Leather Collection Brings the Serenity of the Outdoors into Interiors

Garrett Leather has collaborated with Mark Berryman Design to create the exclusive collection - New Forest. Located in the New Forest studio on the south coast of England, Mark Berryman Design specializes in high-end interiors for superyachts of distinction and shares a passion for ingenuity and authenticity in handcrafted luxury.

Mutual curiosity for innovation in colors, patterns and textures steered the design of this collection—which has particularly attractive visual and tactile appeal. Unlike anything currently on the open market, these sensory attributes are a direct homage to the natural elements of the New Forest. In a world of ever-increasing stress, the New Forest collection offers a haven of harmony, featuring organic materials that bring the serenity of the outdoors into interiors.

Hawkhill

This roughout semi-aniline leather reflects the organic and evolving adaptability of our ever-changing world. Hawkhill is made in Italy and finished with natural resins. The hides are milled and artfully sanded to obtain the visceral textures found in our natural environment. Hawkhill is reversed natural grain leather with a soft, tactile finish and well-worn appearance. It is recommended for moderate to low traffic areas.

Bolderwood

Earthy and layered, Bolderwood harkens the sanctuary of an ancient coniferous canopy and the rich resolute of the centuries-old, undisturbed woodland floor. Bolderwood is embossed with a beautiful organic pattern that is accentuated by hand-finishing artistry, giving depth to the final appearance. As a LeatherShield product, Bolderwood has excellent durability and is recommended for all upholstery applications.

Exbury

Exbury exhibits a spectacular collision of color and texture. Decadent details are exemplified with its large grain pattern. Exbury is a durable, semi-aniline leather and recommended for all upholstery applications. Its hand-tipped and antique finish ensure a beautiful and lasting appearance.

Keyhaven

Relaxed and restful, Keyhaven channels the unique colors and shapes of eroded rocks where fossils have embedded. Its granular, small grain pattern and handcrafted finish give Keyhaven its distinctive touch. Keyhaven is an embossed, semi-aniline leather with excellent durability and is recommended for all upholstery applications.

All 18 GREENGUARD® Certified colors are now in-stock and available for immediate shipment. Please contact your local sales representative to learn more about this exquisite collection and to request samples or visit the website.

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The idea always comes first. This brings excitement, planning, and construction. So much time is spent thinking about the design, employing the right architects, and sourcing the materials. The last on the list is usually the artwork. This is due to many factors, deadlines and budgets, but often, the client has their own art in mind and is determined to use it. This is tricky to navigate; however, it can often undermine the whole project when the painting or artwork is overlooked.

It's such a shame that great projects end up with artwork that does not fit in or gets ignored. It is an awareness of art that can create and bring so much value to a project. Art can rescue some designs from the plain and boring to the 'Wow'. Art can also be introduced to a reasonably mediocre project with limited funding to uplift and create a more lavishing, memorable experience. Many people choose to stay in hotels and are attracted to apartments only for the art.

Working with an artist

One of the ways to guarantee success is if an interior designer works with a local artist who perhaps knows the area and has original oil paintings or watercolours and sketches of the beach at different times of the year. They understand the weather in the area and the unique colours of the sea, sky and sand. This brings a story to the picture and an artist who has a connection with the local community.

It may save time working with a gallery or agent with a stock full of images, but these organisations charge. Artists will never expect service fees. Inviting an artist and their work into the design encourages a conversation, builds new contacts, and there is always a continuation to the story. It costs nothing to reach out to an artist, and although their artwork may be more expensive, or not it brings a richer experience, ensuring longevity and sustaining reputation.

Working with artists brings opportunities and events to a project that perhaps had not been thought about. An opening evening or private view always attracts people and is the perfect excuse to invite the press and other critics who will publicise the opening for free.

The worthy outcome

I was invited to a new apartment opening again in Monaco; although it was a stunning penthouse that I could not afford, I was intrigued, and when I arrived, there were half a dozen agents and staff handing out glasses of champagne. The spacious apartment needed little explaining with beautiful views overlooking the Mediterranean, but it felt empty and devoid of the human touch. It lacked the warm atmosphere of a family home and cosy comforts. I think the agents recognised this and worked with an interior designer bringing in some fantastic oil paintings from a local artist. This not only generated even more interest but was packed every day for a whole week with viewings. The lucky people that bought the apartment were probably thrilled that it was an art gallery for a week. I believe it sold effortlessly and for more than the asking price.

