Anomaly: Creating a Punk Rock Inspired Workspace Design

This week’s instalment of the Project of the Week series features a punk rock inspired workspace design by 2023 SBID Awards Finalist, Anomaly.

Tribeca, an exciting one million sq ft Life Science campus situated on the Regent’s Canal, are having their new workspaces and common parts designed and delivered by Anomaly. The development consists of four buildings, each with their own distinct identity. The design concept drew inspiration from the surrounding Camden area, incorporating elements of punk rock to create clashes of texture and colour, and was heavily influenced by sustainably conscious design, recycling materials extracted from site.

What was the client's brief? 

Reef Group approached Anomaly with the exciting task of developing the reception and core areas for the 1,000,000 sqft Life Science Campus named Tribeca. Located on Regents Canal and just a short walk from the Kings Cross Granary square, Tribeca is a new destination at the intersection of life and science, in the heart of London’s Knowledge Quarter.

The development consists of four buildings: Apex, Reflector, Connector, and Assembly; the brief required each one to have their own distinct identity. It was also crucial that the project prioritised sustainable design, catering the client’s sustainability driven goals.

What inspired the design of the project?

There are three pillars within our inspiration, the first being the local context of Camden and its rich musical heritage. We were inspired by the bright acid colour pops from the Camden punk scene, metallic mixes mimicking the jewellery and hardware that featured in the clothing and accessory style of the time in rock/punk music.

Our second source of inspiration was the proximity to the Regents Canal and its deep-rooted history in the industrial trade. Raw textures were introduced, reflecting the old beer factory site in which our new Tribeca campus is located, shown in the exposed concrete, bricks and steelwork. Lastly, ESG is a huge focus of the Tribeca strategy. This informed our material choices to be as sustainable as possible, introducing large amounts of biophilia within Assembly, using unconventional but highly recycle content material, and ensuring to work with local suppliers to reduce the carbon footprint.

What was the toughest hurdle your team overcame during the project?

Tribeca is not on site yet so luckily there haven’t been any truly tough hurdles as of yet! Although the scale and complexity of the scheme would ordinarily cause headaches in co-ordinating the design, working alongside the lead architects of BDP and Perkins & Will, as well as the wider consultant teams, has made this a delightful privilege.

What was your team’s highlight of the project?

The use of recycled materials (some of which are to be extracted from the site itself), such as recycled clay bricks, Lavastone, FSC compliant timber, recycled copper sheets, and recycled plastic, showcased the project's commitment to sustainability and defining highlight. Working with local suppliers/ trades people to create waste recycled from the site into items such as reception desks is something we’re really looking forward to putting into action and has been made possible by the support and conviction of the client.

Why did you enter the SBID Awards?

We entered the SBID Awards because they acknowledge excellence in design from an esteemed panel of experts who are prominent within the industry, and an excuse to get the team out for a knees-up. To be recognised for our approach and design by our peers is testament to the work of the team, and no one individual. It’s a golden to be recognised as a finalist for the first time.

What has being an Award Finalist meant to you and your business?

As a practice, it will never be a hardship to be acknowledged for the work you do, for the work the team does. But to be a finalist in a grouping of such high calibre and is recognition beyond and we’re proud to stand behind the work we have done and celebrate it.

Questions answered by Nina Greenwood, Lead Designer at Anomaly.

With the original built in wardrobe’s removed the layout was reconfigured and new bespoke wardrobes were built in but this time also including a dressing table and window seat with shoe storage. By removing a radiator from under the window and adding in underfloor heating instead allowed storage to wrap around the room and made it possible to have a dressing table, with the bench seat under the window doubled up as shoe storage.

The colour scheme was restful, light and airy. Clean lines and minimalist style with furniture, wardrobe handles, bespoke wardrobes, bespoke headboard all created a contemporary but timeless master bedroom.

Textured wallpaper was used on the main wall and also repeated this on the wardrobe doors, a soft loop wool carpet was added, texture fabric with piping for the headboard was repeated for the bench seat cushion, plus the curtains and roman blinds were made of three different but complementary fabrics – this was to create a design feature and add more detail to the room, but also keeping the straight, minimal lines.

