THDP: Creating an Enchanting and Contemporary Apartment Design

This week’s instalment of the Project of the Week series features an enchanting and contemporary apartment design by 2023 SBID Awards Finalist, THDP.

Through this project, THDP’s desire is to create the perfect haven for the curious travelers that want to dive deep into the secrets of one of the most fascinating cities in the world. By restoring these apartments, THDP have created a luxury space to live when visiting Rome; a serene yet enchanting space to unwind after long days of exploring.

What was the client’s brief? 

Just to be very local and contextualise the city within the concept. Rome today is not only the open-air museum that everyone knows, the cradle of a history that has generated monuments of unique and incredible beauty. It is a treasure chest full of contaminations, of works by contemporary artists, of exhibition spaces and galleries, of new architectural interventions commissioned by important fashion brands. It is a nerve centre full of chic and trendy clubs, which perfectly embodies the worldly and timeless spirit of the city. With its millenary history, Rome today looks to the future, absorbing the international inputs, to merge them with its ancient soul and transform them into something never seen before. In recent years, Rome has come out of the collective imagination that saw it “only” as an open-air museum, intended for “hit and run” tourism, to regain its role as European capital also thanks to the opening of important clubs and international hotels that transform the social fabric projecting it towards internationality. Through this project, THDP’s desire is to create the perfect haven for the curious travelers that want to dive deep into the secrets of one of the most fascinating cities in the world. By restoring these apartments, THDP have created a luxury space to live when visiting Rome; a serene yet enchanting space to unwind after long days of exploring.

What inspired the design of the project?

Trastevere – Young Rome “La Roma Giovane”: Trastevere is not only famous for its historicity, but also for being one of the busiest centers of the city nightlife. With its countless traditional and contemporary restaurants, street artists, theaters, monumental squares and bridges that connect the area with the city center, it acts as a trait d’union between the old and the new, creating around itself a bubble in which there is an unparalleled atmosphere.

Trastevere (Trans Tiberim, “beyond the river Tiber”) has been an area apart from the rest of the city since its origins, and this spirit, which has remained unchanged over time, translates today into a cultural identity typical of the rione (neighborhood) that resists strong despite the progress and the merciless “invasions” of tourists, and perfectly integrates modernity and innovation thanks to its ever young millenary soul.

Colosseo – Ancient Rome “La Roma Antica”: Colosseo is located in one of the most ancient districts in Rome whose origins go back to prehistoric times, when it was nothing more than a rural path used by local populations. Continuing the Domus Aurea on Colle Oppio, the Ludus Magnus, the gladiator gymnasium, the Basilica of San Clemente, one of the very few remains of medieval Rome and the Church of SS. Marcellino and Pietro in Laterano at his meeting with Via Merulana. An area rich in history, but also in theaters such as Brancaccio, the new Palazzo Merulana set of continuous contemporary exhibitions, and an important hub between ancient Rome and the cosmopolitan Esquilino district in the direction of Termini station which seems to bring back in our imagination the idea of the Roman road that reaches the farthest points of the empire. Anyone who walks through it cannot avoid to immerse themselves in its history, fantasising about what is still unexplored under their feet.

Piazza Navona – Noble Rome “La Roma Nobile”: This neighborhood was created to establish a quick connection between the monumental and administrative center of the city and the new residential districts beyond the Tiber. Therefore, it has always had an elegant character, home to important noble palaces and beautiful architectural masterpieces, first of which the Chiesa Nuova on the square of the same name and the Oratory of the Filippini, by Borromini. Considered from the Romans as one of the entrances to the underworld, the area was born from the fusion of the sacred and the profane, with its countless churches scattered throughout the Rione Parione, the many workshops of artisans and antique dealers that still coexist with the new art galleries modern, the vintage shops of Via del Governo Vecchio, and historical places such as the bar del Fico and the Terrazza Borromini, or Palazzo Alberini, headquarters of Gucci. A few minutes away are Piazza Navona, Campo de Fiori, Via dei Banchi Vecchi, Castel Sant’Angelo. Here is also the Vatican, undoubtedly considered the geographic heart of the city. What once, today, and forever, is (and will be) the center of the world.

What was the toughest hurdle your team overcame during the project?

To be able to intervene with a very limited timeframe in 3 areas of simultaneously bringing 3 different concepts to life. The three places of intervention are distributed in 3 areas that differ from each other for history and day/night life. Although they tell different stories, they’re still linked by the same past, yet each of them has developed its own identity as a borough. The first one, Trastevere is a Young Rome, famous for its nightlife, especially outdoors. The alleys, the fountains, and the clothes hanging outside frame a fresh, sparkling and vital life, and here magic is born. The second one is the monumental Ancient Rome, situated really close to the Colosseum and watershed between 3 of the seven hills, Esquilino, Colle Oppio and Celio. The third one is Noble Rome, the Rome of palaces, antique dealers and art galleries. An elegant Rome that, when viewed from the windows and terraces, opens up the perspectives to an exclusive and opulent dimension.

