The modern and contemporary furniture brand, Viva Lagoon has recently launched a range of new furniture lines that will help customers maximise their outdoor space and create a stylish and sustainable escape in their own garden.
Viva Lagoon are the retailer of a range of high-quality garden furniture brands that have continued to launch new and exciting lines this season. Existing brands include Vincent Sheppard, Talenti and Gloster, who have launched their Lento, George, and Saranacc collections, respectively. In addition, the online retailer has started supplying new brands such as Isimar, Vondom, and Diabla.
These exciting new brands that have been added to the Viva Lagoon roster all share a similar passion for sustainability, which is a theme that permeates through the luxury retailer’s business. For example, Diabla use 100% recycled and recyclable material in their Galvanized steel and aluminium products, as well as Vondom who use their unique ‘Revolution’ material which is made from recycled plastic from the Mediterranean.
New technology in furniture manufacturing has led the way for Viva Lagoon’s brands to prioritize the environment at all stages of their production process. With advancements that allow manufacturers to develop new, sustainable materials and recent technological innovations, brands have been able to repurpose and give a second life to pre-used plastic products that would have otherwise ended up in landfill.
Viva Lagoon carefully select brands and products that fuse contemporary and traditional, with functionality and durability at the heart of everything they do to provide the best quality products for their customers possible. The beautifully crafted and timelessly elegant furniture pieces are revolutionising any pre-conceived notion of what garden furniture is and looks like. Each of Viva Lagoon’s brands have created show-stopping products in sublimely sophisticated designs that make garden furniture look like indoor furniture without compromising on weatherproofing and durability.
Popular new collections include the timeless leaf collection from Talenti that includes luxe leather and velvet scatter cushions for outdoors, plus tabletops and dining tables that feature the brand’s signature compact laminate that comes in a range of attractive colours and textures. The brand has also recently launched their Reef Sunbed and exquisite George Collection.
Kheira Benchekor, managing director at Viva Lagoon says, “Over the past year our existing furniture brands have launched some beautiful collections that are shaking up what typical garden furniture looks like and brings a sustainable spin to traditional designs. We’re also thrilled to be working with new brands, Vondom, Isimar and Diabla, who all come from Spain and share our mission of creating beautiful and functional garden furniture. We can’t wait to see what else they launch over the coming months.”
To find out more about Viva Lagoon and shop their new arrivals, visit www.vivalagoon.com.
About Viva Lagoon
Viva Lagoon was started by Kheira Benchekor and Edmund Eldergill. Kheira has a passion for good design and over twenty years experience in the modern furniture industry. Edmund is a perfectionist and brings attention to detail and a resolute desire to make the good better. Lagoon is committed to offering for sale contemporary furniture that exhibits the best in modern design. It is equally committed to dealing with customers and suppliers fairly and ethically.
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VitrA introduces Liquid - a new bathroom range designed in collaboration with Tom Dixon. Liquid is the first ever bathroom range by the acclaimed British designer.
The range is the latest addition to VitrA’s portfolio of designer collaborations, part of a long-standing programme of working with world-renowned designers to create distinctive, modern bathroom collections to complement any washroom space. The Liquid range is founded on round-edges, generous shapes and timeless designs. Described by Tom Dixon as ‘contemporary without being of the moment’, it offers an alternative to the widespread skinny, minimalist designs.
Liquid encompasses all elements of the bathroom – sanitaryware, furniture, taps, tiles, showers and accessories – designed to work together or as stand-alone pieces.
The range includes a variety of washbasin options, including round basins, a butler sink and a double washbasin, as well as a statement monoblock washbasin which is moulded as a single piece of ceramic. The furniture units are available in either a fluted glass or a black metal mesh door finish. Alternatively, for a striking contrast, there is an open-storage unit with impressive blue glass shelving.
Liquid’s taps combine conical handles with exuberant tubular bodies. Ten different styles of taps include wall-mounted, deck-mounted and built-in options, as well as touchless, are all available in gloss black or chrome. The all-in-one shower column includes a hand shower that connects magnetically to the body, while the stainless steel floor-mounted shower can be used inside or outside.
Liquid’s range of toilets, bidets and urinals carry the collection’s monumental curves. The toilets and bidets come in wall-hung or floor-standing designs, and the urinal uses touchless technology.
