GRAFF Collaborates with Industrial Designer Stephen Burks for an Exclusive Sculptural Installation

Luxury bath and kitchen brand GRAFF and prestigious American industrial designer Stephen Burks present Faucet Fantasy, an artistic installation drawing attention to the importance of water conservation. Burks, known for using artisan and handcrafted influences in his designs, will showcase nine GRAFF faucets in luxurious finishes, reimagined in his signature mix of bright colours with natural and manmade materials.

“Inspired by the graphic flow of water, Faucet Fantasy showcases nine luxurious faucets in a colorful array of handcrafted finishes, textures, and materials,” Burks said. The eye-catching installation generated considerable buzz among the attendees at the unveiling event.

Faucet Fantasy represents GRAFF's Art of Bath sustainability program. GRAFF is an actively green brand, from using lead-free materials in its products to adhering to zero waste in its lean manufacturing system. The brand is inherently dedicated to water conservation, understanding our most valuable resource's role in a healthy ecosystem. In 2012, GRAFF raised the bar on eco-standards by automatically including water-saving systems with all bathroom-sink and kitchen faucets, and showerheads. Partnering with sustainable projects worldwide, GRAFF strives to make luxury green.

Founder and President of GRAFF, Mr. Ziggy Kulig, commented: "For GRAFF, quality, design and sustainability, go hand in hand. We look to align with creatives whose own work embodies this same philosophy. We are pleased to partner with Stephen Burks for creating an exclusive sculpture installation. We hope his creation will inspire viewers to do their part in supporting water conservation initiatives."

Burks’ installation also dovetails seamlessly with GRAFF’s rich heritage of artisanship and craftsmanship in production. “For Faucet Fantasy, we were looking at the idea of bringing the hand to industry and presenting a range of products that give the customer a sense of what’s possible,” said Burks. Together with his studio Stephen Burks Man Made, Burks has been commissioned by many of the world’s leading design-driven brands to develop collections that engage hand production as a strategy for innovation.

As a product development consultant, Burks has worked in close collaboration with artisans and craftspeople around the globe. His work has been exhibited internationally and he has been the recipient of several awards, including being the only African American to win the Smithsonian Cooper Hewitt National Design Award in Product Design. In 2019, he became the first Harvard Loeb Fellow in the discipline of product design and was recently an adjunct assistant professor of architecture at Columbia University’s GSAPP.

Following its unveiling at RNDD, the Faucet Fantasy installation will be on display at Chicago’s Studio 41 home design showroom from September 10th to September 30th and then at the GRAFF Design center at the Mart for Design Chicago.

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This week’s instalment of the Project of the Week series features a contemporary family home design by 2022 SBID Awards Finalist, Designck.

Designck was commissioned to design the interior for this large contemporary new build. Part of this project was the kitchen, wine room and powder room. Robin Caudwell wanted to keep a feeling of warmth throughout the home. His clients have a large extended family and friends and entertain regularly; it was essential to make the home stylish, inviting, and relaxing, that everyone could enjoy. Using a mixture of different textures and tones, with carefully placed statement pieces such as the Titanium Gold Granite Island top, he feels that he has achieved a remarkable outcome for the clients.

What was the client's brief? 

I was engaged to design several areas of this luxury new build, which included the kitchen, outdoor kitchen, evening room, wine cellar, and powder room. The client is of Asian descent and have regular, large family gatherings, it was important to them that the kitchen was equipped with expansive storage for food, good prep areas and gas in the principal cooking area. Their wine collection needed to be showcased within their evening room. They wanted a warm and inviting powder room for their guests.

What inspired the design of the project?

The anchor for my design was the stunning Titanium Gold granite I chose for the island, and it has become a statement piece within the room. I used Lux board, which I reversed, and utilised the matte side that complements the Laminam in Moro that I picked for the expansive front door and a large fireplace.

What was the toughest hurdle your team overcame during the project?

On this particular project, there was a requirement for several air-conditioning return vents of which we didn't want to put on show. I came up with a solution to conceal the vents above the cabinetry, extending the height of just the doors to  give the kitchen area a cleaner look without showing the numerous vents required.

What was your team’s highlight of the project?

For me, it was seeing how the different rooms come together with a common theme whilst keeping their individual identities. And as a bonus, when I told the clients that we have been shortlisted for the SBID Awards, they were over the moon.