What was your team’s highlight of the project?

A series of artworks and objects from local artists from Via dei Banchi Vecchi have been selected, in order to preserve and maintain a strong local identity. Custom lampshades were made by local artisan atelier Il Paralume. Some artworks reminding faces and classic subjects, treated with different techniques to make them more vibrant and contemporary. These local artists brings on the artistic tradition of the city. Lastly, the frames surrounding the artwork in the hotel were provided by Patrizio Agostinelli, a well-established craftsman of Roman frames who has been working in his artisan shop in via Bartolomeo for over 70 years.

Why did you enter the SBID Awards?

We think that the project fits the awards and, for its history and location, is one of a kind. It is undeniable that Venice is a source of endless inspiration. A city built upon water, with extraordinary palaces that loom over winding canals seems like a fragment of one’s imagination. Venice is a paragon of culture and boundless beauty, with a magical atmosphere and rich history.

What has being an Award Finalist meant to you and your business?

We are honored to be selected as finalist at the SBID awards. SBID has been such a great support to the hospitality industry, especially over these thriving last few years and it is truly a privilege to be included and affiliated with such a wonderful organisation and community.

Questions answered by Manuela Mannino, Architect at THDP.

This week’s instalment of the Project of the Week series features a neutral and geometric office design by 2023 SBID Awards Finalist, XBD Collective.

The office space was designed to embrace a unified concept, mirroring the distinctive architectural style of the building to ensure continuity and cohesion. At its core, the office layout embodies the essence of a new genre of workspace within the workplace, aiming to create an optimal engagement within the working environment. It strikes a delicate balance between innovation and practicality, offering a dynamic commercial space that not only inspires creativity but also caters to the essential needs of a productive work setting.

What was the client’s brief? 

The purpose of the office space was to create a coworking space, not only a place for Modern Working to make their new office headquarters their home. They wanted to include individual workspaces and/or office spaces to be rented to outsiders. One-third of the office would be occupied by Modern Working while the other remaining two-thirds of the space would be for the business center rentals. Together they would be able to share common spaces.

The client’s needs involved having coworking spaces with private offices, an art gallery in public areas, and an amphitheater seating area where the company can hold small events and meetings for collaboration purposes.

Overall, the office needed to be an open and visual continuity space making use of fluid shapes and mixed with regular geometric lines. A neutral palette with the use of glass and marble was requested. The coffee bar, amphitheater, and an art gallery to buy artworks were additional unique and key elements that were required to be incorporated within the office layout and to elevate the space.

What inspired the design of the project?

The office space was designed to feature an identical concept to the building in terms of its unique design for continuity and consistency. The building’s dual aspect of design, playing with curvy and organic shapes within the atrium while making use of rigid and linear lines on the facade, was what initially inspired the office layout.

The office layout is all about the new genre of workspace within the workplace to offer maximum employment engagement and productivity within the working environment. The commercial space needed to be innovative while still being a practical place to work.

The office’s public spaces are situated in an open plan configuration while all the private offices are laid out next to the façade on the north, as well as on the east side of the space, creating a traditional office layout and allowing for better control of lighting and acoustic levels. The organic facade of the office on the west is a more fluid and dynamic space that interconnects the different areas of the office and offers a more creative and interactive environment for the office. Combining these two kinds of spaces brings flexibility within the office, allowing for different uses and types of work collaborations to happen within the office.

What was the toughest hurdle your team overcame during the project?

Situated within Zaha Hadid’s Opus Tower at Business Bay, the office occupies the building’s first floor. The unique triangular floor plan, complemented by structured and orthogonal designs on one side and fluid, curved elements on the opposite side of the façade, guided the strategic utilization of space. These cues facilitated the optimal arrangement of various areas within the office, ensuring each type of space found its best-suited location.

Due to the complexity of the internal structure, a point cloud model was required before being able to model the space in Revit accurately. This was required in order to achieve a clear understanding of the informants and constraints to produce the spaces along the organic curved façade of the building’s central void.

In the spaces that weren’t habitable due to the restrictions of the height, the design introduced a pebbled garden with plants, also known as biophilic design, along the complex curved façade to enhance the quality of the work environment.

What was your team’s highlight of the project?

It was a challenge due to the complexity of the space. It also brought interest considering the importance of the building, as it’s inside of Zaha Hadid’s Opus Tower. We can highlight the willingness of the client to explore a different style of office, moving away from our familiar perception of a working space. It is rare and gave us freedom to create something unique.