A good design is alive from conception and well into the future; art helps nurture and keep a project fresh and growing. As the artists develop, so does the oeuvre of work. An artist's work becomes their identity; it carries a story.

I now live in the English countryside and love my local pubs, one of which has been refurbished and completely gutted. It has a rural feel with lots of exposed beams, wooden floors perfect for the dogs and quirky ornaments made from recycled bottles and reclaimed bits and pieces. Art is dotted around on the walls, each describing the artist, where they work and live. This is a fun and organic way to bring new customers; it adds value to the experience and brings a sense of community.

Art rarely gets boring, and it brings different societies together, from elusive capitalists to bearded hippies, political to radical and has no religious boundaries. It's a free spirit that can bring warmth to lost spaces, lonely rooms and blank walls.

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In this week's interview with SBID Awards Interior Design judge, Director of Research at Brunel Design School and Brunel University London, Vanja Garaj discusses the use of technology in design and how it affects every aspect of the industry. He also shares what he is most interested to see in this year's Awards design submissions!

How would you define the power of good design?

For me, the baseline for good design still is the famous: “form follows function”, which absolutely must come hand in hand with human-centredness and preferably extend into the “less is more” aesthetics. However, the real power stems from the big idea or, at least, a spark of design innovation that sets the product apart in terms of use scenario, functionality, materials, technology solutions and/or form factor.

How will your background in design, development and innovation inform your judging process? What key qualities will you be looking for in this year’s designs?

My judging process is informed by the experience of practicing, researching and teaching design over the years. By combining these activities, I keep up to date with the latest developments and trends. As a designer, I am particularly interested in the interplay between design and technology and the design-led technology innovation that can improve the quality of life in its various aspects. This interest guides what I am looking for in the designs submitted to the SBID Awards.

Why is technological innovation essential for the interior design sector when it comes to designing new interior products and solutions?

Technological innovation can greatly facilitate the design process; e.g., the immersive technologies of Augmented Reality (AR) and Virtual Reality (VR) are very handy when it comes to conceptualising and visualising new interior design ideas and communicating or co-creating the ideas with clients.

I am also curious to see how the immersive tech-powered Metaverse will develop in the future and to what extent it may become a venue for interior designers to practice their trade. This social 3D digital “real estate” and its promised fully functioning economy may create demand for the design of virtual interiors for the “living” and working spaces within the platform. Some interior design professionals are already getting ready to benefit from this potential opportunity; e.g., see here.

When it comes to the future of our environments, how do you see the role of digital technologies evolving in the coming years?

The environments will become ever smarter, with the advancing Artificial Intelligence (AI) and the Internet of Things (IoT) permitting us to achieve even better energy efficiency and further improve the ability to personalise interiors for comfort and well-being (e.g., air quality) and visual ambience (e.g., lighting).

There are also advances in biophilia and biomimicry and the application of these concepts and the related technologies in interior design. Both concepts promote sustainability and it would therefore be extremely useful to have them gain more traction within the interior design profession. Having said that, I was really pleased to see Ko Tu Elpo – “a smart air biofilter that improves indoor air quality by combining technology and the power of nature”, win in the Interior Technology category at the SBID Awards 2021 for Product Design.

Finally, what advice can you give to designers entering the SBID Awards?

It is very important to clearly present the novelty and innovative aspects of the submitted work. Why do you think your design stands out in the market?

Questions answered by Dr Vanja Garaj, Director of Research, Brunel Design School and Brunel University London.

This week’s instalment of the Project of the Week series features a residential design by 2021 SBID Awards Finalist, Ana Engelhorn Interior Design.

St George's Hill is a 964-acre (3.9 km2) private estate in Weybridge, Surrey, UK, with golf and tennis clubs and approximately 420 houses. The Hill became a leisure location and home to celebrities and entrepreneurs when the land was divided into lots in the 1910s and 1920s and Walter George Tarrant built its first homes. Ringo Star, John Lennon and Sir Cliff Richard are a few of the notable people who have lived there.

Harwood House is one of the original homes; at just under 500 square metres, it sits on about 1.77 acres of land. Late Victorian in style, the house was last renovated 20 years ago and was not done to a very high standard. New rooms were added, like the conservatory; the kitchen and lounge area were opened up; and the use of rooms was changed.