Attention detail features throughout the room, notably the textured finials on the curtain pole, the green floating shelves linking the sage green into the bedroom and creating a cohesive flow. The final result of this bedroom renovation meant it felt more spacious, open, lighter and tranquil.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

This week’s instalment of the Project of the Week series features a fun and engaging sixth form hub design by 2023 SBID Awards Finalist, Lulie Fisher Design Studio.

Lulie Fisher Design Studio was commissioned by Sunmarke School, Dubai to convert existing classrooms and offices into a state of the art Sixth Form Hub. The brief was to create an iconic space that is cool and funky enough to appeal to 16 -18 year olds whilst being engaging, aspirational and functional. Activities are clustered around a central “garden courtyard” which forms the heart of the facility and is comprised of a series of organically shaped ribbed, timber decks stepping and overlapping to form arrangements at varying heights to act as seating, banquettes and study counters.

What was the client's brief? 

Lulie Fisher Design Studio was commissioned by Sunmarke School, Dubai to convert half an existing floor plate comprising classrooms, corridor, and offices into a state of the art Sixth Form Hub. In the competitive world of Dubai schools, our brief was to create an iconic space that is cool and funky enough to appeal to 16 -18-year-olds whilst being engaging, aspirational and functional as a superior facility for study. In summary it needed to stand out from the crowd of its competitors and have the “wow” and “cool” factor to attract the students who at 6th form level tend to be the primary decision makers in school selection. It was also important that the environment be a serious and sophisticated work one akin to a university style, collegiate environment rather than a school, to foster independence and maturity. The atmosphere was to be one of work rather than play. The brief of areas comprised a presentation area for 60 students for visiting speakers and career discussions; diverse modes of study ranging from collaborative, semi-independent and independent; a self-service F&B area, pastoral office accommodation including career and counselling offices and dedicated sixth form student toilets.

What inspired the design of the project?

The sixth form hub acts as a home base for students when not actively participating in lessons and the central garden with its greenery, daylight, warm palette, and soft finishes coupled with the multitude of study and seating styles, provides the perfect respite for contemplation, study, collaboration, relaxation and nurture and a touch of communing with nature. The functions of the hub are clustered around a central garden courtyard which forms the heart of the facility and is comprised of a series of organically shaped ribbed, timber decks stepping and overlapping to form arrangements at varying heights to act as seating, banquettes, and study counters. Trees and planting are incorporated into the centre of the deck elements and “skylights” comprised of suspended circular stretched fabric concealing daylight simulating light sources are suspended above. This central garden courtyard is a space of collaboration and meeting and the fully enabled platforms have been artfully clustered around a central presentation area where a large format digital screen will be wheeled into place as needed from its dedicated storage place at the perimeter. The floor finish in the garden is picked out in shades of green and pebble and follows the organic shapes created by the decks and inset into a background of grey-toned tiles. Sunny yellow carpets highlight perimeter areas, and the overall palette is fresh, warm and inspired by the earth and natural elements.

Existing columns and riser ducts have been disguised in lozenge shaped plasterboard casings and integrated into platforms or banquette designs. A dado of variously ribbed timber, fluted upholstery and paint colours anchor these elements into the design. The perimeter of the hub is occupied with a combination of private and contemplative spaces, communal worktables, acoustically treated study booths for single use, two or four person working groups, bench seating for casual working, bar counter height work stations and soft clusters of sofas and armchairs. In this way a myriad of study modes is possible to suit all preferences.

Acoustic treatment and privacy have been carefully considered in the design by passive zoning of activities in plan and by more active placement of oversized acoustic lighting features, acoustic wall panels in the form or decorative features and acoustically absorbent fabric lined booths. Pairs of glazed offices for pastoral support and designed to have a nurturing and hospitality aesthetic have been located centrally along either side of the main perimeter walls not only with the purpose of providing uninterrupted lines of sight to the student areas but for providing alcoves either side for quiet study.

A self-serve bar has been provided at one end of the facility with a pistachio green tiled wall and tiled shelving where students can help themselves to hot and cold drinks, prepare food and socialise. An existing toilet block has been upgraded into a dedicated sixth form facility with the introduction of banded tiling in terracotta, white and deep blue, and over-sized circular mirrors to suite in with the existing chroma key blue cubicles.

What was the toughest hurdle your team overcame during the project?

