Xtendere Architecture Design an Urban and Minimalistic Library

This week’s instalment of the Project of the Week series features an urban and minimalistic library design by 2023 SBID Awards Finalist, Xtendere Architecture.

“Mother’s House Library · Airport Library” is not only a library but also a bridge linking Quanzhou culture. Relying on the airport environment, it presents the form of a library in the new era, realising the transformation from a single function to a multi-integrated cultural display space, and expanding the attributes of a variety of scenes.

What was the client's brief? 

Quanzhou Jinjiang International Airport is a 4D-level airport operated by Quanzhou Jinjiang International Airport Co., Ltd. The airport was originally established in 1955 as a military airport and serves as a bridge linking Quanzhou to the world and a driving force for development.

What inspired the design of the project?

The inspiration of this project comes from the vivid memory of urban culture in southern Fujian, and from the interpretation of hometown feelings. We hope to build an open and public library and gather people in the airport in various ways of social ceremony activities such as "physical presence, joint participation, emotional exchange and resonance" to create a harmonious interpersonal atmosphere, narrow the distance between tourists and urban culture, and stimulate tourists' sense of identity with urban culture.

What was the toughest hurdle your team overcame during the project?

How to break through the traditional expression techniques of Minnan culture and express Minnan culture with modern design techniques, so that Minnan elements can be presented in a more comfortable and gentle way in the new era and space, which will infect every visitor invisibly. At the same time, affected by the epidemic, how to ensure the smooth and perfect landing of the project is also an obstacle we face.

What was your team’s highlight of the project?

The landing of this project is a demonstration of regional culture and the spread of local spirit. It presents the form of a library in the new era, absorbs the artistic form of multi-culture, and connects with the direct value realisation of urban development empowerment, opening a window for Quanzhou culture to spread abroad.

Why did you enter the SBID Awards?

SBID Awards is a platform for displaying design works and talents. On the one hand, I want to establish a good reputation in the industry through this award and increase the wider publicity and promotion of my works. On the other hand, it is an opportunity for learning and development, and I can learn the latest design trends and improve my design skills and knowledge through the competition.

What has being an Award Finalist meant to you and your business?

Being shortlisted for the SBID Awards finals means that the jury recognises and affirms our professional ability and creative level for me and my enterprise. This also gives us greater responsibility and obligation to explore local culture and endow traditional culture with new expressions and communication forms through design.

This week’s instalment of the Project of the Week series features an uplifting biophilic retail design by 2023 SBID Awards Finalist, The Secret Stylists.

The Secret Stylists were commissioned to design and specify the interior architecture, fixtures, fittings, soft furnishing, lighting and finishes for Moss and Moor Garden Centre Ilkley.

What was the client's brief? 

The clients provided me with this new brand’s guidelines and the architectural drawings of the building before they broke ground and asked me how I would imagine their garden centre to feel and look. The words that I took from that brief were: Lively natural. Social, Friendly. Down to earth. Uplifting. Camouflage. Plants & People Honest, ethical, intriguing. Natural Vibrancy. So, I set about how I would imagine I could communicate these ideas within essentially an industrial shell.

What inspired the design of the project?

The View. Moss and Moor looks out onto an iconic landmark in Yorkshire, “The Cow and Calf”. I looked at the geology of the rocks, the heather moorland, the rivers, the stone walls, and sky and tried to figure out how I could relate this to Moss and Moor. I feel I achieved this with the plywood edging, the polished concrete floors that add a depth to the space when the sky is reflects on it at different times of the day, the layering of fabrics, colours and textures in the restaurant. My upholsterer thought I was crazy when I plotted out a random shape to be repeated as the bench backrests to allude to a Yorkshire stone wall. The handmade porcelain lampshades were pressed into hessian to create an organic finish. The cork wrapping the bar is akin to a topographic map and contributes a sound proofing function to this area. The rubber and cork flooring used to wrap the tills (as they needed to be very durable) is akin to soil.

What was the toughest hurdle your team overcame during the project?

We were building it during the pandemic, which did bring challenges, but generally we had a great flow of communication throughout to trouble shoot any issues that arose.

What was your team’s highlight of the project?

The welcome desk… I had wanted to introduce one obvious natural element into an otherwise modern environment and that was in the form of a large tree as our reception desk. The fact that my sculptor friend happened to have a seasoned tree which was the perfect size, that he (luckily) hadn’t started cutting into, filled me with joy. We took the bark off, cut it down, made a perfectly flat top with an arctic mill saw, carved a space as the desk, and mounted it on large metal supports. Everyone tends to run their hand over it when they arrive, and the natural undulations of the trunk are very welcoming to lean against.