What was the client's brief? 

Prior to our renovation, it was empty for three years, which meant that damp and other issues where left unattended. The main issues to sort out before moving on to the interior design were the electrics, the plumbing and the building works.

The clients wanted to use the existing floor plan, with some changes to door openings and a new kitchen and bathrooms. The old library was turned into a girl’s bedroom – we were able to use existing carpentry and change door openings. The house had five bedrooms, but we turned one into a shower room as the master bathroom didn’t have a shower. All bedrooms except one have their own bathrooms and there are two guest toilets on the ground floor.

What inspired the design of the project?

Interior design-wise, in line with the Ana Engelhorn signature style, we aimed to achieve a perfectly imperfect mix of antiques and contemporary pieces that suited the clients and the house. The clients had a lot of eclectic art, as well their own pieces from Africa, which complemented the design perfectly.

We were given free rein to choose colour and, fortunately, the clients were happy with our suggestions. Two of our main paint suppliers were Francesca’s Paints from the UK, who make bold and strong colours, and Bauwerk from Germany, who use a more washed-out, uneven look.

What was the toughest hurdle your team overcame during the project?

The biggest job was the kitchen. We overhauled it completely as the owners are avid cooks and wanted to have adequate cooking and prep areas. The two outbuildings were converted into a gym and an office, with the same style flowing from the house to the outside rooms.

There was extensive work to do with curtains and upholstery. Some of the older pieces we were able to reupholster and reuse. The furniture was a mix of what the client brought from previous homes and what we supplied from the UK and abroad.

All the lighting was new and signed off by a trusted lighting supplier to ensure that, with the daring colour scheme, the lighting effects inside the house were effective.

What was your team’s highlight of the project?

Overall, the project went smoothly, without too many hiccups. Amazingly, considering the renovation took place during the first Covid lockdown, the clients were able to move in on time and everyone was happy with the final result.

Why did you enter this project into the SBID Awards?

We entered the awards to see people’s reaction and shine a light on our work. We loved doing this project and are very proud of it. Sharing it with other interior designers hopefully inspires them in their own projects or homes.

Questions answered by Ana Engelhorn, Founder, Ana Engelhorn Interior Design.

Introducing the Passage collection, celebrating the joy of seasons and the passing of time. Passage is a series of hand-tufted rug designs made in collaboration with architect and interior designer Brooke Aitken, Founder of Brooke Aitken Design. Inspired by a vivid dream about the passage of time, Brooke worked closely with TSAR Carpets to translate her vision and evocative sketches into six rug patterns - Day, Night, Winter, Spring, Summer and Autumn.

The ebb and flow of time and the continual changing and passing of the seasons is reflected in the collections’ patterns and graphic lines, which inform a sense of movement and placemaking. The collection’s contemplative designs are enhanced by using rich colours, such as midnight blue and russet dawn red, further reflecting how natural light changes from day to night, season to season. Each pattern is available in two different colour options.

The collection will be sold exclusively at TSAR’s studios in Melbourne, Sydney, New York, London, and Shanghai.

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Tableware plays ‘dress up’ in a limited-edition luxury capsule collection created for children by Von Gern Home and Dragons of Walton Street.

Dragons of Walton Street has been creating lifetime childhood memories for over 40 years. One person who can attest to this is Kira Faiman – Director of Von Gern Home – they have had an ongoing relationship with Kira since they created a magical space for Kira’s own child. Kira and Dragons of Walton Street have long since shared a friendship and the philosophy that every day should be an occasion. This is a philosophy that underpins Kira’s New York based tableware company and one which we agree should also extend to children. This is the genesis of the magical tableware collaboration between Von Gern Home and Dragons of Walton Street.

Juniors more and more often are being introduced to an ever-widening array of foods through campaigns like ‘Culinary Kids’ which encourages parents to think twice about the food offered to their children via restaurants etc. Finding new and exciting ways to engage children with what is on their plates is now a well-supported concept with parents and the food industry. In the UK national campaign to teach children to cook at least 5 healthy meals before they leave home was launched in Bristol recently. There has never been a better time for the junior foodie to engage fully with the pleasure of great food and everyday dining experiences.