Why did you enter the SBID Awards?

SBID is a renowned international platform, and we’re very proud to be part of it. We consider it’s a great opportunity to showcase our work and see it alongside some of the best international talents. We presented several residential and commercial projects in this edition, and we couldn’t be happier with the outcome. We have been finalists in the 6 categories we participated in, and this encourage us to keep working hard.

What has being an Award Finalist meant to you and your business?

It’s an honour to see our projects selected as finalists. It’s really rewarding after dedicating so much effort to each one. This recognition brings satisfaction to our team, but also to our clients, and that’s what makes us proud. We view this experience as a chance to learn and continue to evolve, contributing in the best possible way to the field of interior design.

Questions answered by Ellen Sohoel, Founder of XBD Collective.

Following the previous collaboration between architectural bureau IK-architects and Norwegian developer Predio, creating HG-31 attic apartment in Oslo, architects continued their cooperation and presented another renovated attic apartment – a brutalist two-story apartment, inspired by Tom Ford’s style in Oslo.

The apartment has two floors and thoughtful zoning, which separates the public area from the private area. This is a full-fledged one-bedroom apartment for a young person or a couple without children, with a large kitchen-living room, a bedroom, a bathroom, and a wardrobe hidden behind the head of the bed.

The interior design was inspired by Tom Ford’s timeless appeal – the style of the apartment could be described as classic simplicity with a hinge of brutalism. In the apartment, which is a renovation project of an abandoned attic, architects managed to preserve the original, authentic structure of the concrete wall, which was later adapted to the interior in the brutalist style.

According to the client’s brief, the team mounted a glass wall between the bedroom and the shower, delineating an additional attraction area. As in the HG-31 project, a sliding system was created in the form of a dark monolithic box, which hides the entire kitchen, its technical part, sliding facades that hide the entrance door.

The architects faced the task of creating a bright, cosy and pleasant interior that would organically implement an element of brutalism. Even though the interior contains many dark colours, due to a well-thought-out design strategy, the interior itself is not dark. It combines warm wood, red metal and chairs, and the sky-blue colour of the art piece on the wall. The stairs from the first to the second level are made of raw black metal, covered with a matte transparent varnish, and on the first floor, and MicroCement is used for the floor covering.

“In the project, we used a concrete wall, a concrete floor and raw black metal, which plays well in contrast with the wooden elements. In my opinion, it is this unusual concrete approach that distinguishes the apartment from the classic wooden Scandinavian style”, shares Kateryna Yarova, chief architect of IK-architects.

This project is a great example of two amazing teams, Predio and IK-architects, working together to create a modern, stylish, and practical living space in the historic centre of Oslo. This realization is not only a testament to high quality but also an embodiment of the aspiration to improve the quality of life in cities through sustainable development and the enhancement of design and functionality in real estate.

The Ukrainian architectural bureau IK-architects has been developing design projects for more than a decade. They specialise in Scandinavian design, minimalism, and blending different styles and trends.

Predio is a Norwegian development company that specialises in lofts conversions in Oslo. They carefully choose the best locations in the city to create luxury apartments, penthouses, and townhouses geared towards being great property investments. Predio’s goal is to enhance urban living through sustainable development and their expertise in residential and commercial real estate. IK-architects has teamed up with Predio for several years now.

The following project was accomplished in collaboration between leading Predio architects and IK-architects designers. Before, they have also made HG-31 attic apartment in Oslo together.

Developer company Predio
Svein Stokke, Andrii Soloviov, Andriy Ponomarenko

Interior design by IK-architects
Kateryna Yarova, Khrystyna Stavytska

Location: Oslo, Norway
Built area: 87 m²
Completion year: 2022 (The year of construction is 1988)
Construction: COWI
Furniture manufacturing: Lachma
Client: Private
Status: Completed
Cost: £350,000

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This week’s instalment of the Project of the Week series features a sophisticated holiday home design by 2023 SBID Awards Finalist, Clare Williams Interior Design.

Clare Williams Interior Design was commissioned to design, conceptualise and complete this magnificent, luxury family villa in Corfu, Greece. The client wanted this plot of land to transform into a well-built, sophisticated holiday home where guests can relax and enjoy the idyllic coastal surroundings and breath-taking views. Modern spacious interiors, bespoke joinery, sculptural furniture, elegant fabrics, natural local materials, local craftsmanship and beautiful outdoor finishes all add character to this family villa.

What was the client’s brief? 

Clare Williams Interior Design was briefed by her client to design and build a luxury, residential Villa on a plot of land in Corfu, Greece. The plot of land chosen for the Villa boasted stunning, unobstructed views of the surrounding Grecian landscape and Ionian Sea, stretching as far as the eye could see.