Balancing creating an attractive space for 16 to 18-year-olds with the ‘cool’ factor while establishing a sophisticated environment for serious individual or group study was the main challenge. This was overcome by using the calming elements of the outdoors as the basis of our design and creating contoured shapes for flowing circulation and to break away from any rigidity. The layout of the space was informed by the need for a range of both quiet and more lively, social spaces. As the plan was developed and the central hub came to life, more contemplative zones were naturally formed around the perimeter of the space. Being an open-plan space, which could cater to groups of 60 the acoustic levels had to be managed carefully to maintain an environment conducive to learning. Various sound absorbing materials such as ceiling panels, acoustic fabric and decorative felt lighting were used to subtly address this factor. Since the hub was in an existing building hidden MEP and structural elements were revealed sporadically during construction. To protect the design, we modified features proactively during the build as unwanted elements were uncovered. An example of this would be the 800 x 600mm risers and ducts disguised within a lozenge shape plasterboard.

What was your team’s highlight of the project?

The functions of the hub are clustered around a central garden courtyard which forms the heart of the facility and is comprised of a series of organically shaped ribbed, timber decks stepping and overlapping to form arrangements at varying heights to act as seating, banquettes and study counters. Trees and planting are incorporated into the centre of the deck elements and “skylights” comprised of suspended circular stretched fabric concealing daylight simulating light sources are suspended above. This central garden courtyard is a space of collaboration and meeting and the fully enabled platforms have been artfully clustered around a central presentation area where a large format digital screen will be wheeled into place as needed from its dedicated storage place at the perimeter. Acoustic treatment and privacy has been carefully considered in the design by passive zoning of activities in plan and by more active placement of oversized acoustic lighting features and wall panels in the form of decorative features and acoustically absorbent fabric lined booths.

Why did you enter the SBID Awards?

We are a small, friendly, and dedicated team continuously striving to weave our passion and enthusiasm to create unique captivating spaces. SBID Awards serves as an international platform for recognition amongst a wide spectrum of leading design studios and consist of a broad range of award categories. Being part of SBID can attract new clients who are specifically seeking out innovative and exceptional design.

What has being an Award Finalist meant to you and your business?

Being an Award Finalist with SBID can have a wide-range of positive impacts, from boosting reputation and credibility to attracting clients seeking innovative design solutions and to fostering growth by increasing team members morale. Award ceremonies and events offer excellent networking opportunities as well and can lead to new projects and partnerships.

Questions answered by Lulie Fisher, Design Director and Founder of Lulie Fisher Design Studio.

Balan and Nambisan Architects have designed this modern industrial home for a young couple and their toddler twins, filled with surprises around every corner all the way into the bathrooms. Sitting on a quiet lane of a busy neighbourhood, this penthouse sits at a vantage point to watch planes take-off from the runway next door.

The house is split into two parts with very practical serviceability hidden away behind multiple pocket doors. One wing houses the entertainment pad - souped up with a media lounge, convertible guest bed and an indoor and outdoor bar perfect to bring the parties home.

The other wing boasts a dramatic double height family, dining and kitchen area into which the upper level of bedrooms look into. Chunky steel beams punctuate the volume, dipping low to embrace human scale.

A lush balcony with a Jacuzzi surrounded by dense foliage acts as an oasis amidst a concrete jungle.

Each sleep-suite is fully equipped with the works for its respective users - a playful loft for the twins, a glamorous walk-in with an ensuite to match for the missus, and a moody jet-black rock-cut skylit shower for the mister.

The structure is left raw like an exoskeleton - the corrugated underdecks painted a cold grey set against dark rafters and beams and exposed tracks to light up the whole space.

A delicate cluster of handmade metal discs light up the double height volume in stark contrast. The entire house is a vibe of its own, only short of its vibrant occupants.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

This week’s instalment of the Project of the Week series features a sustainable and neutral office design by 2023 SBID Awards Finalist, Anomaly.

Global family business, Metdist, required their new UK base to become their home-from-home, and it was up to Anomaly to make this their reality, creating a stylish space that brought together the multiple functions of the business all in one open plan space. The 5,806 sq ft space includes an art studio, private offices, and a breakout space, all within a neutral palette.

What was the client's brief? 

The client, Metdist - a global family run business - was driven to create a space fit for their London office HQ in the established Regent’s Park surroundings. The design directive was underpinned by Metrist’s belief that they, their staff, and their clients should connect emotionally with the spaces they work in. The existing building was a unique modernist warehouse and to be retrofitted from its industrial past into a sustainably lead office, layered with colour, materiality, and a wonderfully ferocious eye for detail from the client.