Being double-sided, the placemats offer young children creative input through dynamic versatility, enhancement of choice and creating an opportunity to stimulate conversation. The unified theme of each mat presents further impetus for cohesive storytelling. Both the placemats and the tissue boxes are made of robust and hygienic faux leather specifically for the sticky fingers!

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Award-winning design agency, DesignLSM, is well underway with its latest project: renovating the front of house and F&B areas at the prestigious Heythrop Park hotel, set to open in summer 2022.

Renowned for its beautiful architecture, stunning gardens and rolling rural estate, Heythrop Park, located on the edge of the Cotswolds, was originally built for the 1st Duke of Shrewsbury in 1706-1711 and was one of the first estates to marry the interior with the exterior – ensuring that it captures the remarkable vistas on offer. Paying homage to the baroque era, but keeping the modern traveler in mind, DesignLSM have created a distinctive design narrative for the property that runs across the sprawling estate, taking influence from the Duke’s Grand Tour in Italy and his close working relationship with his architect - Thomas Archer; alongside design inspiration woven in from the subsequent owner – Thomas Brassey.

Having a wealth of experience, most recently designing Gaucho’s new Glasgow restaurant and The Alchemist’s Spinningfields Bar, with Searcys’ St Pancras Champagne Bar refurbishment amongst many others currently in hand, the DesignLSM team have bridged the gap between the Grade II listed 18th century charming manor house and the contemporary extension - creating an engaging aesthetic that runs through the whole Estate; including The Orangery, six lounges, three restaurants, two bars, a ballroom and theatre. Each space has its own design identity that encourages a journey of discovery for guests.

The Market Kitchen restaurant with its soft colour palette, fresh biophilic patterned upholstery and wall paneling was inspired by the traditional kitchen garden, while the Brassey Bar, echoes Thomas Brassey’s love of engineering and background in the railways, housing traditional industrial patterns and materials - think dramatic beamed structures, metal detailing, rich leather banquettes, and intimate lighting.

Each space compliments the architectural language of the property, delivering atmospheric and inviting spaces with a contemporary feel and elegant grandeur - encouraging a sense of welcome, comfort and continued exploration.

“This has been a tremendous project for DesignLSM. We have worked closely with Warner Leisure Hotels from the very beginning – offering our strategic expertise to curate the proposition, creating and defining several new F&B concepts as well designing a new narrative and an immersive interior design across all of the front of house rooms in this grand Estate – influenced by, and respecting its historical roots, whilst bringing it forward into a new era of enjoyment and adventure.” Holly Hallam, Managing Director of DesignLSM.

The latest in a stunning series of design achievements, Heythrop Park looks set to be a forward thinking and vital edition to DesignLSM’s groundbreaking hospitality portfolio.

Cover image: Heythrop Hotel - Atrium

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The design team from award-winning kitchen studio, The Myers Touch, is delighted to announce the latest trends shaping their luxury, timeless and beautiful kitchen-living spaces.

Renowned for creating truly bespoke kitchen spaces that offer far more than just cabinetry and appliance options, The Myers Touch creates designs that stem from a deep understanding of their clients, their brief and how they want to interact as a family within the space around them. By applying their unique, holistic approach with the latest trends for each bespoke kitchen commission, The Myers Touch design truly personal kitchen-living spaces for clients that bring ‘light, space & laughter’ into the heart of the home.

International Influences

"Clean, simple and stylish Scandi-vibe cabinetry aesthetics are increasingly popular among clients. We can create a touch of Hygge in a home through the contrasting and layering of natural materials such as walnut and oak, that look stunning matched with white tones in a kitchen space" Jaye Tidbury, Designer at The Myers Touch.

Futureproofing Kitchen Spaces

By using natural materials and timeless colour palettes in kitchen schemes, allows a room to span current and future interior trends. To ensure it remains both a practical and social space, consider accessible and flexible storage solutions in a kitchen to bring a sense of wellbeing into homeowners’ daily routines.

Hidden Workspaces

Even as many homeowners are returning to the office, The Myers Touch report the increase for a dedicated desk space within their kitchen designs. Including a desk space behind a pocket door system provides the opportunity to include a ‘hideaway’ desk area complete with storage cabinetry boosts family ‘inclusiveness and togetherness’ in one multi-functional room.