The range also includes a suite of accessories including a hook, toilet roll holder, toilet brush holder and double soap dispenser. The accessories also incorporate ceramic pieces, including shelves in two lengths and a stool which can act as a practical addition, not just for the bathroom, but in other living spaces too.
The wall tiles in Liquid feature four different styles of embossed dots and waves that reflect ripples in the water, and can be creatively configured in an almost endless possibility of ways. Available in five colours – white, black, ecru, grey and sage green.
About VitrA
With a capacity to develop and manufacture all the products that may be needed in a bathroom, VitrA secures its position in the industry by giving priority to R&D and working with leading international designers. Earning approximately three quarters of its revenues from foreign markets. Born and raised in the cultural motherland of ceramics and baths -a.k.a. the ‘hammams’- VitrA is among only a few companies in the world which is able to design, develop, and manufacture all the products that are used in a bathroom.
Riviera Home UK are a subsidiary of Rivera Home furnishings, a world leader in the manufacture of luxury quality textiles. Specialising in broadloom carpets and rugs for the UK market, they offer a unique twist on luxury naturally sustainable and ethical floorcoverings.
Our ethos and style of the brand at Riviera is all about function, suitability, sustainability, inspiration, fashion, and exclusivity. Our products include innovative flat woven collections, tufted wool loops in solid dyed and heather blends along with blended fibres such as Tencel and Bamboo. Our carpets and rugs are textured using plain, natural colour shades to easily fit in with today’s residential environment. The styling of Riviera Home’s carpets works beautifully with many on-trend colours and interior schemes. We want to be different from the mainstream and this is one of the main reasons we work so successfully with interior designers, offering their clients something which is unique to them.
Riviera Home began as a family-run business, with the first generation of the Singla family selling cotton fabrics from their own shop in India’s historic city of Panipat. In 1984 the third generation of the Singla family members ventured into the export of handcrafted products and earned the Gold Medal award from the Handloom Export Promotion Council. The UK office opened in 2013 and we are proud to be running our UK sales and stock operation from the home of carpets in Kidderminster, Worcestershire.
The origins of the brand are embedded in design for functionality with style. At Riviera Home, we spend a great deal of time working on textured carpets in different effects, styles, options to offer something different and exciting to an interior design project.
We use soft, subtle, and natural colour shades which work fantastically well as a foundation base for a new interior design scheme along with the security of high-quality manufacturing in both handmade and machine techniques.
Relationships and developing strong trading partnerships are very important to Riviera Home, working very closely with interior designers who we encourage to work with our national network of professional flooring retailers (authorised dealerships), all of whom are highly skilled and experienced in floorcoverings and who can support them with handling and fitting of our carpets. This relationship is supported by our national network of sales professionals and our dedicated team working Riviera Home’s Head office.
We work with designers by utilising a professional display sample box which has a backup sample postage service. We also have a nationwide sales team which can connect, meet, discuss, and help where needed to maintain a constant dialogue and ensure we meet evolving project needs and requirements.
At Riviera Home, we can convert all our ranges into bespoke rugs available in the size of your choice. Utilising your choice of tape, finish, texture, colour, style, whether you’re utilising a wide border to compliment or contrast or discreet blind stitching for a unique finish. This service is hand-finished and offers endless options and flexibility. We provide the highest quality products and manufacturing processes, combined with knowledgeable sales staff.
Examples of recent installations are proudly posted on our Riviera Home Instagram page (rivierahomelondon), and we really value the support from all our partners. There is a consistent social media output to help further connect, present, and represent new design ideas and styles available.
Our products and services add huge value to an interior designer’s project by utilising carpet floor coverings and unique design solutions which are design-led, soft, hard wearing, and fashionable along with the greater exclusivity offered by the brand.
There are also a number of completely eco carpet ranges which utilise renewable materials and sustainable manufacturing techniques to create carpets which are biodegradable. We see the use of sustainable manufacturing increasing in the future as we all become more responsible towards our planet.
We see the latest trends heading towards a more natural style and look with renewable materials such as wool continuing to be important for warmth, wear, softness, and security.