The design brief required Clare to create a modern and sophisticated holiday home that reflects the surrounding natural beauty of outstanding bays and white pebbled coves on the North East Coast of Corfu. The clients wanted a home they could use for the primary function of rest, relaxation and family enjoyment. The client’s family will spend the summer in this villa and wanted the space to feel different to their busy city lives.

What inspired the design of the project?

To bring the interiors of this Villa to life, Clare developed her design concept by considering the surrounding natural beauty of outstanding bays and white pebbled coves and sweeping vistas that lent themselves to an idyllic theme of blues, whites and greys that are carried throughout the interiors and can be seen in the furnishings, fabrics, art, accessories and more.

What was the toughest hurdle your team overcame during the project?

Working on an international project can always bring unexpected hurdles. We wanted to ensure we were incorporating sustainable elements into the home wherever possible and therefore used local craftsmen and businesses to complete the kitchens, bathrooms, bespoke joinery, tiling and more. We are thrilled with the outcome but adds slight difficulty overcoming language barriers and learning to work with new contractors.

What was your team’s highlight of the project?

Bringing to fruition my client’s dream of a family home is definitely a highlight of the project. There is always great excitement delivering your carefully curated design concepts and seeing it all come to life. This project took place during the difficult period of COVID19, so it was a rewarding achievement when it was all completed successfully.

Why did you enter the SBID Awards?

Entering the SBID Awards is a great opportunity to communicate with the industry, past clients and potential clients. Design awards also create a productive conversation about what design is doing well and how it can improve not just aesthetically but socially too.

What has being an Award Finalist meant to you and your business?

To be announced as an award finalist by the SBID judges for our ‘Luxury Corfu Villa’ is wonderful news and we are thrilled they feel we have created meaningful interiors with design, sustainability and our clients in mind. It is so important to celebrate our studio’s hard work and the wonderful spaces we are so fortunate to create for our lovely clients.

Questions answered by Clare Williams, Founder of Clare Williams Interior Design.

This week’s instalment of the Project of the Week series features a modern and industrial KBB design by 2023 SBID Awards Australasian Region Winner, Du Bois Design.

New Zealand based designer Natalie Du Bois of Du Bois Design was commissioned by her clients to conceptualise and detail the interiors of a 562-square-metre new build – a six-hour drive away. The Whanganui project involved the creation of a kitchen and generous scullery for frequent entertaining, alongside a bar that connected to the living area as well as a laundry and five individual bathrooms in keeping with the modern-industrial theme.

What was the client’s brief? 

I was retained as the interior specialist for the construction of a new home in Whanganui, Aotearoa, overseeing the spatial interior and design of various spaces, including the kitchen, scullery kitchen, bar, laundry room, and bathrooms.

My clients, a family of five, desired a meticulously planned kitchen that would cater to their needs. They also wanted a sizable scullery that could function as a secondary kitchen for entertaining purposes and provide their teenage daughter with a dedicated area for her baking endeavours. It was crucial that the scullery could comfortably accommodate multiple users at any given time.

This family with three teenage children, often entertained and desired a modern-industrial aesthetic to align with the contemporary architecture of their residence.

Considering the turnover of both visitors and overnight guests, it was essential to incorporate five bathrooms for convenience, as well as a spacious and well-planned laundry area that catered to the busy family lifestyle.

What inspired the design of the project?

When designing this interior, I was inspired by a Brutalist approach, emphasising voluminous proportions throughout the home. I merged rough-textured plastered walls with dramatic lighting, applying a neutral colour palette consisting of black, white, and grey. Ultimately, my design choices were driven by my clients’ specific needs, lifestyles, and personalities.

What was the toughest hurdle your team overcame during the project?

Overall, the project progressed relatively smoothly, and I thoroughly enjoyed working with the clients. The trades faced some challenges in adhering to unconventional design details, such as the panelling around the island. However, they persevered, ensuring that the project remained true to its specifications, albeit a costly and meticulous process.

What was your team’s highlight of the project?

Currently, I work independently without a team. The most gratifying aspect of my work is witnessing my clients’ genuine satisfaction with the final outcome and knowing that I played a role in creating it. Additionally, seeing the project come to fruition after months of hard work is an incredibly rewarding experience.

Why did you enter the SBID Awards?

In 2000, as a young designer working in London, I won my first interior design competition. After residing in London for five years, I immigrated to New Zealand, and winning this prestigious award has greatly enhanced my professional reputation in the country over the past 23 years.

SBID stands out to New Zealanders as a highly competitive and challenging awards platform. Competing against designers from other countries amplifies the rewards of participating.