Boot & Utility Rooms

The separation of tasks and the definition of spaces to keep homes uncluttered and clean has never been so important in the home in our post-pandemic lifestyles. A common brief from their clients is the inclusion of a walk-in Pantry, Boot Room, Utility or Laundry room to create definition and functionality within an open-plan design so spaces don’t become one large area.

“The Boot room is a space where we can cast off our muddy boots, damp coats and sports gear before entering the rest of our home. It is a perfect room for pet owners and can be as simple as providing a place for a dog bed and coat rack, or as grand as an ordered storage facility for outdoor garments and equipment of all shapes and sizes.

A Boot Room should be warm with effective heating solutions, to quickly dry off damp coats and shoes with good ventilation. We always include a bench seat so you can sit down and cast-off wet trainers and sports boots, as well as plenty of hooks for keys, belts, dog leads, coats and handbags. For pets, we can also add extra storage for pet baskets, food, water bowls and even a small pet shower or sink.” Helena Myers - Director at The Myers Touch.

Statement Splashbacks

"There is also a wider range of materials available for splashbacks against ovens and sinks such as stone, glass, antique mirrors and other composite materials that are all practical options providing a durable surface for a wet, heavy usage area, whilst being an eye-catching design statement." Sophie Mason, Design Manager - The Myers Touch.

A Place for Favourite Items

Customers are also requesting bespoke cabinetry solutions for their favourite appliances which they use every day. For example, The Myers Touch recently designed a pocket door system to house a client’s beloved Thermomix as it was used frequently but needed to be tidied away and kept out of view.

Their designer created a pocket door system next to the main preparation and cooking zone which also had space for a toaster and fruit and vegetable basket so food could be stored and easily used in the appliance. The inclusion of stainless-steel shelves meant that the Thermomix could be used in-situ and without any steam damage before being closed away after use.

Their design team also love to be creative when a client wants to display special items in their kitchen space. For example, they recently created glass display units that were situated high into a ceiling that could be accessed via a functional ladder rail.

"Adding a dresser unit or a feature display cabinet in a kitchen-living space provides a softer and contrasting look in a room and also acts as a transitional point between the kitchen and dining space." - Keith Myers, Director at The Myers Touch.

Eco-Appliances

As energy bills increase, clients are looking for ways of reducing those costs in their homes. The Myers Touch team are increasingly advising their customers to consider the most eco-efficient solutions for their family to help minimise water and energy consumption.

Image credits: Paul Craig.

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In this week's interview with SBID Awards Interior Design judge, Head of Cities Solutions Europe at Jacobs and Co-Chair of the ULI UK Infrastructure and Urban Development Council, Carlo Castelli discusses the change in development of post-pandemic cities, highlights the benefits of holistic approach to design, and shares valuable insight for designing workplaces that attract employees to come back to the office.

What is the importance of holistic and collaborative design thinking? How does it generate value for its users, customers and wider communities?

Thinking holistically about design ensures social, environmental and cultural considerations are embedded into solutions. We have a great opportunity to blur the boundaries between inside and outside, public and private by creating hybrid spaces. For example, in Union Street, Aberdeen, we created a flexible urban space capable of supporting on-street activities and allowing ground floor activities to spill out on streets, all while considering inclusive design. We see the street being multi-functional, resilient and contributing to the wider transformational change in Aberdeen.

Taking an integrated design approach means all these considerations are used to create a space which is flexible for those using it on a daily basis and is a sustainable addition to the community. It also means that we can create and measure wellbeing and quality of life value substantially changing the way we look at projects and programmes.

When thinking about the future of the built environment, how can we expect our cities to develop? What are the post-pandemic considerations?

Cities have existed for millennia and consistently maintain a fundamental role in our society. They will become more resilient, with the influence of the changing climate and increasing technological innovation.

Successful cities in the future will celebrate social, environmental and cultural differences. We don’t have to choose between a ‘working from home’ or ‘15 minutes city’ model. We can embrace complexity and recognise individual lifestyle choices within inclusive societal progress.

The way we live, work and play has fundamentally changed. How do you think new lifestyle trends will continue to impact on the design industry? What are the opportunities?

Live, work and play conditions have changed globally. The pandemic and environmental concerns have seen a significant change in how people view work-life balance and commuting. As we come out of the last two years there’s a significant appetite for flexibility in our spaces. For example, unused shipping containers units are being converted into retail units, and workshop space, rooftops into urban farm, and ground floor spaces into housing. This allows for creativity and flexibility in our designs, as well as optimising space usage and future proofing our cities. It is critical to imbed generosity into our buildings and places.