We also see a return to some of the softer colours coming through in natural cream and champagne colour shades, along with some stronger sand shades to work with bronze and brass tones are becoming fashionable.
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About Riviera Home
Riviera Home is at the forefront of the design and manufacture of traditional handloom and contemporary luxury broadloom carpets and bespoke rugs, aimed at the premium end of the market. We are always looking to stand out from the crowd and to have a unique point of difference in the market. We will be showcasing all our products, including new range introductions at the very popular Design Central Luxury Interior Shows held in March and September each year.
In this week's interview with SBID Awards Interior Design judge, Chief Executive at the Design Council, Minnie Moll discusses how the interior design industry can work towards combating climate change and the importance of good design, sharing details about the Design Council's mission toward more sustainable design practices.
Good design makes life better. It makes things easy, attractive, comfortable, beautiful. And often inspiring and joyful. You don’t always notice good design. It’s bad design that gets noticed because it doesn’t work, or it’s ugly. Good design is inclusive design and people centred.
The climate crisis is the biggest challenge of our era. Design has been part of what got us to this place and it has a critical role to play in achieving net zero and beyond. Our Design for Planet mission seeks to support and galvanise the 1.97 million people in the UK design community to put planetary concerns at the heart of their work. Design shapes the world we live in, and designers have huge power and responsibility to use design as a force for good.
It starts with the brief. Give the planet a seat at the briefing meeting and make sure planetary needs are considered. Being informed and intentional about use of materials – hard to keep up to speed on this I know. Thinking in a circular economy way. How long will this last? Can it be modular and easier to fix/update/refurbish? Understanding the supply chain and sustainability implications of all the elements of a proposed design.
The interior design of the places we live and work has become even more important since covid. We understand even more how important it is for our homes to be a sanctuary – a comfortable and relaxing place to be. And in a hybrid world our workplaces need to be attractive, enjoyable and magnetic places that colleagues want to come into. In both instances great interior design can be sustainable and attractive and aspirational.
If design shapes the world, then the design of the spaces where we live, work and play has such potential to shape how we interact with each other, and how we feel. It can inspire and bring joy. These exciting and high profile awards are a chance for the best design to shine so it's important to showcase the value your entries provide and explain key design considerations clearly.
Questions answered by Minnie Moll, Chief Executive, Design Council.
Design Council’s purpose is to make life better by design. They are an independent charity and the government’s advisor on design. Their vision is a world where the role and value of design is recognised as a fundamental creator of value, enabling happier, healthier and safer lives for all. Through the power of design, they make better processes, better products, better places, all of which lead to better performance.
This week’s instalment of Project of the Week series features an intricate historical bar design by 2021 SBID Awards Finalist, SHH.
SHH created new design strategies for The Bar at The Dorchester alongside proposals for transforming an adjacent under-utilized space into one that complimented the function of The Bar. Proposals needed to ensure that each of the spaces be versatile in that they could be used comfortably by guests, and that these guests’ needs could be functionally provided for, during mornings, afternoons and through into the evening, guaranteeing constant usage of the space throughout the whole day.
The requirements for The Bar included an ability during the day to operate as a lounge serving small plates and bar snacks, and doing so without compromising its essential use as an evening cocktail venue. The design proposal balanced display, visibility, intimacy and privacy with seating flexible enough to adjust to smaller pairings and larger groups.
Making use of a richly detailed palette of materials, the design interwove references to the history of the bar and hotel, references to the sites pre-hotel past, and to the stories and events that have taken place within its walls.
SBID Awards Category: CGI & Visualisation
Practice: SHH
Project: Dorchester Hotel Mayfair
Location: London, United Kingdom
A significant amount of time had passed since The Bar had been refurbished, so the first part of the brief called for a new design that better reflected the character of the hotel and its brand, the buildings architecture, and the interiors of the other public areas within The Dorchester.
Secondly, a solution was needed that would allow the space to extend its operating hours beyond solely evenings, enabling it to be used comfortably by guests throughout the whole day.
The third part of the brief was to propose uses for an adjacent mezzanine area, and for which we designed a day-service tea room that could transform into an intimate evening whiskey and cigar bar.
Honestly, we were spoilt for choice when it came to inspiration.