I decided to enter the Whanganui project into the SBID awards after winning the supreme kitchen design accolade at the National Kitchens and Bathroom Association Excellence in Design awards for 2022 in New Zealand. I wanted to aim higher and see if this project could receive international recognition through such a reputable awards platform. I took on the challenge and submitted not only the kitchen but also the five bathrooms, bar area, and scullery, hoping to showcase the complexity, scale, and individual design flair present in each room while demonstrating their interconnectedness.

What has being an Award Finalist meant to you and your business?

Last year, my SBID project was a finalist, and I hope to achieve even greater success this year. New Zealand may be a small country, but the competition within the industry is fierce, constantly pushing us to improve. Participating in SBID reflects that drive for self-improvement.

Being selected as a finalist provides an excellent opportunity to promote my unique and distinctive work, setting me apart from my peers. Clients can feel more confident and trust that I can offer them an exceptionally high standard of design. It also fosters greater respect within the interior design community and among my colleagues. Personally, it is incredibly humbling to know that my design work has caught the attention of esteemed international judges. The international opportunities and exposure that accompany being a finalist have tremendous benefits.

Questions answered by Natalie Du Bois, Founder of Du Bois Design.

The luminous dome-shaped window, reminiscent of a crystal, which opens up endless possibilities for natural light to flow, plays a pivotal role in transforming the attic space HG-31 in the heart of Oslo into a true architectural gem. This unique renovation project is the result of the joint efforts of the development company Predio and the Ukrainian architectural firm IK-architects.

One of the main goals of the project team was to create a functional and cosy space that would allow residents to infuse their personal elements into the interior. Through carefully thought-out planning, the lower level of the apartment is divided into two main zones: the public zone (with a foyer and a kitchen-living area) and the private zone (with two bedrooms and a bathroom). In the central part of the upper level, there is a mezzanine – a relaxation area and an open terrace, perfect for barbecues and relaxation with incredible views of the city and the fjord.

However, the main highlight of the apartment is the polygonal window, which became a key architectural element. Its crystal-like form not only adds uniqueness and sophistication to the space but also allows abundant natural light to enter, giving the living space a distinctive character. Moreover, this window opens up breathtaking views of the historic part of the city and the modern residential quarter.

In the HG-31 project, a strong emphasis was placed on using natural materials such as parquet flooring and wooden decorative elements. These details add warmth and a natural feel to the apartment, as well as unify all the rooms into a single, organic space.

This project serves as a shining example of collaboration between two outstanding teams – Predio and IK-architects – who have combined their knowledge and creative talents to create a modern, stylish, and functional living space in the historic heart of Oslo. This realisation is not only a testament to high quality but also an embodiment of the aspiration to improve the quality of life in cities through sustainable development and the enhancement of design and functionality in real estate.

Development company Predio focuses on loft conversions in Oslo. The capital’s best locations are selected for new developments, and luxury apartments, penthouses and townhouses that are outstanding property investments are built with design, specification and purpose in mind.

Predio aims to improve the quality of life in cities through sustainable development, through deep knowledge and experience in residential and commercial real estate development.

The Ukrainian architectural bureau IK-architects has been developing design projects for more than 10 years. Key stylistic trends: Scandinavian design, minimalism, eclectic combination of current styles and trends. IK-architects has been cooperating with Predio for several years. The HG-31 project was created in collaboration between leading Predio architects and IK-architects designers.

Developer company Predio
Svein Stokke, Andrii Soloviov, Andriy Ponomarenko

Interior design by IK-architects
Kateryna Yarova, Khrystyna Stavytska

Furniture manufacturing Lachma
Construction physics – COWI

Year: 2022
Location Oslo, Norway
Area: 87 m2.
The year of construction is 1988

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

This week’s instalment of the Project of the Week series features a tropical and elegant beach house design by 2023 SBID Awards Finalist, Studio IDC.

Studio IDC was commissioned by a private client to design the interiors and exteriors of Tŷ Compton Estate, an eight-bedroom, 23,000-square-foot luxury private residence/rental property on Jumby Bay Island, Antigua. Intentionally blurring the lines between the interior and exterior, the Studio IDC design team curated a neutral, textured, and layered backdrop accented by a crisp colour palette to evoke the surrounding tropical landscape. The property captures the essence of its idyllic Caribbean location while incorporating every amenity imaginable.

What was the client’s brief? 

Tŷ Compton is an eight-bedroom, 23,000-square-foot luxury private residence/rental property on Jumby Bay Island, Antigua. The clients wanted a family property that could also be utilised to generate rental income. They envisioned a private compound that could function like an all-inclusive resort and offer one-of-a-kind guest experiences. This included two equal primary bedroom suites in the main home, plus multiple sleeping arrangements within each of the three cottages.