What inspired the design of the project?

The client held the belief of fine craftsmanship to bond the old and contemporary architecture, a focus of bespoke joinery and working with the existing industrial structure was a key source of inspiration. The brief required an intertwining of functional spaces that were fit for use, but also adaptive to their growing team. The joy of working closely with a family-owned business was the exploration of each family member and what this space meant to them, and their full engagement across the process to push us as a practice. We developed and designed spaces that reflected their individual personalities but also their family as an identity which has been going for three generations.

What was the toughest hurdle your team overcame during the project?

Balancing the rigid geometry of the sawtooth structure against the client’s appetite to deliver more open and softer spaces. Curved walls don’t go into pitched roofs without a headache or two. In addition, the proximity of the site to the London Underground was a curious hurdle that logic would ordinarily dictate as unnecessary. The removal of a single, non-load bearing column took 9 months to be approved which was a thrilling experience.

What was your team’s highlight of the project?

The client's enthusiasm for bold and daring ideas was definitely the highlight, it made the collaboration extra exciting and appealing, and reaffirms that a great scheme isn’t born from indifference, but through being challenged, through debate, testing the ludicrous and playing with the salacious to get create something worthwhile, not meanwhile. Working with a non-profit charitable institution added another a-typical dimension to the scheme, providing philanthropic assistance through the promotion and assistance of arts, history, culture, education, and relief work – so what’s not to love!

Why did you enter the SBID Awards?

We entered the SBID Awards because they acknowledge excellence in design, and we think this scheme is excellent... at least that is what Metdist told us. Anomaly is not a practice of the individual, but collection of others producing work of note. To have this seen, to have this recognised is validation of what the team strive for and own on each project.

What has being an Award Finalist meant to you and your business?

Getting to tell the team that designed this that it isn’t just us that think you’re a class act, but your peers do to. That what we’re doing has reach beyond the studio, and beyond the relationships we have with our clients.

Questions answered by Nina Greenwood, Lead Designer at Anomaly.

This week’s instalment of the Project of the Week series features an immersive and harmonious forest house design by 2023 SBID Awards Finalist, Two Arquitetura.

An important part of the project was not having to choose between the joy of summer or the warmth of winter, the intimacy of a family movie or the togetherness of many friends of all ages. The house has cozy corners and large spaces to gather, allowing people to enjoy the forest at any time of the year. The idea was to ask the forest for permission to belong to that place that is hers. The house is not the final objective, but the experience of being in contact with nature and all that it offers.

What was the client's brief? 

The great challenge given by the client was to integrate the house and highlight the beauty of the forest, transmitting an immersive and harmonious experience. It was to offer a versatile house, to enjoy during the summer and at the same time the warmth of the winter, in addition to providing moments of intimacy in the family and togetherness with friends of all ages.

What inspired the design of the project?

The inspiration came from the wonderful rainforest. Bedrooms, halls, bathrooms, leisure area were all relocated so that it was possible to have a view of the forest, hear its sounds, feel its humidity and live with its animals. We literally turned the house the other way, the forest side. The experience went beyond the limits of the house, seeking to establish a connection with nature, allowing visitors to feel part of this natural environment. The experience is complete: waking up early and seeing the forest, sleeping late, and listening to it. The idea was to ask the forest for permission to belong in that place that is hers. The house is not the final objective, but the experience of being in contact with nature and all that it offers.

What was the toughest hurdle your team overcame during the project?

The original house, before the renovation, was all made of wood and had dozens of pilasters along the circulation path. To make the span free and maintain the original charm, we chose to remove most of the pilasters but keep part of the wooden structure, complete with steel beams, which brought a special charm to the project.

What was your team’s highlight of the project?

The highlight of the project was to integrate the house into the forest, highlighting its beauty and transmitting an immersive and harmonious experience.

Why did you enter the SBID Awards?

We signed up for the SBID award, mainly because it is an international award with great prestige, where we would be evaluated not only by a qualified jury, but later by popular vote. A form of mass recognition, and now with a possible very important award for those who work with architecture and interior design.

What has being an Award Finalist meant to you and your business?