There was the personality of the bar manager Giuliano Morandin and stories of past guests and long-term residents like Sir Percival David, the collector of Chinese porcelain who kept large parts of his collection in his suite at the hotel and which was subsequently bequeathed to the British Museum.
There is the building itself which is that hybrid of Art Deco and Classicism. And period interior details such as fluted panelling; hand-painted wall panels depicting equestrian activities in Hyde Park; colour palettes combining gold, blues and greens.
And then there was Dorchester House that use to occupy the site and was the home of the Earl of Dorchester, the 3rd Marquess of Hertford, and towards the end of its life the home of the American Ambassador whose guests included Mark Twain and Theodore Roosevelt. When the house was demolished one of its chimney pieces entered into the collections of the V&A.
The Bar at The Dorchester was last refurbished in 2006 and whilst the refurbished bar had a character of its own it felt alien to the rest of the hotel. The bar manager emphasised that existing guests and patrons were very attached to spaces in The Dorchester, meaning that any proposed changes needed to be done with sensitivity, addressing the desires of these existing guests at the same time as creating new appeal to attract a new generation.
The most amazing thing was designing a space within a building that had a history of its own, with its own stories to tell, architecturally and about the people who have and continue to pass through its doors. Digging into this past created extremely fertile ground around which we could build our design.
The SBID provides a great platform for recognition to practices who wish to showcase their work to a talented audience by bringing together high standards of work from across the world.
Questions answered by Brendan Heath, Director Hospitality & Commercial Interiors, SHH.
We hope you feel inspired by this week's design!
If you missed the last instalment of Project of the Week, featuring a colourful CGI kitchen design by Pikcells, click here to read it.
It was a memorable journey for CROSSTEC to be the millwork supplier and to collaborate with G.A. Group for this SBID Award-winning fit-out project at the Harrods Beauty Halls. Starting with the design development through to the finalisation of the bespoke metalwork in all phases.
This unique beauty hall provided an amazing opportunity to push the boundaries in the process of bespoke design development and millwork production. Paying attention to the details of the fit and finish like a professional artisan showcasing the best of his craft works from initial drawing to product realisation, CROSSTEC considered every element of the project meticulously.
The second phase of the beauty halls transformation of Harrods concentrated on the final detailing, from mirror inserts to the counter canopy signs, all of which are carefully handled by CROSSTEC’s design and production team, with the use of dedicated materials such as fine trimmed metal and engraved glass.
About CROSSTEC
Found in 1999, CROSSTEC Group Holdings Limited is a one-stop service provider of interior design solutions, and the majority of its clients are global luxury goods and high-end fashion brands with footprints across the world, including Europe, the United States, the Middle East, China, and other Asian countries. CROSSTEC have worked with world-known luxury brands since 2000. They have become the millwork & furniture, showcase and façade suppliers for luxury international groups and department stores. Some of their latest projects include hotels and developers’ projects are in conjunction with international architects and interior designers.
Sans Souci, Czech designer and creator of glass lighting installations, reveals a series of custom-made installations for Claridge's hotel in London. 264 pendants were specially designed and produced to illuminate the world-famous art deco interiors.
The contemporary lighting refit was the vision of leading lighting designers L'Observatoire International with each installation designed by French architect Sylvain Dubuisson, well known for mixing classical style with cutting-edge lighting technologies. Each piece is made from opaque, sandblasted glass crafted into geometric patterns, which ensures unique light dispersion. This is further enhanced by fitting two-tone LED strips and one main light source to create a very special and sophisticated ambience.
"When I designed these pieces for Claridge's, I wanted them to be both decorative and intriguing to fit with the elegance of the art deco interior design. This was achieved by combining two contrasting patterns - rectangular and circular - similar to Chesterfield sofas. The large, complicated designs were then produced in white glass, which embodies simple sophistication. Manufacturing large installations such as these is complicated but I am thrilled with the results, which stay true to my original designs." said Sylvain Dubuisson, architect and designer.
"We were delighted to have the opportunity to work with L'Observatoire International and Sylvain Dubuisson, world leaders in lighting design. Dubuisson is always looking to work with new technologies and materials, which is something we are passionate about at Sans Souci. The development process took lots of time and resources to create these beautiful pendants in a colour that is entirely unique to this project. The final installations are elegant and one of a kind, just like Claridge’s." added Dominik Cienciala, Managing Director for Sans Souci UK.