The opportunity for designers is to use their innovative thinking to create solutions that contribute to the challenges we are facing. They are often uniquely placed to work from ideation all the way to delivery so they can meaningfully work with the entire value chain to create better cities and places, integrating nature-based solutions and circularity early into their designs.  With nature at the forefront of design, we can plan and develop climate-smart, nature-positive building and infrastructure solutions which enhance quality of life and make our future more resilient.

How has your approach to the design of workspaces evolved? Why is the role of interior design so important when it comes to bringing employees back into the office?

During the past two years, workers have become used to working away from the traditional office, so there needs to be a draw to bring them back. Quality, variety and generosity are now key. Workplaces need to provide enhanced environmental quality and a greater variety of spaces. Improvement in interior design can also allow for a boost in employees’ health and wellbeing.

Design of workplace should include elements of nature, natural lighting, diverse spaces, and areas for employees to relax and manage anxiety about their return to the office. There should now be heavier emphasis on the type of spaces needed for collaboration. Offices should offer a broader range of experiences than sitting at a desk all day, something people could easily do from home. Workplace design should also facilitate work-life balance and promote a sense of community to encourage employees to return.

Finally, what advice can you give to designers entering the SBID Awards?

For me, what really matters is to work with stakeholders and communities and that designers are true to themselves, values and passions. Passion goes a long way in my mind and that needs to be communicated to our changing audiences.

Questions answered by Carlo Castelli, Head of Cities Solutions Europe, Jacobs and Co-Chair, ULI UK Infrastructure and Urban Development Council.

This week’s instalment of the Project of the Week series features a whimsical hotel suite design by 2021 SBID Awards Finalist, Blue Sky Hospitality.

THE GYLE is an intimate 33-room hotel, crafted from three heritage-listed Victorian houses, built in 1845, located on Argyle Square, across Kings Cross station. It takes its name from the Duke of Argyle, Chief of Clan Campbell, who used to own property in the area.

What was the client's brief? 

Convert a set of three 19^th century listed buildings into an upscale boutique hotel that reflects the history of its location, drives high room rates, and acquires a high reputation.

• Optimise the internal volume and reduce impact of constraints.
• Draw inspiration from its location.
• Provide a joyful environment for staff and customers.
• Offer a unique, memorable social space.
• Enhances the neighbourhood of Kings Cross- St Pancras.

What inspired the design of the project?

The quirky boutique hotel has been conceived as a complete work of storytelling design by British artist and designer, Henry Chebaane, based on his first novel soon to be published. The design tells a story about Kings Cross and Scotland in 1880, blending facts and fiction.

The design narrative evokes the residence of a fictitious character from Nova Scotia, who while fighting a conspiracy, becomes caught in a space-time rift caused by Victorian scientists. The result is an irreverent juxtaposition of steam-age heritage, whimsical details and 21st century modernity…inspired by 19^th century St Pancras coal and gas industries, and Kings Cross steam trains to Scotland. This is manifested through a layered palette of black, silver and greys accented by moss, fern and juniper greens.

The bespoke furnishing, made in Britain are all elements of storytelling that juxtapose past and present, facts and fiction, style and humour in a quintessentially British fashion. THE GYLE is truly ‘a surreal townhouse in a real London square’.

What was the toughest hurdle your team overcame during the project?

Optimising the internal layouts to make it efficient to operate and provide a pleasant customer experiene, while respecting the Health & Safety and Grade II Heritage to maintain period internal layouts and façades.

A discrete extension was added behind the original houses, this increased the key count to 33 and provided a common footprint at ground floor, in which to set up the public areas.

What was your team’s highlight of the project?

The creation of a fully immersive art installation that functions as the resident lounge and whisky bar. The resin floor is a seamless image of the sky reflected in Loch Fyne, while the whole ceiling is an upside-down lawn ripped open by a 40 feet long ‘space-time’ rift from which lighting strikes and odd sounds emerge throughout the day.

Why did you enter this project into the SBID Awards?

We entered the SBID Awards to thank our client for the trust and confidence in our work.

Questions answered by Henry Chebaane, Creative Director, Blue Sky Hospitality.