Being a finalist for the SBID Award in the residential category with the Praia da Baleia Project, in addition to the importance of the award and recognition of our work, brings the opportunity to show the world a contemporary project with characteristics of Brazilian architecture immersed in the typical nature of our beaches.

Questions answered by Karina Salgado, Founder of Two Arquitetura.

How do your services enhance interior design projects?

The role of an interior professional is so much more than enhancing the aesthetic appeal of a client’s space. Material considerations, innovative solutions and waste reduction are an added complexity, with budget adherence and sustainability all now part of a client’s expectation.

Rehome supports interior designers by giving them a bolt on sustainable solution for quality pre-loved interiors, seeing waste as an asset to be re-sold and providing an outsourced dismantle and removal solution rather than skipping.

Further benefits include the opportunity to buy luxury kitchens, bedrooms, bathrooms and appliances at a fraction of their original retail price. All helping to support the circular economy and reducing carbon footprint and renovation cost.

How do you work with interior designers to enhance their projects?

Through our affiliate referral gateway, Rehome Plus, designers can refer a customer and benefit from our fully managed, pre-owned interior solution, all whilst enhancing their own sustainability commitment.

Most projects require a waste management solution, and this comes at a cost. By re-selling pre-loved interiors through Rehome, dismantling and removal is covered, reducing the need for multiple skips and the project management of this essential but often inconsequential part of the project.

Rehome project manages the whole sale process: Assess, inspect, measure, photograph, sell, dismantle and deliver, reporting verified carbon and tree-saving stats to all parties.

What has been your most significant company highlight or success from the past year?

Over the past 10 years, Rehome has brought circular economy thinking into focus within the luxury interiors sector, understanding that for this to be possible, a fully managed solution is required with verifiable sustainability results. Over the past couple of years, we have been nationally recognised for our contribution to this future thinking and are the proud recipients of the Queen's Award for Sustainability as well as renewing our BCorp-certified status this year with an even higher impact score.

Formerly Used Kitchen Exchange, we rebranded in 2023 to Rehome. Our new brand better reflects our service expansion to cover all rooms in the home and gives a sustainable, premium feel that sits well with partnering luxury brands. With our ethos of ‘live in possible’, we are changing the way people renovate.

Is there anything new you are excited to be working on?

Partnerships with sustainability focussed brands and professionals is something we continually look to develop. Our biggest initiative in 2024 has been the introduction of our affiliate gateway, Rehome Plus.

Rehome Plus enables design professionals to sign-up for their own private label referral gateway. The gateway provides a fast track, personalised service, and the assets to build customer-facing sustainability into their working methods or even their website to encourage everyone to do better.

It is a pleasure working with our newest partners such as Tom Howley Kitchens, Clive Christian, Humphrey Munson, Quooker, Miele, Thomas Crapper, The London Rug Company, and The John Lewis Partnership, and we hope to build many more in the years ahead.

How does your partnership with SBID assist its members in business?

We are delighted to partner with SBID and applaud the focus given to helping its members accelerate sustainability. When meeting with the SBID team, there was a genuine buzz about our collaboration and its saliency. It's exciting to know that together we can all work towards enhancing consumer awareness and help to shift behaviour towards more sustainable thinking. Our partnership with SBID will help to drive a cultural change that will future-proof the industry.

How do you see the interior design industry evolving in the year ahead?

The focus on sustainability and the value of reuse is growing in momentum and we are very focused on future proofing our partners from looming waste legislation. Whilst this legislation won’t land this year, its coming, so why wait? Let’s champion the circular economy and support our customers with a pocket and planet agenda for pre-loved interiors being replaced.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

A grand Victorian, locally listed terrace house in a beautiful conservation area of North London served as the canvas for this luxurious Bohemian project. The clients, a judge and her international mediator husband, alongside their two young children, wished for a complete refurbishment of their home whilst respecting and restoring its original period features. The brief specified the need for additional storage alongside designing vibrant, personality-driven spaces throughout the house. The design needed to provide a tasteful and refined backdrop for the owners' beloved objects and artwork, avoiding a formulaic or themed style.

Specific Requests:

- Dressing Room: A luxurious set of wardrobes providing ample space for clothing and accessories.
- Enchanted Garden Bedroom: A sweet, nature-inspired room for the younger daughter, creating a whimsical and serene retreat.
- Library in the Clouds Bedroom: A playful and imaginative bedroom for the older daughter, fostering creativity and exploration.
- Dramatic Shower Room: A striking and luxurious shower room within the mansard conversion, adding a touch of opulence.
- Living Room: A comfortable and intriguing space designed for entertaining, blending cosiness with captivating design elements.