Why did you enter this project into the SBID Awards?

The SBID Awards are renowned as the pinnacle of the design industry's awards. It’s one of the few awards that becoming even a finalist is a mammoth effort, and if I was fortunate enough to win, it reinforces why I love this creative industry being recognised for my passion, and time that I have poured into this project.

Questions answered by Robin Caudwell, Principal Designer, DesignCK.

This week’s instalment of the Project of the Week series features a dark apartment design by 2022 SBID Awards Finalist, ID4U studio.

What was the client's brief? 

Very unusual young woman owns this apartment. She is unique. So her brief was also untypical. She asked us to make her a “stylish and gloomy” apartment only for herself.

What inspired the design of the project?

Our magic client inspired us. We tried to create space which would reflect her a lot. We knew that our client would also appreciate some experiments, so we did it. At the same time we couldn’t ignore our fundamentals – comfort and cosiness. That’s why the interior concept was based on use of rich dark palette and concrete. But wooden walnut floors, different textiles, accents in gold and décor make this space very cozy.

What was the toughest hurdle your team overcame during the project?

We started this project before COVID. We created the whole concept. Everything was approved with the client. Covid quarantine came just before construction work started, so the project was paused. After few months we had to redo the whole concept and we had to remotely control the construction work.

The most complicated part of the project was the concrete staircase. We came up with the idea of it’s soft lines and rough material. Five people had been building it for two weeks.

What was your team’s highlight of the project?

For a long time we were dreaming to create an interior with dark walls. We were happy that finally we met a client who agreed with that idea. And not only with dark walls but also with dark ceilings! We love this dark green bedroom. It is amazing. Even though the floor is also dark, the room is full off light coming from a giant window.

Why did you enter this project into the SBID Awards?

By entering SBID Awards we want to share Ukrainian Interiors with the World. We want to show that our quality of work meets international standards and trends.

Questions answered by Viktoriya Moshchynska and Olga Griban, Co-Founders, ID4U Studio.

This week’s instalment of the Project of the Week series features a timeless restaurant design by 2022 SBID Awards Finalist, EDG Design.

What was the client's brief? 

Singapore’s famed Orchard Road was once lined with fruit plantations, spice gardens and orchard groves (hence its name). But with the country’s modernization these plantations gave way to office towers and shopping malls that we see today. Our brief was to pay homage to this bygone era of the location’s Colonial past, agricultural history and the beauty of the tropics seamlessly merged for diners to enjoy morning, noon and night. Thus the concept of Estate was born, a series of three distinct dining rooms linked to open theatrical food kitchens that celebrate one of Singapore’s favourite pastimes…eating!

What inspired the design of the project?

Using the concept brief as a starting point, we developed a story of a 19^th Century plantation owner living in a grand estate surrounded by lush orchards growing crops of cinnamon, nutmeg, gambir and peppercorns. The architecture of these Colonial houses also served as inspiration. We utilized a similar approach of creating a series of intimate yet interconnected rooms for dining, kitchens and private areas which encourage exploration while creating an inviting and comfortable atmosphere. The restaurant thus became a modern interpretation of a grand colonial estate that celebrates its heritage through design, palette, intricate details and gastronomy.

What was the toughest hurdle your team overcame during the project?

This building is an iconic landmark on Orchard Road and although constructed in the 1970s, is considered old for Singapore. As such, the building has lower floor-to-floor heights seen in today’s towers; therefore we were challenged to maximize the interior ceiling heights and did so by streamlining mechanical services and adding visual tricks such as blackened mirrors on the ceiling which create the sense of height and depth in a subtle manner. We also found a hidden structural column in the middle of our buffet kitchen which was not on the original architectural drawings. We managed to re-plan the kitchen and dining rooms quickly whilst still maintaining the integrity of the design.

What was your team’s highlight of the project?

Seeing the total transformation from the old space into a beautiful and timeless restaurant and sharing in the positive energy and excitement of our client is what makes design so gratifying. Developing a strong design narrative told through design, overcoming a challenging building and unforeseen challenges, and adapting to a new working model of executing design and construction during the unpredictable heights of Covid-19, we feel especially proud that Estate has come out with the rest of the hotel as an exciting new venue for guests and visitors to enjoy.