Why did you enter the SBID Awards?

I have always followed the awards and just by chance thought I would submit Moss and Moor as I am very proud of this design, as I know it achieves everything I had set out to create for the owners and the customers.

What has being an Award Finalist meant to you and your business?

It has given me more confidence to put my work out in the public eye and I feel very privileged to be included in the awards.

Questions answered by Cliona Harkin, Brand and Design Director at The Secret Stylists.

Luxury designers Studio Anqet have reimagined a contemporary countryside residence, transforming it into a serene haven for a sociable family. The ambitious project includes a lavish spa building, a spacious BBQ area complete with an indoor-outdoor living terrace, swimming pool and biophilic landscape design.

Located in Much Hadham, Hertfordshire, the property with sprawling grounds presented a unique opportunity to merge the client's passion for luxury living, wellness, and sustainability. Drawing on the contemporary architecture of the main home, the additional buildings feature elements such as expansive wall-to-wall glazing and ambient lighting design. These design choices not only harmonise with the main residence but also seamlessly integrate with the natural surroundings. Inspired by the homeowner's background in scientific research and his dedication to making the world a better place, Studio Anqet has crafted a design that not only embodies lavish leisure facilities but also promotes holistic wellbeing.

The landscaping and leisure areas surrounding the property were meticulously crafted to serve as a sanctuary for the family. From the expansive swimming pool featuring a distinctive central planter, to the BBQ area complete with a fully equipped kitchen and custom sunken seating zones, each area was introduced to elevate the experience. Both communal gathering spaces and secluded corners were seamlessly integrated to evoke moments of connection or privacy.

At the heart of the outdoor space stands a striking sculpture crafted from polished bronze, aluminium and steel by esteemed artist Lorenzo Quinn. This captivating artwork is visible from the pool and all the glazed outdoor buildings. Wellness amenities feature an outdoor hot tub, a cedar wood sauna adorned with a Himalayan salt wall, indoor and outdoor showers, and an array of massage features, including a soothing foot spa. Each area is designed to indulge relaxation and evoke mental harmony through multiple sensory experiences.

A selection of eco-friendly materials and energy-efficient technologies were also prioritised for the project. From ethically sourced stone tiles to composite wood decking made from sustainable materials, every aspect of the project reflects a commitment to reducing environmental impact while retaining the luxurious lifestyle of the client.

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This week’s instalment of the Project of the Week series features an enchanting and contemporary apartment design by 2023 SBID Awards Finalist, THDP.

Through this project, THDP’s desire is to create the perfect haven for the curious travelers that want to dive deep into the secrets of one of the most fascinating cities in the world. By restoring these apartments, THDP have created a luxury space to live when visiting Rome; a serene yet enchanting space to unwind after long days of exploring.

What was the client's brief? 

Just to be very local and contextualise the city within the concept. Rome today is not only the open-air museum that everyone knows, the cradle of a history that has generated monuments of unique and incredible beauty. It is a treasure chest full of contaminations, of works by contemporary artists, of exhibition spaces and galleries, of new architectural interventions commissioned by important fashion brands. It is a nerve centre full of chic and trendy clubs, which perfectly embodies the worldly and timeless spirit of the city. With its millenary history, Rome today looks to the future, absorbing the international inputs, to merge them with its ancient soul and transform them into something never seen before. In recent years, Rome has come out of the collective imagination that saw it “only” as an open-air museum, intended for “hit and run” tourism, to regain its role as European capital also thanks to the opening of important clubs and international hotels that transform the social fabric projecting it towards internationality. Through this project, THDP’s desire is to create the perfect haven for the curious travelers that want to dive deep into the secrets of one of the most fascinating cities in the world. By restoring these apartments, THDP have created a luxury space to live when visiting Rome; a serene yet enchanting space to unwind after long days of exploring.

What inspired the design of the project?

Trastevere – Young Rome “La Roma Giovane”: Trastevere is not only famous for its historicity, but also for being one of the busiest centers of the city nightlife. With its countless traditional and contemporary restaurants, street artists, theaters, monumental squares and bridges that connect the area with the city center, it acts as a trait d’union between the old and the new, creating around itself a bubble in which there is an unparalleled atmosphere.