The project brief was to create lots of new space by extending the property with a mansard roof conversion and to design gorgeous personality driven spaces while restoring and respecting the original grand Victorian home.

Restoration of Historic Features

Many of the original internal features of the home had been lost over time, such as fireplaces, doors, and coving. These elements were carefully reinstated, selecting items that matched the original Victorian design. Any remaining historic features were preserved and restored, including the beautiful original cornicing in the entrance hallway, a stained-glass window overlooking the back garden, and the original room layout and proportions. These meticulous restorations ensured that the historical integrity of the home was respected.

Luxurious Bohemian Interior Design

The interior design embraced a luxurious Bohemian style, featuring a bold and rich palette of greens, pinks, dramatic marbles, and pale natural oak chevron parquet floors. Key pieces of existing artwork, personal objects, and furniture were sensitively incorporated into the new design, ensuring that the style was not formulaic but personal and reflective of the clients' unique taste. This approach created a home that feels both curated and lived-in, with each space telling a part of the family's story.

Creating Additional Space

To accommodate their young family, additional space was created by converting the attic into a habitable area and extending it with a dormer mansard extension. This transformation provided a beautiful new bedroom, a shower room, and a large laundry cupboard. The traditionally detailed timber staircase was extended to the converted loft space, enhanced by a large new roof light that flooded the stairs with natural light.

Personalised Bedrooms

The new loft bedroom was inspired by the avid reading habits of the clients' 8-year-old daughter. Designed to resemble a library that can be slept in, the room features a hanging chair and a large window bench seat, providing comfortable reading spots with views over the London rooftops and gardens. This design fulfilled the playful and functional requirements of the brief, creating a space where imagination and relaxation coexist.

For their nature-loving younger daughter's bedroom, we created an 'Enchanted Forest.' This whimsical space features a large mural-style wallpaper of a peacock in a tree and golden bee handles on the wardrobe. The room's design is both enchanting and functional, providing a magical retreat for a young child.

New Functional Beautiful Spaces & Details

To meet the clients' need for ample storage, a huge new wall of full-height wardrobes was installed in the master bedroom. These wardrobes were meticulously designed with drawers, shelves, and hanging space to accommodate the couple's extensive clothes and shoe collection.

In the new shower room, we used a dramatic palette of dark green marble, brass, and terrazzo to create a small but perfectly formed luxurious retreat.

Sustainability and Energy Efficiency

Sustainability and energy efficiency were key drivers of the scheme which we took seriously. The new roof used two types of high-performance insulation, ensuring excellent heat retention and low heating requirements. Double-glazed sash windows and roof lights enhanced thermal efficiency, making the loft bedroom both comfortable and energy-efficient. Existing damaged items in the house, such as floorboards, were donated to timber merchants for reuse, minimising waste and adhering to sustainable practices. The structural scheme was designed to minimise steel usage using a mainly timber frame construction, thereby reducing the carbon footprint of the renovation.

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

If you’d like to become SBID Accredited, click here for more information.

This week’s instalment of the Project of the Week series features a luxurious and wellness-focused apartment design by 2023 SBID Awards Finalist, Design-Art LLC.

Residences Kierland is a prestigious multifamily development that places an emphasis on wellness. This project effortlessly blends indoor and outdoor living spaces, providing residents with a luxurious and wellness-focused environment. Designed to be able to offer a comprehensive spa menu, residents can indulge in various treatments and services, including tranquil relaxation spaces, private massage rooms, saunas, steam rooms, and secluded outdoor hot and cool pools. With its emphasis on wellness, luxurious amenities, and captivating surroundings, Residences Kierland sets the stage for a life of unparalleled comfort, luxury, enjoyment, and wellness through its thoughtfully designed amenities.

What was the client's brief? 

To create a multifamily living experience that focuses on wellness, sophistication, and luxury. And, feels like an extension of the neighbouring Kierland Commons retail development. The project should consist of 294 homes including 8 town home style units in a six-story “podium” and take advantage of the Westin Golf Course views.

What inspired the design of the project?