The clients have excellent taste yet gave our design team a great deal of leverage on the design direction. There was a lot of collaboration with clients and other contractors on the project for its overall success. Strong opinions on colour did surface: They loved a mix of blue hues and wanted a unique, elegant, and sporty beach house that would be “a cut above.” Their vision also encompassed a love of sports and play, as well as a desire to create spaces that encouraged connection throughout the property. They also envisioned the design to be unique but true to the island’s natural beauty with an earnest, pristine commitment to sustainability.

The clients have a large family and valued entertaining, requested seating for 16 individuals or more, along with multiple gathering spaces. We accommodated this with a stunning custom-designed suar wood dining table for alfresco dining and a custom interior Liaigre dining table for 16 surrounded by beautiful dining chairs by Gregorius Pineo. Other lounge seating that can comfortably bring together large groups was also addressed throughout the property. Their feedback on fulfilling their requirements has been a glowing success.

What inspired the design of the project?

The overarching concept was always there: innately taking into the geography, topography, and natural surroundings of Jumby Bay. However, the design direction evolved as we unfolded our clients’ needs, preferences, and openness to mixing elements that might not initially be considered together. The top-tier finish materials, lighting, furnishings, and artwork really come together for something quite special.

What was the toughest hurdle your team overcame during the project?

We worked through the construction and design process during the pandemic. This was an interesting adjustment with limited face-to-face client contact and a lot of stop-and-go on the project site. Shipping was also a significant hurdle during this time! However, our many years of experience in the Caribbean allowed us to handle obstacles and workroom closures professionally and smoothly, ultimately delivering an incomparable design that delighted the clients. Tŷ Compton was a joy to work on!

What was your team’s highlight of the project?

Stephanie Tyler, President of Studio IDC, and I were fortunate enough to greet and reveal the property to our clients after years of working remotely to bring this dream to life. Due to the pandemic, our clients did not get to visit the project site nearly as much as they would have given “normal” circumstances. That said, having that initial walk-through and seeing their faces was the most incredible feeling! It was the kind of moment a designer dreams of. So much overwhelm in the best of ways. Not something that we will ever forget.

Why did you enter the SBID Awards?

At Studio IDC, we are dedicated to design and pushing the boundaries of interior innovation. Participating in the SBID Awards aligns perfectly with our commitment to excellence and showcasing our creativity. The SBID Awards is a globally recognised platform that reflects our ethos of design excellence and meticulous execution. It’s not just about recognition but also about sharing our story of redefining luxury and creating living spaces that resonate with people. For us, entering the SBID Awards was a natural choice – an opportunity to let our design philosophy shine internationally, inspiring others and propelling the industry forward.

What has being an Award Finalist meant to you and your business?

Being chosen as a finalist in the SBID Awards is a great honour for Studio IDC. It is a special moment that recognises not only our design accomplishments but also our culture and relationships – it’s like a resounding endorsement of the trust our clients put in us. We’re absolutely over the moon celebrating this outstanding achievement.

Questions answered by Todd Tyler, Chief Creative Officer at Studio IDC.

This week’s instalment of the Project of the Week series features a home design with a members club atmosphere by 2023 SBID Awards Finalist, Sonia b design.

Sonia b design was commissioned to create a members club atmosphere while optimising the space for a young professional. The scope included space planning, internal restoration, bespoke joinery, and sourcing. Each room was designed with its own personality, featuring moody aesthetics in entertaining spaces, bathrooms and bedrooms, balanced by a light and sharp design in the kitchen and gym. Preservation, restoration, and repurposing played a significant role in this project, ensuring the conservation of period features while integrating modern textures and elements, and donating replaced elements during the renovation process.

What was the client’s brief? 

The home, previously a family house, was refurbished in preparation for the new owner, a young professional to move into the home. The brief was to create a members’ club atmosphere and therefore bringing hospitality design into a home while focusing on the comfort of a home which has been a truly exciting design journey. Beyond the aesthetics, the home was designed to accommodate for the client’s storage, entertainment and fitness needs where several entertainment spaces and a gym / dressing were created. The choice of materials and fabrics was also driven by the need to be suitable for regular visits from the owner’s niece and nephew.

What inspired the design of the project?

The client who is a member of a worldwide members’ club, thoroughly enjoys the ambiance it offers, and we aimed to echo its diverse atmospheres within the home, inspired by different club buildings as well as bars and restaurants that inspired us and feature the atmosphere we were looking to create. The bathroom design draws from the client’s New York travel memories. The home’s overall ambiance evokes a sophisticated British members’ club feel. Meanwhile, the kitchen, boasting large bifold doors to the garden, embraces a Mediterranean design, incorporating abundant greenery to create a seamless indoor-outdoor connection.

What was the toughest hurdle your team overcame during the project?