Hervé Descottes, renowned lighting designer and Co-founder of L'Observatoire International, explains the vision behind Claridge’s new lighting: "Claridges is an iconic building, with such a rich history. When I was asked to re-design the lighting for the guest circulation at the hotel, I wanted to create a series of beautiful iconic moments for guests, to perfectly connect the special experience of dining at the ground floor or first visiting, to the luxury of staying there and the rooms."
"First, we brought an ambient layer of cove lights that accentuated the height and ornate detailing in the corridors, and introduced a system of tunable white fixtures that warm gradually from day to night. Secondly, we needed to design a light fixture that was iconic and completely unique; that fit perfectly in the design heritage of Claridges, but felt timeless. With longtime collaborator Sylvain Dubuisson, we designed a fixture that is both beautiful and functional- with many layers of light that allowed it to provide cooler, diffuse light in the day then transition to warm, more directional light at night. The realization of the design was made possible with the expertise of Sans Souci and their experience with cast glass- whose involvement throughout the process ensured that we were able to devise specific fabrication solutions for these very beautiful pendants, that transformed these spaces and became a beautiful addition to the hotel."
A total of 264 pendants and 198 wall lights were made to illuminate Claridge’s interiors. This adds to the list of Sans Souci projects London, which includes the Southbank Spa, Connaught Patisserie, The Langham Hotel, 1 Blackfriars Tower Crown Plaza hotel, Royal Lancaster hotel, and Fortnum & Mason – the Parlour & the Fountain Restaurant.
About Sans Souci
Sans Souci is a Czech designer and producer of glass lighting and architectural installations. Expert glass-makers, Sans Souci combines high-quality heritage craftsmanship with innovation, using the cutting-edge nano-technologies to realise its unique designs. With an emphasis on precision and detail, the brand specialises in creating bespoke luxury lighting pieces and decorative glass features that highlight original architectural features. Production takes place in North Bohemia, Czech Republic, a world-renowned glass-making region.
Newmor have introduced twelve new wallcovering designs for Spring 2022. The launch is all about wellness and biophilia, creating calming spaces inspired by the natural world to increase wellbeing and productivity. From tonal organic weaves and botanical prints to large scale digital wallcoverings of landscapes and nature.
Sanctuary is a collection of custom digitally printed designs that focus on creating a calm and serene space utilising the power of the natural world on our wellbeing. If you can’t get out into the wilderness then bringing it inside with wallcoverings is the next best thing. Ethereal clouds, inspiring seas, rolling landscapes and earthy stone effects.
Bali and Hessian is a beautifully coordinated collection inspired by the biophilic trend of bringing the outside in. The soft organic hessian texture with its imperfect rustic charm pairs perfectly with the delicate Bali print and will transport you to a chic idyllic retreat. The colour palette is underpinned by naturals of taupe, stone, grey and umber with accents of sage, vermillion and ocean blue.
Bali adds a soft palm print to the Hessian plain. The delicate transparent print allows the hessian texture to show through, creating the effect of a palm tree casting a shadow onto the wall. Hessian is a rustic woven texture is enhanced by a deep emboss to create an organic tactile design for interest and depth.
Zenith II is all about raw, organic surfaces – wood, stone and textured woven effects. The soothing palette is inspired by natural landscapes. Warm greys and chalky neutrals sit harmoniously alongside biophilic accent tones of copper ore and moody sea blues.
Visit newmor.com to see all of the new designs and order samples.
Cover image: Sanctuary - Horizon
About Newmor
Newmor specialise in commercial quality wide-width fabric-backed vinyl wallcoverings, which are manufactured in their own facility in Wales. Their products can be found all over the world in hotels, bars and restaurants, healthcare, education, cruise, and leisure installations. Newmor work in collaboration with a vast array of artists and designers to promote British design to an international audience. This includes painter and fashion designer, Iona Crawford; interior design duo 2LG; weaver Ptolemy Mann; artists Stephen Walter and Lois O’Hara; and design duo The Patternistas.
In this week's interview with SBID Awards Product Design judge and Associate at SHH, Tony Duesbury discusses the nuances of designing for commercial and residential spaces. He shares his insights on designing guest experiences and how hybrid ways of working are changing the interior design scene.
