Office During the Day, Party During the Night – Combined in One Space

This week’s instalment of Project of the Week series features joined office and night venue designs by 2021 SBID Awards Finalists Teodora Panayotova & Max Baklayan.

The designers received one of the most unusual briefs for Tavex’s new home Dr Jekyll & Mr Hyde – to transform one space to incorporate two areas that completely contradict each other. The challenging project was a great success with the team achieving outstanding results upon completion of the brief.

What was the client’s brief? 

The clients’ desire was to create a two-purpose space – a functional, convenient office during the day and a party venue in the evenings, but without the need to actually move anything around. This puzzle made the brief irresistible to the designers.

What inspired the design of the project?

The space itself created many challenges due to its position on the ground floor and the single space layout. However, it was simultaneously the biggest inspiration. “From the moment we set foot in the office, it screamed at us – Industrial Minimalism.” Teodora Panayotova says that as a designer, she could not ignore the scream.

What was the toughest hurdle your team overcame during the project?

The office presented two problems – one was obviously the duality of its purpose, the two could not be further away on the spectrum. The second was the fact they needed to increase the office area by about 150 square meters, yet keep everything airy and minimal. Since the space is on the first floor, with no panoramic views and no full day of sunlight, nothing was walled off, and only glass, OSB, and metal rails were used. We are particularly proud of the two balconies on each side of the office and the tall ceiling in the middle of the office, interrupted only by the mirroring meeting rooms with floor-to-ceiling glass walls.

What was your team’s highlight of the project?

The project’s highlight is the 6-meter marble bar that greets you when you walk into the office. With just a flick of the switch, the purpose of the bar changes instantly. It is the place where you get your morning cup of coffee, your 5 o’clock tea in the afternoon, and a sip of London Dry after 7.

Why did you enter this project into the SBID Awards?

Teodora sincerely believes that what they created here is unique. Countless offices have game rooms, pool tables, relaxing zones, and lots of areas for different purposes. This project incorporates two of the most opposite use cases possible. It does so in a single space, without one interfering with the other. It contains everything that an office needs and so much more yet stays true to the industrial minimalism the designers set off to achieve.

Questions answered by Teodora Panayotova, Interior Designer, Teodora Panayotova & Max Baklayan.

This week’s instalment of Project of the Week series features a renovation project of a Victorian Eatery by 2021 SBID Awards Finalist, Blue Sky Hospitality.

MAGENTA restaurant, bar, and private dining, have been created from the conversion of a 19^th century bank building, located on the corner of Euston and Belgrove road, just across St Pancras and Kings Cross train stations.

What if… in 1880, British engineers and scientists from the St Pancras Coal, Steel and Gas industries had decided to create their own eatery? Enlisting help from the large community of Italian immigrants based around Kings Cross, they would have built a venue celebrating ‘La Dolce Vita’ with an authentic, local British identity. A place for libations and celebrations of everyday life, until it closed, swept away by the turmoil of time.

What if… 141 years later, the premises were renovated and updated with a modernist sensibility and reopened… transformed into a giant art installation? A bar and restaurant within an indoor pergola of Victorian industrial architecture, dressed in a palette of coal, steel and oak, upholstered with magenta wool and anthracite leather. An evocative space where thousands of butterflies, flutter overhead, in shimmering hues of pink and silver, to a cinematic soundtrack punctuated by atmospheric bird songs. The result might look, taste, and feel like what “MAGENTA” is today.

What was the client’s brief? 

The brief was to convert an existing bank within a 19^th century building into a restaurant and bar with a design that will optimise the internal volume and reduce impact of constraints, draw inspiration from its location, provide a joyful environment for staff and customers, offer a unique, memorable social space and enhances the neighbourhood of Kings Cross- St Pancras.

What inspired the design of the project?

The main inspiration for the design was a story about Kings Cross in 1880 – blending facts and fiction.

What was the toughest hurdle your team overcame during the project?

The most challenging part of the brief was optimising the internal layouts to make it efficient to operate and provide a pleasant customer experience…while respecting the period architecture of the façade.

What was your team’s highlight of the project?

The most exciting part of the project was the creation of a ceiling art installation using 5,000 metal butterflies.

Why did you enter this project into the SBID Awards?

It is always an exciting experience to enter awards, however given the calibre of work and entries into these global awards, it makes it even more special.

Questions answered by Henry Chebaane, Creative Director, Blue Sky Hospitality.

With the size of the average UK bathroom measuring around 4.4m2, the latest designer collection from RAK Ceramics solves the problem of creating luxury results in compact spaces. In fact, RAK-Petit is designed specifically with small bathrooms in mind with a transversal collection of washbasins designed for architects and interior designers who address the spatially-challenged environments.

Created in collaboration with award-winning Italian designer Maurizio Scutellà, RAK-Petit is a collection of small washbasins for compact spaces, from cloakrooms and en-suites to small family bathrooms. With minimal shapes and modest dimensions, RAK-Petit washbasins are perfect for small but special bathroom spaces that are also big on style.