Trastevere (Trans Tiberim, “beyond the river Tiber”) has been an area apart from the rest of the city since its origins, and this spirit, which has remained unchanged over time, translates today into a cultural identity typical of the rione (neighborhood) that resists strong despite the progress and the merciless “invasions” of tourists, and perfectly integrates modernity and innovation thanks to its ever young millenary soul.

Colosseo – Ancient Rome “La Roma Antica”: Colosseo is located in one of the most ancient districts in Rome whose origins go back to prehistoric times, when it was nothing more than a rural path used by local populations. Continuing the Domus Aurea on Colle Oppio, the Ludus Magnus, the gladiator gymnasium, the Basilica of San Clemente, one of the very few remains of medieval Rome and the Church of SS. Marcellino and Pietro in Laterano at his meeting with Via Merulana. An area rich in history, but also in theaters such as Brancaccio, the new Palazzo Merulana set of continuous contemporary exhibitions, and an important hub between ancient Rome and the cosmopolitan Esquilino district in the direction of Termini station which seems to bring back in our imagination the idea of the Roman road that reaches the farthest points of the empire. Anyone who walks through it cannot avoid to immerse themselves in its history, fantasising about what is still unexplored under their feet.

Piazza Navona – Noble Rome “La Roma Nobile”: This neighborhood was created to establish a quick connection between the monumental and administrative center of the city and the new residential districts beyond the Tiber. Therefore, it has always had an elegant character, home to important noble palaces and beautiful architectural masterpieces, first of which the Chiesa Nuova on the square of the same name and the Oratory of the Filippini, by Borromini. Considered from the Romans as one of the entrances to the underworld, the area was born from the fusion of the sacred and the profane, with its countless churches scattered throughout the Rione Parione, the many workshops of artisans and antique dealers that still coexist with the new art galleries modern, the vintage shops of Via del Governo Vecchio, and historical places such as the bar del Fico and the Terrazza Borromini, or Palazzo Alberini, headquarters of Gucci. A few minutes away are Piazza Navona, Campo de Fiori, Via dei Banchi Vecchi, Castel Sant’Angelo. Here is also the Vatican, undoubtedly considered the geographic heart of the city. What once, today, and forever, is (and will be) the center of the world.

What was the toughest hurdle your team overcame during the project?

To be able to intervene with a very limited timeframe in 3 areas of simultaneously bringing 3 different concepts to life. The three places of intervention are distributed in 3 areas that differ from each other for history and day/night life. Although they tell different stories, they’re still linked by the same past, yet each of them has developed its own identity as a borough. The first one, Trastevere is a Young Rome, famous for its nightlife, especially outdoors. The alleys, the fountains, and the clothes hanging outside frame a fresh, sparkling and vital life, and here magic is born. The second one is the monumental Ancient Rome, situated really close to the Colosseum and watershed between 3 of the seven hills, Esquilino, Colle Oppio and Celio. The third one is Noble Rome, the Rome of palaces, antique dealers and art galleries. An elegant Rome that, when viewed from the windows and terraces, opens up the perspectives to an exclusive and opulent dimension.

What was your team’s highlight of the project?

A series of artworks and objects from local artists from Via dei Banchi Vecchi have been selected, in order to preserve and maintain a strong local identity. Custom lampshades were made by local artisan atelier Il Paralume. Some artworks reminding faces and classic subjects, treated with different techniques to make them more vibrant and contemporary. These local artists brings on the artistic tradition of the city. Lastly, the frames surrounding the artwork in the hotel were provided by Patrizio Agostinelli, a well-established craftsman of Roman frames who has been working in his artisan shop in via Bartolomeo for over 70 years.

Why did you enter the SBID Awards?

We think that the project fits the awards and, for its history and location, is one of a kind. It is undeniable that Venice is a source of endless inspiration. A city built upon water, with extraordinary palaces that loom over winding canals seems like a fragment of one’s imagination. Venice is a paragon of culture and boundless beauty, with a magical atmosphere and rich history.

What has being an Award Finalist meant to you and your business?

We are honored to be selected as finalist at the SBID awards. SBID has been such a great support to the hospitality industry, especially over these thriving last few years and it is truly a privilege to be included and affiliated with such a wonderful organisation and community.

Questions answered by Manuela Mannino, Architect at THDP.

This week’s instalment of the Project of the Week series features a neutral and geometric office design by 2023 SBID Awards Finalist, XBD Collective.

The office space was designed to embrace a unified concept, mirroring the distinctive architectural style of the building to ensure continuity and cohesion. At its core, the office layout embodies the essence of a new genre of workspace within the workplace, aiming to create an optimal engagement within the working environment. It strikes a delicate balance between innovation and practicality, offering a dynamic commercial space that not only inspires creativity but also caters to the essential needs of a productive work setting.