“Surprises” that often come with period properties and were uncovered during demolition, which required substantial additional work and sourcing. Thankfully Building Control were extremely helpful which enabled us to progress promptly with the additional works required. Despite the challenges and the extra work required, the team completed the project on time.

What was your team’s highlight of the project?

We conducted routine site visits with the client, allowing him to observe the ongoing progress. On a particular occasion, even though the house was still a work-in-progress and not entirely finished, the client’s genuine excitement shone through as he saw the vision gradually coming into reality. It was a truly rewarding and encouraging for the team. Another notable moment was during a subsequent meeting held in the house a few days after the handover, where the client had already entertained relatives and was beginning to feel truly settled. The house felt like a well lived-in home already and that was a real joy to see.

Why did you enter the SBID Awards?

As a distinguished accrediting body for interior designers in the United Kingdom, SBID serves as a benchmark, recognising the industry proficiency in its awards program both in the UK and internationally. I wanted to share the work we do as a small practice and feel extremely proud and grateful to see our work recognised by a panel of respected industry experts.

What has being an Award Finalist meant to you and your business?

It is an honour to be a finalist for the SBID awards. It is a fantastic boost to always seek for new challenges. It is a recognition of the hard work and care that goes in our designs and for our clients. Very importantly, it is a recognition of teamwork where suppliers and specialists we collaborate with show the same level of hard work, support, care and play a key role in every project. A big thank you to the team involved in this project.

Questions answered by Sonia Bourruel, Founder of Sonia b design.

This week’s instalment of the Project of the Week series features a sophisticated family home design by 2023 SBID Awards Finalist, Chatelaine Interiors & Atelier NM.

Chatelaine Interiors & Atelier NM were commissioned to create a contemporary residence nestled in the prestigious enclave of Kensington for an international family. Embracing the spirit of sophistication, Atelier NM redeveloped the interior of the property. Their vision was to seamlessly blend modernity with timeless touches, as clean lines and neutral palettes intertwine with gilded accents to evoke a sense of opulence. Luxurious velvets and meticulously crafted furniture grace the interior, exuding bespoke elegance. This home showcases high-end living through its light-filled open spaces and wonderfully crafted soft furnishings by Chatelaine Interiors.

What was the client’s brief? 

Chatelaine Interiors & Atelier NM were commissioned to create a contemporary residence nestled in the prestigious enclave of Kensington for an international family.

What inspired the design of the project?

The client’s amazing sense of style! She is sophisticated, adventurous and not afraid to take risks. She also wanted to pay homage to the amazing Victorian property with timeless interiors.

What was the toughest hurdle your team overcame during the project?

The toughest hurdle would be trying to preserve the original features. The building is very tightly managed by a board, passionate about the existing fittings. Therefore, we had to be very careful to try and preserve them or recreate them when needed.

What was your team’s highlight of the project?

How all the fabrics came together beautifully. Each room has a its own theme and the soft furnishing tells the story of the them elegantly and subtly.

Why did you enter the SBID Awards?

We decided to enter the SBID awards specifically as our core values align very closely. These awards are a fantastic opportunity to showcase our creativity and design work. Within the industry the SBID awards hold a significant amount of recognition and being recognised is such an honour. Additionally, the idea of having experienced judges evaluate our work was a major draw for us. We wanted to tell our design stories in a way that resonate with people, stirring emotions and contributing to the evolution of interior design.

What has being an Award Finalist meant to you and your business?

Being an SBID award finalist is profoundly meaningful for both Chatelaine, Atelier NM and our respective teams. It validates our hard work, creativity, and commitment to exceptional design. It reinforces our vision, pushing us to strive for bespoke excellence. For our businesses, it enhances our credibility, attracts new clients, increases our media attention and motivates us.

Questions answered by Stephanie Douthwaite, Founder of Chatelaine Interiors, and Najwa Mroue, Founder of Atelier NM.

This week’s instalment of the Project of the Week series features an inviting hotel space design by 2023 SBID Awards Finalist, Franklin Ellis / Sweeney Ellis in association with IHG Interior Design Dept.

The client’s brief was to convert the former Modernist style 1950’s House of Fraser store (previously Dingles and prior to 1973, Colson’s) located within the City Conservation Area in the centre of Exeter into the defining hotel of the city.

What was the client’s brief? 

The clients brief was to create a unique and stunning IHG branded boutique hotel with a destination rooftop bar, restaurant and an urban spa and sports bar. This was to be achieved by converting a 1950s House of Fraser store which was perfectly situated on the High Street in Exeter within viewing distance of the magnificent Exeter Cathedral.

What inspired the design of the project?