The collection includes deep-based washbasins that can be installed alone or combined with RAK-Joy vanity units in the domestic bathrooms, as well as freestanding washbasins that are statement pieces in their own right.

Featuring circular and square shapes, the freestanding ceramic RAK-Petit washbasins in striking Alpine White measure an elegant 360mm wide x 900mm tall. RAK-Petit wall-hung washbasins are equally as stylish, again with round or square basin shapes combined with a ceramic ledge, providing an easy to wipe clean surface for soaps and toothbrushes. Measurements for the wall-hung basins are 765mm x 360mm.

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Architectural and interior designer, antiques dealer and furniture designer Rose Uniacke is pleased to present Rose Uniacke Paint, a debut paint collection that was launched this month.

Taking Rose Uniacke’s renowned fabric collection as inspiration, the range comprises 14 colours that offer a refined backdrop to the timeless decorative style that the designer is celebrated for. The debut paint range will be 100% natural and chemical-free and is suited to both traditional and modern interiors.

Paints with an environmental conscience 

An effortless versatility underpins the palette of carefully considered neutral colours which range from the gently green-hued ‘Apple Mint’ to the softly pink-toned ‘Bloom’. Made using the highest quality natural and sustainable materials, the ecologically accountable paint range offers exceptional performance, durability and coverage while being preservative and plastic-free.

“I have long mixed my own bespoke paints for the projects I design and so it made sense to share some of these colours. I wanted to do this in an environmentally conscious way, and so creating a range that’s 100% natural and chemical-free was a priority from the outset.” says Rose Uniacke.

The range is available in three finishes suited to both internal and external applications. Grafclean and Grafclean Midsheen are composed of vegetable resins and ecological materials, while half of the range is available in Ecosphere, a paint based on pure lime which helps purify the air by absorbing CO2. So pure is the Ecosphere paint that 15L will absorb nearly 5.0kg of CO2.

“It was an absolute must that we developed our debut paint collection in partnership with a brand which has the environment at its core” added Uniacke.

Rose Uniacke Paints are sold exclusively in the new Rose Uniacke Fabric Shop at 103 Pimlico Road, SW1, and online.

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This week’s instalment of Project of the Week interior design series features an open plan residential space design by 2021 SBID Awards Finalist, Nicola Burt Interior Design.

The company was tasked with transforming a tired separate kitchen, living and dining room into a warm, slightly opulent open plan space, that reflected the 1930s built of the house.

They achieved this by removing the structural wall separating the kitchen from the living area, and installing a new emerald green kitchen and island to integrate the spaces together whilst still retaining the separate zones. The warm, opulent feel was enhanced by the orange, green and blue velvet tones of the upholstered furniture together with the wood parquet floor.

Wherever possible Nicola Burt Interior Design team reused existing furniture and accessories, to minimise waste and the impact on the environment.

What was the client’s brief? 

The brief from the client was to transform a tired and awkward separate kitchen, living and dining room into an open plan kitchen/dining/living space.

The client wanted a room where she could entertain as well as cook and relax. She also wanted to be able to look out onto her garden, so our team installed a wall of glazed Crittall Bifold doors, which retained that 1930s feel.

What inspired the design of the project?

The client wanted to be bold and use colour – she has some artworks by Louis Turpin in the space which are incredibly vibrant and colourful, so I drew inspiration from those for the scheme. The artwork inspired the choice of emerald green for the kitchen cabinetry.

We then paired the green kitchen with an orange velvet scalloped sofa and armchair, and a blue-green swivel chair and bar stool to enhance the vibrancy and opulent feel. I was keen to re-use existing furniture where possible – we retained the client’s colourful Christian Lacroix rug which worked perfectly with the scheme, and the client’s existing dining chairs. Our team also upholstered her piano stool in a beautiful vibrant offcut of woven Ghanaian fabric.

The Crittall Bifold doors to the garden, touches of gold in the handles and tap, scalloped furniture, Tristan and Isolde table lamps, all referenced the warm Art Deco feel the client wanted in her 1930s home.

What was the toughest hurdle your team overcame during the project?

A major challenge was working with COVID restrictions, something that I had never encountered in my 16 years working as an interior designer. We began planning the project in March 2020, but then almost immediately the first complete lockdown came into force. I had to pivot really quickly to ensure we could keep working, so I advised the client that we could continue to plan the new space remotely until we were allowed to meet face-to-face on site. This would mean we would be ready to go as soon as restrictions were lifted.

As soon as we were permitted, our team appointed an architect in to survey and draw up plans, a structural engineer to survey and do drawings for the steels, contractors to price for the work, and Building Control to inspect. After the client signed off the kitchen design we could then place the order for the furniture, with fingers crossed there would be no delays due to COVID disrupting supply chains.