When thinking about wellness, we immediately thought about Spa Resorts, and started talking through how we could incorporate a wellness resort lifestyle into our multifamily project. We, additionally, wanted to bring some luxury living elements into the project, so residents didn't have to go far to get their nails done, go to the gym, or store their wine. So, we worked with the Architect to include a beverage fridge in every unit, as well as additional rental wine lockers in the wine bar inspired clubroom. A full-service spa and fitness facility were added to the project as a luxury amenity that really rounded out our luxury wellness lifestyle concept.

What was the toughest hurdle your team overcame during the project?

Due to the global pandemic, many of our construction walks for this project were done electronically, due to the team's inability to travel to the site and/or gather in large groups. We had what we called "paper box walks" for the bulk of the units, which made it challenging to know exactly what we were going to get, once finally on-site. The pandemic also affected the supply chain, which caused several project delays. And, additional tariffs were added to receive goods, which increased our costs beyond what was originally budgeted. However, everyone stuck together. And the teamwork across trades was incredible to achieve a final product that everyone is immensely proud of.

What was your team’s highlight of the project?

Designing, and helping to program the full-service spa, was incredibly rewarding. I had an opportunity to work on a few spa designs while previously employed with hospitality design firms, designing hotels and restaurants around the world. So, it was wonderful to bring that knowledge and experience to this project, and create an amazing, one-of-a-kind, amenity space, for these residents.

Why did you enter the SBID Awards?

We saw entering the SBID Awards as an opportunity to further showcase this amazing project/development and provide international exposure of what our local design and development teams are working on.

What has being an Award Finalist meant to you and your business?

Being an Award Finalist has been such an honour. We are so grateful that we have an opportunity to be recognised as part of the greater international small design business community. And feel a sense of pride to be included among such amazing international projects and teams. We can't wait to attend the ceremony in November!

This week’s instalment of the Project of the Week series features a playful and whimsical public space design by 2023 SBID Awards Finalist, Lulie Fisher Design Studio.

Lulie Fisher Design Studio was commissioned by Regent International School Dubai to convert areas of the school into Primary, Secondary and Early Years Libraries. The Early Years library is based around the theme of an enchanted whimsical forest which encourages exploration and captivates the child’s imagination. A central reading circle with mirrored ceiling creates a curious environment. In the Primary and Secondary library zones are defined to appeal to both age groups by creating petrol blue surfaces and joinery in the primary zone and a dark red ceiling with a central red “living room” in the secondary.

What was the client's brief? 

The project brief was to convert areas of the existing school into Primary, Secondary and Early Years Libraries. The Early Years Library at Regent International School was located in a small, tired and uninspiring classroom and our brief was to convert an existing gym into a dedicated Library for the school’s Early Years students aged from 4 to 7 years. The existing Primary and Secondary Student Library which dated back to 1993 was too small and out-dated for current needs and we were tasked with creating a fun environment that supported learning, collaboration and discovery. To expand the footprint, an adjacent staff room, pantry and corridor were amalgamated into the new library creating an L-shaped space which then lent itself to a natural division into two main zones: the primary students’ zone and secondary students’ zone, each tailored to the students’ age group, aesthetic and their dedicated book collections and study materials.

What inspired the design of the project?

The Early Years library is based around the theme of an enchanted and whimsical forest, aiming to encourage exploration and captivate the imagination. The elements and materials employed create a warm, welcoming yet exciting environment. Alongside this, the layout and forms of the space were based on the topical forms of an ordinance survey, adding a 3D dynamic to the library. Unlike many spaces designed for children, the expected use of bold primary colours have been eschewed in favour of a base palette of neutral and earthy tones employed across a variety of surfaces including a robust vinyl plank on the floor cut into waves of soft greys, browns and greens to mimic the forest floor, a soft polka dotted rose toned inset carpet invoking the coat of a whimsical animal and a soft mushroom colour for the exposed ceiling surfaces and services. Blue/green lacquered shelving lines the perimeter, softened with back panels in warm oak. Although small in size, every corner of the library has been carefully imagined and designed to its full potential. The space is divided into three zones: the centrally located Story Time Circle; the Communal Activities Corner; and the gently stepped and striated Shelving and Reading Platforms resembling the topographical contours of an ordinance survey map. These functional and ergonomic feature elements have been custom designed for these zones to enhance learning and participation and to spark the imagination.

