investment in the HELP art portfolio as part of their art collection, to pursuing – and achieving – WELL Gold certification. AEW stressed that they had a great firm culture and wanted to preserve and strengthen that. So their goal for the design was to create an office that was comfortable and casual enough for their unpretentious culture, while also upscale enough to reflect AEW’s global leadership stature for visiting investors and clients. We designed and built the project during the pandemic, so the employee engagement process was more important than ever.  

What was the toughest hurdle your team overcame during the project?

The client team and the design team needed to figure out together how to complete the project during the pandemic. Pivoting to remote work during design presented challenges for designers because there were finishes not fully selected at the time construction began as soon as the City of Boston allowed. To make selections as a team and get approvals from the client when we were not all in a room together, the design team had daily Zoom meetings and samples were sent to designers’ homes, clients’ homes, or to the office, where team members would go separately to review them. During construction, there were delays due to supply chain problems and construction site protocols, which, although necessary, took time away from the schedule­ – when someone tested positive for the virus, the general contractor had to send that crew home for a week. Pulling together under such adverse conditions was inspiring for both the client and design teams, which helped move the project forward in spite of obstacles.

What was your team’s highlight of the project?

A huge highlight was how excited AEW’s employees were to come into the office when construction was complete. The design team was still going through punch list items and the AEW workspace was already filled with staff. This was before returning to the office was taking hold in any meaningful way, so the packed office was a testament to the success of the project. We all felt that a big part of the staff’s enthusiasm arose from the employee engagement co-creation process we utilized during the design period, which allowed everyone to become invested in the outcome.

Why did you enter the SBID Awards?

The office that grew out of our partnership with AEW combines the best strategic design thinking about the workplace of the future with the quiet integrity of AEW’s mission, the firm’s inclusive culture, and the leadership stature of its brand. It is a timeless but timely investment in the company’s future that will inspire AEW’s acclaimed workforce and attract top talent for many years to come. We wanted to share the AEW office with SBID’s audience as an example of a “magnet” workplace, an office co-created with employees where they choose to be because they know it’s where they can do their best work.

Questions answered by Elizabeth Lowrey FIIDA, RDI, Principal, Elkus Manfredi Architects.

This week’s instalment of the Project of the Week series features a glamorous bathroom design by 2022 SBID Awards Finalist, Jasmin Reese Interiors.

What was the client's brief? 

The brief of the Project was to create a hip "powder room" in this industrial loft space that also doubled as a guest bathroom.

What inspired the design of the project?

At the beginning of each project, I meet with clients for a "Style Session" meeting, it is a meeting to determine the programmatic requirements of the project, budget, and I also try to see how high octane the client would go. In this case the client responded to a lot of sexy hotel interiors, black chic rooms, and moody interiors, so we went in that direction.

What was the toughest hurdle your team overcame during the project?

Our biggest hurdle was getting the materials, it was during Covid so information was not as fast as we were used to and reselecting materials when they became out of stock was challenging to keep the project moving forward.

What was your team’s highlight of the project?

The wallpaper was the biggest highlight! It was really fun to be able to wrap a large scale print on the walls and also the door in a small space.

Why did you enter the SBID Awards?

I think the SBID awards showcase designs that are unique, colorful, and fresh.

Questions answered by Jasmin Reese, Owner, Jasmin Reese Interiors.

For 35 years, Arteriors have been proud to work with artisan craftsmen from across the globe to create the highest quality furniture, lighting, wall décor and accessories.

To cater for our extensive and always growing network of interior design clientele, each season we cherry pick pieces of inspiration from around the world, curating product collections tailored to a wide range of design led interiors.

For the past few seasons, we’ve taken direct inspiration from a range of global destinations to produce statement pieces that combine unique location-specific elements with our signature aesthetic.

Berlin Bauhaus

An architectural movement that proceeded to inspire art and interior design for generations, Bauhaus combines contemporary geometric shaping with unique materials. Material of choice for this collection is luxurious leather. This is seen across an assortment of upholstered furniture, as accent detailing on accessories, and as part of lighting designs. A variety of finishes and forms creates distinctive, design-led products that showcase the juxtaposition of using a material ordinarily associated with a more traditional aesthetic within sculpted and soft designs.