Why did you enter this project into the SBID Awards?

SBID is one of the most well-known and prestigious design awards in our industry. As an international design and branding studio, we feel the opportunity to promote our work through SBID’s platform also helps EDG Design gain visibility and recognition from the voting public as we continue to create exciting and memorable guest experiences through design.

Questions answered by Simon McDonald, Design Director, EDG Design.

This week’s instalment of the Project of the Week series features a dining and late-night venue design by 2022 SBID Awards Finalist, Novo Design.

We were brought in as the design team to assist with the delivery of Inca, an exotic dining and late-night venue situated under the London Palladium at Oxford Circus. The turnaround on the project was unheard of for its scale but the project manager knew we were the right team to do this and would be able deliver an outstanding design under challenging time scales. And that we did. We worked through the specification process pragmatically with the client prioritising the longest lead items and bit by bit, and lots of late nights and specification meetings later we started on site with 90% of the design information signed off. The last elements were worked out easily as a team on site. After 16 weeks of possibly the most intense project we have ever worked on the final results were outstanding and it was credit to the client for putting their trust in us and being decisive with decisions and sign off, the contractor for working tirelessly through the build and offering pragmatic solutions to problems if they occurred whilst on site and a fantastic project and cost manager for keeping it all ticking and making sure everyone was where they should be.

What was the client's brief? 

To create a high end, premium environment to act as a backdrop to world class Latin America shows and performance and an exceptional food and drink offer.

What inspired the design of the project?

A journey through Latin America. Colours, textures, landmarks and environment were all huge factors that inspired the design decisions.

What was the toughest hurdle your team overcame during the project?

Lead time, covid and Brexit. We were briefed in July and delivered the project at the end of October. We didn’t have the usual lead in to organically develop the design it had to be done on the fly so there were lots of intense meetings making decisions quickly to ensure contractors had information ahead of starting on site. Limited to selecting UK stocked items/materials as we didn’t have time for European transit times which was limiting and more challenging to create such a high-end premium feel with limited options.

What was your team’s highlight of the project?

Going to the launch event. It was amazing delivering such a unique design, but it really comes to life when the space is full of people, the performers are on stage and the food and drinks are theatrically delivered to your table. A dining experience like no other.

Why did you enter this project into the SBID Awards?

This was such an intense project due to the timing and tight turn around. The team were working on drawings and details until the early hours of the morning regularly and then heading to site the next day, they put so much into the project to ensure it was delivered perfectly and it would be great if they could get some recognition for the time and effort put in.

Questions answered by Abbie Smith, Founder and Creative Director, Novo Design.

Canadian luxury handmade furniture and lighting brand Gabriel Scott has launched its latest lighting collection, Welles Reimagined, in collaboration with six global designers and architects to celebrate Gabriel Scott’s tenth anniversary in 2022.

The established designers have reinterpreted the studio’s most iconic fixture, the Welles Chandelier. The six fixtures, first showcased at Milan Design Week 2022, have now been formalised into six capsule collections which include chandeliers, sconces and pendant lighting.

Scott Richler, Gabriel Scott’s Founder and CEO, explains: “The Gabriel Scott brand launched on a manifesto to furnish the architectural community with exactly what they needed, and we’re still doing this through material, size and form ten years later. Inspired by jewellery, the Welles Chandelier is a true representation of our design philosophy - to design and make modular products to custom specifications. The Welles Reimagined capsule collections celebrates our brand ethos and the collaborations we undertook with each designer perfectly demonstrate how we like to work together with our design and architecture clients to achieve something really special and tailored to their requirements.”

David Rockwell

The David Rockwell capsule collection celebrates the Welles Chandelier’s classic geometric form, while creating a contemporary light fixture inspired by clusters found in nature, such as crystals, chemical compounds, and clouds. Ultimately, Rockwell drew from botanic forms to create an organic assemblage. The hollowed glass polygons act as metallic light points that come together at varying heights and dimensions to form a floating light cluster. The feature chandelier is defined by its luxe volume and organic nature.

“The collaboration allowed us to create something very special that combines Gabriel Scott’s modular approach to lighting and expert craftsmanship with our focus on storytelling and materiality. We experimented with volume, color, texture, and scale to create organic assemblages of light that have a dramatic impact on the atmosphere and our perception of space.” – David Rockwell.