The experience is further magnified by a mirrored ceiling, creating the illusion of endless volume. Special attention has been paid to the treatment and design of the ceiling as young children are most comfortable lying on their backs when reading. The Early Years library is a calming and enchanting space which through its carefully considered layout, colour scheme and both functional and whimsical design elements, encourages curiosity, discovery and learning.

In the Primary and Secondary library there was a need to clearly define each space to ensure they appealed to each age group. The primary students’ zone on the right at entry is clearly defined by a petrol blue ceiling, walls, carpet and joinery elements. An exciting yet functional series of bespoke, tiered platforms, create an interactive versatile environment for students to sit, gather or recline while reading. The books are integrated within the risers of the steps and are mindfully grazed with soft LED lighting. A large, custom-designed, organic-shaped table anchors the space centrally and is used as the main gathering point for communal activities under the delicately preserved indoor tree.

The secondary students’ zone on the left, is defined by the dark red exposed ceiling and the red “living room” in the centre of the space which is flanked by long communal work tables either side. The “living room” element is a self-contained room with raised floor, walls and ceiling which has been created as a device to transport the students into a cosy residential environment where they are surrounded by warmly lit bookshelves, comfortable lounge seating, rug, pendant and glowing wall sconces.

What was the toughest hurdle your team overcame during the project?

Early Years Library: The requirements for the library were as large as the given space was small. A large volume of varied book sizes had to be stored whilst ensuring accessibility to little readers. Rather than line the space with shelving, we wanted to create various zones for play as well as study. Being able to store books within the raised platforms and animal shaped bookshelves helped take care of this factor along with storing large books within playful low level mobile storage units. The custom joinery had to be carefully studied and ergonomically designed to suit the young readers.

Primary and Secondary Library: The library needed to house a set volume of books together with future expansion potential while creating a welcoming environment for collaboration, self-study, group study, presentations and lectures for two very different age groups. It was a challenge to zone and balance the space for these various functional requirements along with visual focal and this was overcome by the clever use of materials and colour blocking.

What was your team’s highlight of the project?

Early Years Library: As the children enter the library, they are drawn towards the striking central feature – a pale blue story circle surrounded by books, acting as a cocoon with a soft carpeted floor, cosy leaf shaped blankets and crowned by a vibrant and enchanting rain cloud feature composed of colourful felt interspersed with twinkling rain drop shaped pendants. The experience is further magnified by a mirrored ceiling, creating the illusion of endless volume. The contoured reading platforms nestled into one corner of the library contain books tucked below the steps and this element acts as a connection to the story time circle, creating spill out for larger groups to congregate around the teacher and different seating and reclining options.

Primary and Secondary Library: For the Primary area, an exciting yet functional series of bespoke, tiered platforms, create an interactive and versatile environment for students to sit, gather, or recline while reading. The books are integrated within the risers of the steps and are mindfully grazed with soft LED lighting. Decorative wall panelling and oversized pendant lighting not only help to contain any noise generation and disturbance at source but also add softness. The reception desk is clad in rich, turquoise-glazed tiles, acting as a focal point for young students who need the librarians’ support to administer the book check-in and check-out system. Two wall sconces in the form of owls (which have long been associated with knowledge and wisdom), look on from behind the desk, providing a quirky and humorous design element.

The “living room” element in the Secondary space is a self-contained room with raised floor, walls and ceiling which has been created as a device to transport the students into a cosy residential environment where they are surrounded by warmly lit bookshelves, comfortable lounge seating, rug, pendant and glowing wall sconces.

Why did you enter the SBID Awards?

We are a small, friendly and dedicated team continuously striving to weave our passion and enthusiasm to create unique captivating spaces. SBID Awards serves as an international platform for recognition amongst a wide spectrum of leading design studios and consists of a broad range of award categories. Being part of SBID can attract new clients who are specifically seeking out innovative and exceptional design.

What has being an Award Finalist meant to you and your business?

Being an Award Finalist with SBID can have a wide-range of positive impacts, from boosting reputation and credibility to attracting clients seeking innovative design solutions and to fostering growth by increasing team members morale. Award ceremonies and events offer excellent networking opportunities as well and can lead to new projects and partnerships.

Questions answered by Lulie Fisher, Design Director and Founder of Lulie Fisher Design Studio.