Bel Air Luxe, & Monaco Glamour

Collections that imbue luxury in the traditional sense of the word are inspired by Monaco and Bel Air. Both exude opulence and grandeur with highlight features such as sumptuous velvet seating and rich mahogany furniture with extravagant chandeliers to bring to life this vision of luxury.

Napili Naturals

Inspired by a true tropical paradise and timed to launch with the approach of the summer season, this collection sings with the use of natural rattan and raffia, and elegant use of lighter hues are reminiscent of such coastal destinations. We’ve strived to be innovative with material choices, incorporating open linen weaves, coconut shells and wooden beading within our decorative accessories.

Shibuya Modern

The beauty of minimalism is redefined in a collection influenced by Shibuya. Striking, modern shapes and a muted tonal colour scheme are juxtaposed by a selection of woods and ceramics that break up an otherwise monochrome palette. The highlight product from this range that most imbues a sense of Tokyo’s architecture and cultural influences is the Stella cocktail cabinet. With a silhouette reminiscent of a Japanese kimono, fashioned from panels of oyster oak, epitomising the aesthetic of this distinctive collection.

Montreal Fusion

A combination of traditional European influences appear to jostle with a contemporary aesthetic in our product range inspired by Montreal. The charm of this city is this combination of centuries-old architecture with elements of contemporary flair, recreated in product design through a mix of finishes including wood, blackened iron, and pale ivory.

Through decades of meticulous research, and by working alongside skilled craftsmen from around the globe, we’re continuously inspired to experiment with aesthetics, materials and techniques. A selection of location-inspired pieces are available in our Chelsea showroom, and form part of our Spring collection.

Cover image: Pierson Wall Plaques £855; Perez Coffee Table £2,331

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In this week's interview with 2022 SBID Awards winners of the Residential Apartment Under £1M category, JL Studio, Jenya Lykasova discusses achieving a balance of roughness and cosiness, using natural materials in a design, and mixing nature and architecture.

The JL STUDIO team has implemented a completely unique interior design project for a two-level apartment in a historic building.

Firstly, tell us a bit about the design of your project. What were the key ideas, concepts and processes behind it?

The main idea behind the interior is naturalness, going beyond the ordinary and outgoing trends. It was important for us to create an interior that would be relevant even in 10 years from now.

We met some difficulties while started working on the project, because the local authorities imposed strict requirements on the renovation of the building. We wanted to emphasize its historical value and show pure modernity in the same time, as well as demonstrate how harmoniously this interior fits to the human nature and people’s lifestyle.

What was your biggest takeaway or highlight from completing this project?

I was happy to realise, that we have reached this perfect combination of cosiness, natural roughness and uniqueness. Art objects in the interior are ordinary things that we see in nature, but do not see in our apartments. That is why they are not perceived as something catchy and do not turn the house into a museum.

At the same time, these interior elements perfectly reflect the bright individuality of the owners. Guys are happy and delighted with their new interior for 100 % - that is very important for me and my team.

What has winning an SBID Award meant for you and your business?

We have always been totally in love with what we do, but SBID Award gives a definite understanding that our projects are professional and competent. It means that we understand high standards and trends of the interior design in the UK and worldwide as well. We had been participating for three years and finally got an award we wanted so far.

The design creates a cosy and warm space while using wildness and rough textures in an ancient building. How did you achieve such an effect, without the apartment looking cold and stiff?

Textures make everything, especially when they are so different and extraordinarily tactile. Everything matches perfectly in this symphony of comfort and function. Linen plays with woods and bricks as well as day-and-night lighting compliments every single detail of this interior composition.

This space is full of natural light which is duplicated by lamps of soft lighting at night. Greens play a key role also: it fills the interior not only with freshness and life, but also helps to absorb sounds and eliminate echo.

What would you say is most important to keep in mind / the correct approach when using lots of natural materials and textures in an interior design?

Its important to find out a nice combination between materials, this relationship is a key note. By choosing material samples we always place them all together and check if there is something to ruin the whole idea.

I don’t like much color but i enjoy rotating textures within a composition of the same color. For example, total grey interior architecture looks smart and expressive only when all the textures are different.

And of course all the materials should be tactile and cause this incredible touch-desire. If they are not, something has to be changed immediately.