Kelly Hoppen

Crafted from white clay and inspired by a collection of ceramics she is currently designing, the Kelly Hoppen capsule collection comprises a single flush-mount sconce suitable for both wall and ceiling installation, a pendant light, a single sconce on a banded arm and the Welles Long Chandelier in three sizes. The overall form has been scaled down from its original size to create an elegantly delicate aesthetic.

“When I was asked to do it, obviously it’s a very iconic piece already, but instantly I knew I wanted it to be a chalk white, clay, very organic piece, because that would make it incredibly different from anything Gabriel Scott had done before.” – Kelly Hoppen, CBE.

Alessandro Munge

Alessandro’s capsule collection has a beautiful narrative infused with dynamic and bold fashion references inspired by rhythmic dance. It includes the 12-module central chandelier as seen in Milan, a scaled down 8-module chandelier, a larger 18-module chandelier and an arm sconce. While its volume is radically different, the modular qualities are still able to extend for extra tall ceilings and multiply for larger spaces. This flexibility makes it a truly versatile and playful product that invites designers to create bespoke configurations.

“One of the key features that inspired us was how architectural the Welles is, yet extremely detailed and jewellery-like - even the slightest of components like the bracket is beautifully designed. It felt like a sculptural piece of art. So, we drew inspiration from couture fashion, from dance, and when we immersed ourselves in this world, we thought about deconstructing the original piece and rebuilding it in a completely different way.” – Alessandro Munge.

Michelle Gerson

Michelle turned to nature to add a floral element that represents growth and bloom, alluding to a rebirth of a classic Gabriel Scott design. Uplifting and joyful, Michelle Gerson’s capsule collection includes a vertical sconce and small, medium and large versions of the chandelier first seen in Milan.

“The vision is nature. We tried to take a more geometric, modular, masculine type fixture and break it up and create what we thought would be blossoms, branches and leaves. We mixed up the materiality a little by using mesh to create a lightness, we wanted it to feel spacey, alive and happy.” – Michelle Gerson.

Sybille de Margerie

As a contrast to the sharp metal and glass silhouette of the original Welles, Sybille’s interpretation reveals the feminine side of her signature design style. Couture-inspired, elegant and smooth, the capsule collection shows a gradient composition from emptiness to full, with a variation of hollow and plain shapes. It comprises a sconce, cluster sconce, the standard chandelier as seen in Milan, and a smaller version. All fixtures include padded vegan leather to create a subtle 3D effect and rounded corners to add softness.

“We love leather because we find it’s a very elegant finish and combined with a soft bronze, this is our vision of luxury which is very understated.” – Sybille de Margerie.

Guan Lee

Guan’s design is a striking floor installation, illuminated by light bulbs and made from POLiROCK, a new material developed by Material Architecture Lab. The fired clay has unique characteristics, somewhere between ceramic and rock. It appears natural but is made by recycling manufacturing waste. Due to the nature of this design, it can be customised from the original form that was shown in Milan. For commissions, Guan and the Gabriel Scott’s design team will work with the client to deliver something bespoke.

“The first thing I thought was that it would be nice to have a contrasting material, so instead of something transparent something solid that allows light to go through in a very particular way.” – Guan Lee.

Cover image: Sybille de Margerie for Gabriel Scott

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As designers and creators of floorcoverings for over 30 years, Crucial Trading continuously looks at innovative ways to work with sustainable and natural fibres. Adding to their constantly evolving collections, their technical and creative teams have recently created three new designs in wool - Collage, Weather Watching, and Balance - while adding new colourways to the popular wool Mississippi collection.

Collage

Collage provides a dynamic mélange of pattern and texture in a choice of five colourways that are inspired by modernist art. With names such as Soft Focus, Modernity, Juxtaposition, Paper Layer, and Mixed Media in a collage of blended hues, they are works of art in their own right!

Woven from 100% New Zealand Wool, Collage is a chunky 6 ply tufted Loop Pile so definitely one to sink your toes into whether your creativity takes you in the direction of a bespoke rug or wall-to-wall fitted carpet.