The building work was booked to start in September 2020 and when it began the contractor discovered that the original frame of the property had been constructed from poured concrete, which was incredibly solid and heavy to remove. This delayed the work slightly, but we completed the project at the end of October.

It was stressful but we were incredibly lucky to get the major building work done and completed in between the various lockdown restrictions.

What was your team’s highlight of the project?

The first highlight was seeing the client’s joy when the scheme came together and how thrilled she was with her new space.

The second was being nominated as a finalist in the SBID Awards. There was such a great reaction to this project in the press and social media so I thought I would enter it into the awards. I never thought for a minute it would be nominated and I am so thrilled. It just confirms to me that you should be brave and trust your instincts with your design ideas!

Why did you enter this project into the SBID Awards?

I entered the SBID Awards as they are so prestigious in the industry, and the judges are of the highest calibre. To be nominated as a finalist has been such a boost to my confidence, reputation and business, and to (hopefully!) win would be even more amazing, not only for me but as an inspiration to all the interior design students I teach.

Questions answered by Nicola Burt, Interior Designer, Nicola Burt Interior Design.

Following our post about Design Havens for Heroes and its work to create havens for NHS front workers, we showcase one of the rooms created by SBID Accredited Interior Designer Clare Gaskin. Clare generously volunteered her time and expertise to the charitable initiative alongside interior stylist Emily Wheeler. Together, they transformed a room in the home of Gigi, a first responder paramedic in South West London. The aim was to transform a completely empty space into an elegant, calm and well-appointed room to act as her haven at the end of a gruelling day working on the NHS frontline.

Gigi was nominated for a haven with huge recognition of the exhausting hours and emotional challenges that she had to face during her frontline work on emergency calls. She dreamed of a Scandi-inspired scheme in neutrals with accents of greens and blues, and desperately needed to make space for a sofa bed to accommodate guests.

Clare and Emily spent a great deal of care understanding the room’s challenges and Gigi’s desires, working out a floor plan, mood boards and sample schemes as for any paying client. The first-floor flat is in a Victorian terrace with narrow doorways and a turn in the staircase which made it challenging to find a sofa bed that could be transported into the flat. In addition to layout and location considerations, Clare and Emily also had to work with select products available by donation from brands supporting the Design Havens for Heroes initiative.

Snug Sofas came to the rescue with a sofa bed design able to be built in situ. Clare selected a green velvet model and she and Emily built the scheme around this,  using a beautiful grass cloth wallcovering on one wall and designing an innovative TV display unit which features sliding artwork to hide a television when not in use. This was achieved by cleverly adapting shelving donated by Neptune. Flooring, accessories, art and made-to-measure curtaining magnify the soothing, biophilic-conscious scheme. The dining area is perfect for entertaining friends.

Clare says: ‘When I first saw posts from Design Havens for Heroes I knew I wanted to get involved. It felt like a special initiative to give back and thank one of the many NHS workers who we rely on, but especially so through the pandemic. When I found out that my ‘allocated’ hero was Gigi I asked my friend and fellow Designer Emily (who I first met when we studied at KLC) if she was interested in partnering with me. It has been a huge privilege to spend the last few months contributing to the creation of a special space for Gigi. We were passionate about delivering as much as possible and hoped to create a calm space to return to at the end of a hard and often traumatic day: somewhere which felt personal, a retreat – but with opportunities for entertaining friends and family – something we’ve all dreamt of so much over the last 18 months or so.’

Emily says: ‘Our homes have enormous impact on our wellbeing and our frontline NHS workers have sacrificed so much through the pandemic, they all deserve to have a space they love to come home to. As a first responder paramedic, Gigi is first on the scene in a crisis and her work is intense, fast paced and demanding. She had an empty living room for much of the pandemic because she had recently moved into a new flat, so she had nowhere to sit and decompress after a stressful or traumatic shift. It took longer than we had hoped to complete the install due to Covid and supply chain issues, but it was absolutely worth the wait.  It was incredibly emotional when she saw it for the first time. I think it surpassed all of our expectations, which was wonderful to be part of.’

Photograph credits: Nick Smith

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Charlie Smallbone, founder of Ledbury Studio, has garnered a reputation for collaborating with talented artisans. His latest project in Wimbledon is no exception. It features stunning stained-glass windows by celebrated artist Brian Clarke that strike a colourful contrast to Charlie’s cool, industrial-inspired design.

Two sets of natural oak drawers with exposed dovetail joints inject a craft-inspired vibe into the pared-back design. Airy Concrete Caesarstone was then chosen for the worktops; a perfect complement to the concrete flooring. The finishing flourish is Crittall patio doors that open into the garden – an essential element of any industrial-inspired kitchen.

“This is a kitchen that works on so many levels,” concludes Charlie. “It’s a highly functional family kitchen, a great open-plan entertaining space – that links so well with the garden – and the backdrop for some truly stunning pieces of art. I couldn’t be more delighted with the finished effect.”

Ledbury Studio kitchens start from £50,000.