There is quite a mix of straight-edged and organically shaped furniture. Tell us more about your choice and approach to using it.

This is one of my favorite techniques. While combining straight-edged shapes with natural ones I can emphasize each of them correctly. Straight forms of the podium are highlighted by soft couch pillows. Look at this unusual bathroom with its strange shower and a stone sink which is supposed to be an accent itself.

It seems like we mix nature and architecture, human impact on the entire world and the origins of human being. The key idea of this interior - is our communication with nature because we are a strong part of it.

Questions answered by Jenya Lykasova, Founder & Director, JL STUDIO.

This week’s instalment of the Project of the Week series features a contemporary family home design by 2022 SBID Awards Finalist, RS Interiores & IDA SRL.

The inspiration of this Project came from the very first call with our clients, it’s a design inspired by Mid century décor. In Marba Haus we implemented much warmth of the environment to instill peace and serenity within the design.

The use of wood is shown in the many elements of the design, for example, the wooden ceilings, or in the many modern pieces of furniture. The color coordination of the greens and terracotta inspires organic design. We used textured techniques for the wall finishings creating different dimensions and earthy sensations.

All these combinations in the design have created a warm, peaceful and serene home, a true space for a family to live.

What was the client's brief? 

The clients wanted a family home that reminded them of nature.

What inspired the design of the project?

The inspiration came from a phone call when discussing the project with my clients, they were speaking about how they loved to be outdoors and nature. Colors like greens and earthy tones, textures all came into place.

What was the toughest hurdle your team overcame during the project?

The toughest hurdle for this project was creating new texture techniques on the walls with plaster and sand. We used a brush in order to create arched movements and patterns on the walls. After completing this process we decided to paint over it. The overall aspect of this organic creation was a true work of art.

What was your team’s highlight of the project?

The highlight of this project has to be the combination of the materials and finishing and how they all come together in design. We were able to mix furniture, textures and fabrics to mesh the mid century feel with contemporary design.

Why did you enter the SBID Awards?

As a SBID Member and past winner of the 2020, I believe in sharing and competing in design. It makes us stronger as designers and inspires others in our field to grow as professionals.

Questions answered by Rosadela Serulle, CEO and Founder, RS Interiores & IDA SRL.

In this week's interview with 2022 SBID Awards winners of the CGI & Visualisation category, II BY IV DESIGN, Dan Menchions talks about working on sustainability-focused projects, integrating sustainable initiatives into the design, as well as making wellness the main priority of the space.

In a world threatened by the climate crisis, The Residences at Central Park offers a better future. Nestled between Toronto’s protected ravine and one of the city’s hip urban areas, it is a vibrant nexus—focused on wellness and sustainability.

Firstly, tell us a bit about the design of your project. What were the key ideas, concepts and processes behind it?

Central Park is an ambitious 12-acre master-planned neighbourhood in Toronto that promises a connected, healthier future. Focused on wellness and sustainability, it connects the urban and natural worlds, raising the bar for design excellence. Green initiatives are integrated throughout the complex. We worked collaboratively with the entire project team to align the interior design with the development’s vision: refining the contemporary lifestyle, using natural materials and framing views of the ravines, extending the harmony of the natural world inside. This strategy is also implemented in the design of the permanent Presentation Pavilion, where a composition of natural materials and future-forward immersive experiences emulate the proposed lifestyle for the prospective inhabitants of Central Park.  

Designed holistically, the Presentation Pavilion for Central Park is built as a permanent space with the potential to transform into a multi-purpose cultural hub for the community. Wrapped in a soaring 4-storey window façade, this architectural glass box is positioned on the site as a billboard to sell the development and its breathtaking views. With an orchestrated, powerful retail experience, we weaved culture and lifestyle stories, thoughtful moments of theatre, and a series of vignettes, creating the forthcoming environment at Central Park for the prospective residents while they visually merchandise the selection of future-forward finishes, furniture, and products. 

What was your biggest takeaway or highlight from completing this project?