As an IHG Hotel Indigo, it was essential that the design narratives were based on the people and culture of the City together with the unique history of the building. The design Inspiration was greatly informed by the incredible story of Mrs Colson who opened her milliners shop High Street in Exeter in 1782 and over 100 years later the store was listed under the description Colson & Company drapers, silk mercers, milliners, costumiers, mantle makers, ladies’ & children’s outfitters, furriers, hosiers & undertakers, 33 & 34 High St”

Following bombing during the war, the Colson’s building was largely rebuilt in the 1950s in a 1930’s modernist style with horizontal fenestration and banding detail and these elements resonate in the overall design.

From the outset it was important to celebrate the heritage and affection the general public had for the former Colson Department Store. The reception area leans in to the haberdashery element of the buildings history reimagining display elements and utilising salvage items from site such as the Colson Store sign now positioned above the bar.

The Narrative 1 Guestroom celebrates the colour, forms and textures found within the wonderful building including the pneumatic tube cash carrier retrieved during the conversion which is echoed in the headboard and corridor room number light design. A glass fronted wardrobe with bespoke wallpaper prints and labelling, captures the retail elements of the store. The connection to Mrs Colson and her milliner skills are reflected in the bespoke artwork and quirky floor mosaic slogans in the bathrooms.

The Narrative 2 guestroom design leaned into Exeter’s rich heritage of fascinating architecture and detailing. One of the best examples of the quirky local ingenuity is ‘The House That Moved number 16 Edmund Street (or the Merchants House). Dating back to 1430 the house if one of the oldest surviving structures in Exeter and it was painstakingly moved 90 metres up the street to make way for a new road.

The design narrative focuses on all things that can move or are not what they seem. The wardrobe and bathroom door are concealed withing painted timber panelling and the paint colour is moved off the traditional line. Scissor lights and desk and a rocking chair combines with quirky artwork adding to the story. The décor is deliberately layered to capture the historic references of culture and architecture in Exeter.

The Cathedral site has been the heart of Exeter since Roman times and the current building has the longest unbroken stretch of stone ceiling vaulting anywhere in the world. There is also an astronomical clock in the north transept dating back to the 15th century thought to be only one of four in England which has been captured in the design of the furniture in the rooms. The design narrative gains inspiration from the fascinating design details in and around the Cathedral Green and uses brass and timber with sumptuous celestial colours fabrics to give a rich decadent feel.

The rooftop bar was to designed to put the focus on the magnificent cathedral which is in full view from the bar and external terrace. A crafted bespoke wallpaper by Elegant Clutter takes inspiration from the colours of the surrounding landscape and intricate details on the Cathedral stonework. The bar was designed to have a more contemporary feel with ribbed tiles to the bar front echoing the stone vaulted ceiling enhanced by rich gold tones and a modern terrazzo and velvet finishes palette.

The Urban Spa takes inspiration from the local landscape in particular the sea and moors. The aim of converting the basement was to create a light and airy feel using natural materials and tactile surfaces. Low level lighting and soft calming geometry combine to create a unique spa experience offering hydro pools, sauna and steam room together with treatment rooms.

The Sports bar is nestled in the basement access by a separate external staircase and its décor is playful whilst appearing mature and timeless.

What was the toughest hurdle your team overcame during the project?

The project design commenced during the Covid lockdown and initially we were unable to visit site. However modern technology allowed us to virtually walk around Exeter and the building assisting the formation of the design narratives. The deep building plan form was complex being laid out over several split levels with four very different external facades. IHG’s suggestion of removing the existing centrally located escalators and lifts to create a lightwell provided the perfect inspiration for the guestrooms by unlocking the floor plan. Using the building irregularities to our advantage, which we managed to create unique guestroom layouts for the 104 rooms. This led to a huge variety of guestroom shapes and sizes which proved very challenging to the contractor and the styling, ordering and placement of FF&E.

What was your team’s highlight of the project?

The project was complex and challenging in many ways but equally thrilling and exhilarating for all the team involved. Seeing the individual design elements come together from the basement spa and sports bar to the breathtaking rooftop bar and terrace was incredibly satisfying. Rarely do we have such a variety of building constraints that test and push the agility and flexibility of the designers on site and in the design studio.

Why did you enter the SBID Awards?

The SBID awards are a great platform for designers to showcase their work and provide inspiration for other design professionals but they are also a tremendous encouragement for young talent.

What has being an Award Finalist meant to you and your business?

Being an award finalist is an incredible achievement for our design team and the wider project team including the client, architect, brand holder IHG, contractor and other collaborators. Being an Award Finalist enables all who were involved to be recognised for their unique abilities and the part they played in crafting and delivering the project. With regards to the business, we aim to continue creating designs with storytelling, passion and sustainability at the forefront. We are always looking to exceed our clients aspirations creating unique experiences for all.

Questions answered by Denise Ellis, Director at Sweeney Ellis Design.