Balance

Balance is a curation of quiet colour and texture designed to encourage reflection and restorative living. Extending mindfulness to how we exist in our interiors, this design champions beauty in the simplistic. Available in a choice of seven earthy and considered colourways; Timeless, Pause, Silence, Intuition, Clarity, Philosophy, and Grace, Balance is quite literally something to meditate on.

Woven from 100% New Zealand Wool, chosen for its pureness of colour, Balance introduces an element of cut-pile/twist to Crucial Trading’s offering. A gentle balance between the cut and the loop results in an almost two-tone finish to the floor covering.

Weather Watching

Weather Watching is inspired by our British obsession with the weather. Earthy, subtle tones take direction from atmospheres and the unpredictable with enticing and atmospheric names such as Soft Rain, Thunderstorm Play, Overcast Day, and Indian Summer. Some days it storms, some days it shines, this is how the flower grows.

The palette of calm colours gives the home a sense of grounding whilst creating a backdrop with which to live our lives. The collection is woven from hank dyed 3 ply tufted loop pile British Wool and comes in a choice of 11 different colourways.

Mississippi

Mississippi has become a design classic since it was introduced 18 years ago as a result of the creative team playing around with fragments of coloured wool fibres that were available on the floor of the workshop. This hero design welcomes eight new colourways into the collection bringing the total offering to 16.
The new palette is inspired by natural dyes, providing softer, more muted tones for an earthy feel that becomes rich through application. Pale blues and greys combine with gentle tones of green, red, and brown for a relaxed interior that still has the edge.

Mississippi is woven from 100% New Zealand wool which is chosen for its purity, enabling consistency and depth of colour.

Crucial Trading’s floor coverings can be ordered as bespoke rugs, runners or as meterage for a fitted carpet.

Cover image: Balance - BA503 Clarity

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Founder of Ledbury Studio Charlie Smallbone has stepped back in time for his latest project, creating the beautiful Stroud Kitchen for the owners of a 16th century Cotswolds home. The results speak for themselves - but the quirks of a home built when the first Queen Elizabeth was on the throne nonetheless provided Charlie and his team with a few challenges. Here he talks us through the project.

Why did your clients first approach Ledbury Studio?

Our clients sought us out because they wanted a kitchen that would be in sympathy with the age of the house but that also had a contemporary look. Our projects range from Georgian townhouses to warehouse conversions, so we’re accustomed to striking this balance with many of our kitchens. This is why the owners came to us the minute they’d exchanged on the house.

This is an unusual house, what challenges did it pose?

The original kitchen had a small scullery attached. We knocked through the dividing wall to create one large space for cooking, eating and entertaining. However, the age of the property meant that none of the walls were straight and there were a lot of original features to account for. Plus, the low windows and doors, original brickwork and huge fireplace all had to work in harmony with the kitchen furniture.

How did the layout come together?

We designed the island as the main working area and this houses the hob, prep space and plenty of storage, as well as a breakfast bar. As you stand behind the island, you can see a central dividing wall ahead, which is where the oven housing is situated (see image 4). The sink is in the corner and the fridge-freezer is on the other side of the dividing wall, next to the door to the garden (see image 5). At the other end of the island there are steps down to the utility room and a door into the dining room. Although it's one large space, there are clearly defined zones of activity in the kitchen

What unites the different elements of the kitchen?

We used a range of finishes so that the various elements of the kitchen have their own identity. However, there is also a unifying theme: they are all designed to look like pieces of furniture. From the island to the oven housing, the fridge-freezer and wine storage, and the sink area – each resembles a bespoke freestanding piece. These include some clever design ideas: for example, to hide the electricity meters, we designed a shallow-depth cupboard (see image 6) that we've turned into a feature as a bar area with aged brass shelving above.

Can you talk us through some of the beautiful materials you used?

The ‘Choppy Wood’ carving on the back of the island cupboards and meter cupboard is a signature Ledbury Studio finish. It's created by hand-carving stained oak to form a textured surface that chimes well with the unevenness of the dark wooden beams in the room.

For the oven housing and fridge-freezer, we selected a patinated copper. The oven housing is visible from the breakfast bar, and there is a small drinks area next to the fridge (see image 7), so both pieces needed to be decorative. However, they are also practical: there is pan storage below the ovens and a large breakfast cupboard and larder sits alongside the fridge-freezer and wine storage (see image 13).