Witnessing the positive reaction of those who visit the site—and the pavilion—has been a joy for us since completing the project. We are pleased to see the formation of a community that cares about wellness and sustainability; and have come to appreciate how significant the integration of nature and natural elements (including natural light) plays a part in creating a healthy, future-forward residence. It is also encouraging to gain insights about how much the prospective residents of Central Park delight in someday living where they have ease of access to the nearby ravines, urban living, public transit, and robust indoor/outdoor amenities. We aim to incorporate these insights into our future projects, designing healthy, wellness-focused, and connected residences for our clients.

What has winning an SBID Award meant for you and your business?

Since its inception in 2009, SBID has been instrumental in propelling the interior design industry forward. As a global platform—attracting entries from across the world—it is truly an honour to win an SBID award. It is a sign of industry recognition for our project to get evaluated by leading experts for technical content and aesthetic creativity. Together with our clients, team, and collaborators, we get the boost of encouragement to continue designing beautiful spaces that connect and elevate people. We also love that the design-conscious public has a say in voting for the most inspiring projects.

What is the most important thing to keep in mind when working on sustainability-focused projects?

When designing a sustainability-focused project, the design principles of functionality, accessibility, and aesthetics revolve around environmental considerations, so in a way, the project is both eco-centric and human-centric, which includes humans too. The longevity and durability of the finishes are key, especially for high-traffic areas. It is also important to work collaboratively with the entire project team to accommodate for systematic Green features that are new in residential developments. For Central Park, we reached further and emphasized the significance of integrating the natural world into everyday life by incorporating natural materials and views of the surrounding ravine areas and using energy-efficient technology throughout the interiors.   

The development’s vision is to refine the contemporary lifestyle. What does contemporary lifestyle mean to you? How do you think our lifestyles and, therefore, design choices are changing?

To mitigate the climate crisis, we need to refine our current lifestyle as a global society. We need to become more efficient and eco-conscious, mainly for our benefit.

The Residences at Central Park connect the urban back to nature. The design and development team has integrated Green initiatives like reflective solar panels, Green roofs, and a thermal building envelope. A next-generation mechanical system incorporates advanced airflow and filtration for the entire building. Moreover, there is direct access to public transit, on-site bicycle/car-share service, and EV (electric vehicle) charging stations for every spot in residential and visitor parking spaces, promoting safe, clean travel—free of emissions. As interior designers of Central Park, we decided to reimagine how we can live better: what aspects of today’s lifestyle could be refined for a better tomorrow. We then reflected our insights onto every part of the project and delivered a robust amenity program, spa-inspired bathrooms, energy-saving light fixtures, and everything in between. The Presentation Gallery for this development even confirms the team’s commitment to sustainability, designing it as a permanent building. Envisioned as a multi-purpose cultural hub in the future, it is suited up in a composition of natural, enduring, high-quality materials and high-tech features for posterity.

What makes an interior design project wellness-focused? How do you account for it as a designer?

By its nature, interior design projects are always focused on wellness as we create spaces that improve the human experience through ergonomics, style, light, layout, and finish palettes/materiality. When designing vertical living projects, like The Residences of Central Park, we include activities for wellness in the amenity program. Moreover, a timeless composition of elements, materials, and furnishings in warm tones and delightful textures creates a harmonious feel for wellness. The attention to detail and quality cohesively begins at the entrance, continuing to the resort-like amenities and offering an urban oasis in each suite, including low water—and electrical—systems/appliances. There are also available provisions for cutting-edge automation, enabling residents to control temperature, lighting, or other items from their smartphones that make life more efficient and convenient, contributing to the quality of the residents’ everyday experience and, therefore, their wellness.

Questions answered by Dan Menchions, Partner, II BY IV DESIGN.

This week’s instalment of the Project of the Week series features an immersive exhibition space design by 2022 SBID Awards Finalist, Torden & Lynild.

The museum Øhavsmuseet is situated in Faaborg, surrounded by some of the most beautiful landscapes of Denmark. The nature around Faaborg is unique and very varied with ice age landscapes, wooded areas, and the archipelago. In the summer of 2021, Øhavsmuseet opened a new, innovative exhibition concept ‘Discover Yourself’. The exhibition is about the importance of nature for humans of today and for our ancestors.

Discover Yourself’ consist of five immersive spaces: ‘The Hill’, ‘The Bog’, ‘The Forest’, ‘The Sea’ and ‘The Human Nature’ which also represent five ages: the Stone Age, the Iron Age, the Middle Ages, the 19th century, and the present. Throughout the exhibition sound, light, films, scents, artefacts, etc. give the visitor a varied experience.