Every hospitality project is unique and a distinct design narrative allows the opportunity to curate a guest experience. Interior design can help generate interest by creating “a narrative” that helps people engage with the space and learn more about where they arrived creating a ‘sense of place’. This placemaking curates the experience and makes the guest experience more personal.
We have done this in a recent brasserie where the details of the wall panelling took inspiration from the 1970’s façade of the building that was removed, enabling the staff and guests to talk about where the interior inspiration came from. This design curation helps discussion and the engagement between staff and customer to enable a unique personal experience.
Our priority when considering the future of the built environment is to look at all aspects of the environmental issues that may affect a particular project and determine what best fits the project. Whether it is creating more greening, checking the carbon footprint of materials procured or considering the MEP to be implemented. As a first step towards achieving that we will look into forming collaborations with consultants and suppliers who have a relevant approach that is beneficial to the process. We will look at individual suppliers and the principles they have in sourcing and manufacturing their materials. Buying local materials and finding unique local craftsmanship within the project vicinity is obviously a huge consideration in order to reduce the transportation carbon footprint.
The selection of materials will be different when it comes to addressing a residential project compared to a commercial project. This is due to two aspects, firstly, cost is a huge factor in. Residential schemes are led more by the heart, whereas commercial projects are led more by the purse. Secondly, it’s about the traffic of a space. Residential schemes can have more luxurious materials that don’t need to take the same wear and tear that commercial projects do. The high footfall in commercial projects, however, means that the durability of the base palette has to have longevity and accents that are easily replaced can have that more luxurious touch.
This is something like everyone we have been keeping an eye on as it is an evolving discussion that has yet to settle and likely to be a debate for years to come. Most recently the hybrid way of working has changed by introducing more technological elements that enable a seamless change from working at home and then back in the office. The largest shift is really going to be about creating staff retention by giving those unique offerings within the public office space to engage people to want to be in the office. For instance, in a recent project we have been looking at weaving in the local community and creating more opportunities for social interaction. Additional opportunities for offering amenities within communal space benefits peoples busy life styles and will have an increase in staff retention. As well as a way of attracting new talent.
My advice would be to remain very concise about their design proposal and communicate all aspects of the idea, story and design detail as clear as possible. It is important that the descriptive narrative conveys the same message as the visual design and both are coherent with each other.
Questions answered by Tony Duesbury, Associate, SHH.
Created in 1991 by David Spence, Graham Harris and Neil Hogan, SHH is an award winning Chartered Architectural and Interior Design practice working globally and based in London. SHH is vastly experienced at working across sectors – Residential, Hospitality and Commercial, and across disciplines – Architecture, Interior Design and FF&E. We offer a multifaceted, entirely bespoke design service, focused around achieving the best possible end result.
This week’s instalment of the Project of the Week series features a colourful and design-led kitchen design by 2021 SBID Awards Finalist, Pikcells.
Practice: Pikcells
Project: Forest Green Shaker Family Kitchen
Location: West Yorkshire, United Kingdom
To create a 'Kitchen of the Year' focusing on current trends such as working from home. With the kitchen space being the hub of the home and centre of different social activities, it must be suitable for not only cooking, but the kids doing homework and serving as a multifunctional entertainment space.
We did research into the current use of kitchen space, how work from home areas are being adapted from other spaces (in our case we used what would have been a boot room). Colour and pattern trends also inspired the design using green and pink hues, chequered terrazzo tiles, marble worktops and backsplashes, as well as internal crittall doors creating a 'broken-plan' space and pantries.
Working within a more attainable size setting whilst still being able to incorporate all of the design features we just mentioned.
Creating a bold, impactful colour palette for the scheme, and also successfully incorporating a functional desk area into the design to improve the client's lifestyle and use of their kitchen space.
We felt the design was strongly influenced by current trends and consumer needs for kitchen environments, designed for modern living. Also it showcases that luxury-looking bespoke kitchens can still be attainable and affordable.
Questions answered by Tanya Bailey, Senior Interior Designer, Pikcells.
If you missed the last instalment of Project of the Week, featuring a dual café design by 4SPACE Design, click here to read it.
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