Adding contrast to the dark oak furniture, the sink area is in white-painted oak, while the worktops are Stone Italiana Ambra quartz, an excellent hardwearing choice for the working areas of the kitchen.

And the finishing touches?

To add some glamour, the sides of the island are in Verdigris copper, which ties in beautifully with the oven and fridge-freezer housing. Meanwhile, the worktop on the island is edged in aged brass (see image 9), mirroring the handles used throughout. Finally, possibly my favourite feature, is the aged brass and oak screen (see image 10) that sits beside the stairs to the utility room. It’s for safety, but who says it can’t be a sculptural piece at the same time? Overall, I think the kitchen looks like it has always been there, which was what we intended, but it also adds a large dose of contemporary wow factor!

Ledbury Studio kitchens start from £70,000.

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As we approach the end of another busy year, Sofa.com shares their favourite projects and reflects on their achievements from 2022...

For us, working collaboratively with various designers has been a real highlight - helping to bring their creative vision to life and seeing our products in a range of gorgeous spaces. The breadth of projects this year has been wonderful, from larger hospitality work, to commercial settings and a wealth of boutique hotels; this is where sofa.com product really comes to life, with bespoke elements and extensive fabric choice meaning no two projects look the same. Here's what they had to say!

We have compiled some of our favourites of the year, from the hills of Edinburgh to the coastal waters of Cornwall and everywhere in-between, featuring design specifications that we’re most proud of and are thrilled to see completed to such a high standard.

One of our most recent collaborative projects has just recently completed in time for the holidays. It was a joy to work with Unique Homestays on the renovation of The Hatch, a pared-back coastal property next to the glimmering seas in Cornwall. Finishing touches in the dining room convey the aesthetic of the property perfectly, but with a slight bias our favourite room has to be the Scandi-inspired living room, featuring our bestselling Isaac sofas.

Another key project with Unique Homestays was the completion of Little Inka, a cottage finished with trending combinations of black and brass. This modern farmhouse aesthetic is the perfect setting for our Chesterfield style Patrick loveseat in beautiful vintage leather.

Additional highlights include working with The National Trust Scotland, Alice Leigh design, and The Bath Arms to name a few.

It’s wonderful to look back and celebrate with our customers on the completion of their projects. Thank you to all for working with us, and we look forward to collaborating in the future. As we look towards 2023 and exciting projects on the horizon – we’ve are thrilled to be part of such a vibrant industry.

Cover image: Emma Gurner

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This week’s instalment of the Project of the Week series features an open-plan kitchen design by 2022 SBID Awards Finalist, Concepts by Gavin Hepper.

What was the client's brief? 

We were engaged to transform the interior spaces of this new build into an elegant Australian home, reflecting a modern European luxury. To bring a WOW factor, being a family home the kitchen in particular needs to be durable and functional for a large extended family that enjoy cooking and entertaining. The client also requested a specific ‘morning’ zone for a coffee and juice bar, and that the space is able to be occupied by multiple people simultaneously. And where possible, the use of products with a sustainable nature was preferred.

What inspired the design of the project?

Drawing on the materiality elements of traditional European luxury interiors of beautiful marbles and metallic finishes and ornate details, we have then interpreted these materials for a modern Australian lifestyle. With a background in joinery, I wanted to bring a handcrafted bespoke furniture element to the project. Specifying a Neolith Sintered Stone in a modern 12mm profile has facilitated some great detail within the design, working with a family run Australian business with a strong sustainability focus to handcraft the timber features and panels really highlight these elements. Working the design to achieve a balance of the scale of the island, anchoring the kitchen within the open plan living area whilst keeping the rest of the space light and provide a seamless transition and flow throughout the home.

What was the toughest hurdle your team overcame during the project?

Being engaged in the project well into construction of the property set some challenges for us, as there had been several significant oversights that we had to deal with.

What was your team’s highlight of the project?

Collaborating with some great brands and suppliers to deliver such a detailed orientated project, working alongside our team of trades to deliver our clients forever home, having clients that welcome you into their homes with such faith and trust to build a space for them to be able to create new memories with their family in, this is the ultimate highlight on our Oxford Project.

Why did you enter this project into the SBID Awards?

To provide an international platform for great functional and beautiful Australian design.

Questions answered by Gavin Hepper, Creative Director, Concepts by Gavin Hepper.