The exhibition is designed to convey both cultural and natural history. But it is very much a sensorial experience, which also takes elements from the science center tradition and mixes this with a very aesthetic approach to exhibition design. This way the exhibition has attracted a wide audience, including many guests who do not belong to the ‘usual museum segment’.

What was the client's brief? 

The design brief was to create a new, innovative exhibition concept in a disused warehouse at the harbor in the atmospheric old town. The aim of the exhibition was to give the audience a sense of the importance of nature for humans of today and for our ancestors. Nature has always played a central part in the lives of humans. However, in course of time, industrialization and urbanization have estranged us from the very same nature. Part of the design brief was to give the visitors an opportunity to reconnect with nature as well as with our common roots.

The client wanted an immersive experience, where guests would have no need for prior knowledge to visit the exhibition. Everyone should be able to walk in from the street and have an exciting and educational experience. It was also important for the client to create an exhibition which stimulates all senses. An exhibition that addresses the body, the brain, and the imagination.

What inspired the design of the project?

The landscapes of this part of Denmark is amazing. One of the most inspiring experiences during the development of the exhibition was a trip to some of those magic nature places.To inspire us at the beginning of the process, two of the museum curators took the design team from Torden & Lynild on a see to the highlights of the region. They showed us a very atmospheric forest with a lot of burial mounds, a beautiful place by the see and a large area with ice age hills. This experience truly kicked us off creatively.

What was the toughest hurdle your team overcame during the project?

A bit more than halfway through the process we had a big hurdle, as the construction company which were supposed to build the whole exhibition told us that they could not manage in time. Luckily, we found another very skilled contractor and with only a minor delay we managed to complete an exhibition of extremely high standard.

What was your team’s highlight of the project?

We are very happy that the public has received the exhibition so well. The museum had set their success criteria to reach 10.000 visitors in the first half year and they reached this goal.  As part of the qualitative evaluation of the project carried out by an external consulting firm, it has also been concluded that the audience is very enthusiastic about the exhibition and especially happy with the sensorial, physical, and engaging elements. Also we are proud and honoured that the exhibition received four nominations for international design awards including the SBID International Design Award.

Why did you enter the SBID Awards?

We had noticed SBID Awards because some of the most esteemed Design Companies have had the honor of winning the prize, which inspired us to submit this project. SBID is a very prestigious award and it seemed like a great opportunity to present the work of Torden & Lynild.

Questions answered by Sigrid Bennike, CEO and Scenographer, Torden & Lynild.

In this week's interview with 2022 SBID Awards winners of the Workplace Fit Out Project of the Year category, Modus Workspace, Kristy Foster shares how the team designed an office that responds to the occupants' needs and encourages socialisation, as well as how they incorporated playfulness into a professional setting.

Outstanding office design means removing barriers to communication, encouraging interaction and creating a positive environment in which people can thrive. The Numis project seeks to create such a place. 

Firstly, tell us a bit about the design of your project. What were the key ideas, concepts and processes behind it?

The design brief was simple. “Take the company to the next level in terms of the client and staff experience – provide best in class facilities and encourage interaction and communication. And don’t forget to allow for 10 years seamless growth...!!”

The space selected was spread over three levels, so immediately we considered the potential for an accommodation staircase to dynamically connect all parts of the organisation, promoting interaction and a sense of togetherness. To further breakout areas were strategically placed to maximise accessibility to the external terraces.

The design exploits the stunning views of London's skyline by creating an open, unhindered view to the horizon on entry to reception, this played a vital role in curating an impactful client experience.

What was your biggest takeaway or highlight from completing this project?

The highlight would have to be seeing how happy the client is in their new space. It is an amazing feeling to see clients not only enjoy the space for themselves but also be excited to show it off. We have built a lifelong relationship with the client team which is another huge highlight of the project.

What has winning an SBID Award meant for you and your business?

Winning an SBID International Design Award is a super high achievement and one in which we are incredibly proud. Being evaluated by both leading industry experts as well as the public is what makes this win so special, highlighting the projects attraction to a wide demographic.

How do you see the workspace designed for people to thrive in? What makes it different from regular offices?

With Numis we created a uniquely tailored workplace setting that adheres to the needs and requirements of the business. This was done by conducting a survey during the concept stage of the project to gain a detailed understanding of the types and amount of collaboration settings, meeting spaces and everyday amenities needed by the individual neighbourhoods.

One main breakout area allows all neighbourhoods to connect and meet, allowing teams that cannot sit near one another due to separations to come together to work and socialise. The main circulation route and staircase which runs through the heart of the workspace further adds to this notion of togetherness, brining teams together quickly and efficiently.

What was the most important thing to keep in mind when designing an office focused on communication and collaboration?

Firstly, it was essential to know how and where teams interact by putting ourselves in our clients’ shoes as it were, fully understanding their day to day needs. Creating dividing spaces to break up desk areas helped to create a collaborative focal point for each neighbourhood, enabling teams to work as efficiently as possible. The large breakout space provides a suitable space for hosting events, with the ability to place large screens for town hall meetings or to watch sporting events, homing in on this sense of communication and collaborating from a social perspective. Taking this even further an auditorium space kitted out with state-of-the-art technology and practical seating provides the client with a more formal gathering space, ideal for internal and external gathering.

How did you make sure the employees could stay focused and find privacy in such an open and collaborative space? Was it challenging to keep it professional while also introducing vibrancy and playfulness into the office?

Adding quiet pods, phone booths and zoom rooms enabled employees to choose focused settings to work in, all of which were not bookable, increasing their flexibility. In general, the company worked in a relatively quiet environment, so keeping the team focused wasn’t a huge challenge. Some acoustic solutions were applied in collaboration and meeting areas to reduce reverberation, but due to the nature of the business and its culture not much more was required.

The fact that we had three floors to work with enabled us to be playful with the space. The 7^th and 8^th floors had their own unique look in comparison to the 9^th floor. The client focused 9^th floor was a high-end luxury space with bronze metal, stone worktops with indulgent fabrics applied to the joinery pieces. The working floors on the other hand incorporated a handful of playful colours. It was this client / working floor separation that gave us some extra wiggle room when designing for both playfulness and professionalism.

Questions answered by Kirsty Foster, Senior Designer, Modus Workspace.

This week’s instalment of the Project of the Week series features a luxurious residential villa design by 2022 SBID Awards Finalist, Emara Design.

We still remember the joy of the customer and his family when they saw the design; only then did we feel that we did what we had to do. Emara Design worked on the architectural design and the interior decoration of a residential villa with a 250 m2 total floor area in the heart of the Dyar park compound, which consists of a reception space, a living area, a master bedroom, and three bedrooms for children. We used natural materials such as wood and marble and mixed them with warm lighting in addition to using simple straight lines on the ceiling that gives a sense of luxury mixed with warmness. Our philosophy is that design is not just a piece of art but it should represent the house owner and meet his needs.

What was the client's brief? 

The client’s requests of the re-design of the villa were so that it contains 3 bedrooms for the children and the expansion of the living area on the last floor, as well as creating a roof garden for summer sessions and barbecues.

One of the most important requests which the client focused on was the use of natural materials such as wood and marble with the addition of luxury and warm lighting in the place.

What inspired the design of the project?

After some sessions and discussions with the client, we have agreed on using marble on the floor and on some walls and bathrooms, and grafting wood in the ceiling and on walls with hidden warm lighting which gives a sense of warmness for the family members.

The use of large glass surfaces in the main reception area on the ground floor overlooking the landscape gives a sense of spaciousness and visual connection with the landscape of the villa and the compound.

What was your team’s highlight of the project?

One of the most important parts that we have taken into account is the use of technology to achieve a sustainability criteria. From the use of the power generation system to solar cells and the use of the smart systems to control all power sources, to water sprinklers and irrigation of trees and grass in the garden, where Smart systems work according to set times of the day to save energy and reduce electricity consumption.

The smart systems also helped solve the customer’s problem of traveling abroad. He can fully control the villa and the garden through an application on his iPad. He can not only control the power and the garden, but he also has full control of the surveillance cameras and door locks.

Questions answered by Ahmed Fathi, Designer, and Osama Eltaweel, Site Engineer, Emara Design.