What was the client's brief? 

The purpose of the office space was to create a coworking space, not only a place for Modern Working to make their new office headquarters their home. They wanted to include individual workspaces and/or office spaces to be rented to outsiders. One-third of the office would be occupied by Modern Working while the other remaining two-thirds of the space would be for the business center rentals. Together they would be able to share common spaces.

The client’s needs involved having coworking spaces with private offices, an art gallery in public areas, and an amphitheater seating area where the company can hold small events and meetings for collaboration purposes.

Overall, the office needed to be an open and visual continuity space making use of fluid shapes and mixed with regular geometric lines. A neutral palette with the use of glass and marble was requested. The coffee bar, amphitheater, and an art gallery to buy artworks were additional unique and key elements that were required to be incorporated within the office layout and to elevate the space.

What inspired the design of the project?

The office space was designed to feature an identical concept to the building in terms of its unique design for continuity and consistency. The building’s dual aspect of design, playing with curvy and organic shapes within the atrium while making use of rigid and linear lines on the facade, was what initially inspired the office layout.

The office layout is all about the new genre of workspace within the workplace to offer maximum employment engagement and productivity within the working environment. The commercial space needed to be innovative while still being a practical place to work.

The office’s public spaces are situated in an open plan configuration while all the private offices are laid out next to the façade on the north, as well as on the east side of the space, creating a traditional office layout and allowing for better control of lighting and acoustic levels. The organic facade of the office on the west is a more fluid and dynamic space that interconnects the different areas of the office and offers a more creative and interactive environment for the office. Combining these two kinds of spaces brings flexibility within the office, allowing for different uses and types of work collaborations to happen within the office.

What was the toughest hurdle your team overcame during the project?

Situated within Zaha Hadid's Opus Tower at Business Bay, the office occupies the building's first floor. The unique triangular floor plan, complemented by structured and orthogonal designs on one side and fluid, curved elements on the opposite side of the façade, guided the strategic utilization of space. These cues facilitated the optimal arrangement of various areas within the office, ensuring each type of space found its best-suited location.

Due to the complexity of the internal structure, a point cloud model was required before being able to model the space in Revit accurately. This was required in order to achieve a clear understanding of the informants and constraints to produce the spaces along the organic curved façade of the building’s central void.

In the spaces that weren’t habitable due to the restrictions of the height, the design introduced a pebbled garden with plants, also known as biophilic design, along the complex curved façade to enhance the quality of the work environment.

What was your team’s highlight of the project?

It was a challenge due to the complexity of the space. It also brought interest considering the importance of the building, as it’s inside of Zaha Hadid’s Opus Tower. We can highlight the willingness of the client to explore a different style of office, moving away from our familiar perception of a working space. It is rare and gave us freedom to create something unique.

Why did you enter the SBID Awards?

SBID is a renowned international platform, and we’re very proud to be part of it. We consider it’s a great opportunity to showcase our work and see it alongside some of the best international talents. We presented several residential and commercial projects in this edition, and we couldn’t be happier with the outcome. We have been finalists in the 6 categories we participated in, and this encourage us to keep working hard.

What has being an Award Finalist meant to you and your business?

It’s an honour to see our projects selected as finalists. It’s really rewarding after dedicating so much effort to each one. This recognition brings satisfaction to our team, but also to our clients, and that’s what makes us proud. We view this experience as a chance to learn and continue to evolve, contributing in the best possible way to the field of interior design.

Questions answered by Ellen Sohoel, Founder of XBD Collective.

Following the previous collaboration between architectural bureau IK-architects and Norwegian developer Predio, creating HG-31 attic apartment in Oslo, architects continued their cooperation and presented another renovated attic apartment - a brutalist two-story apartment, inspired by Tom Ford’s style in Oslo.

The apartment has two floors and thoughtful zoning, which separates the public area from the private area. This is a full-fledged one-bedroom apartment for a young person or a couple without children, with a large kitchen-living room, a bedroom, a bathroom, and a wardrobe hidden behind the head of the bed.

The interior design was inspired by Tom Ford’s timeless appeal - the style of the apartment could be described as classic simplicity with a hinge of brutalism. In the apartment, which is a renovation project of an abandoned attic, architects managed to preserve the original, authentic structure of the concrete wall, which was later adapted to the interior in the brutalist style.

According to the client's brief, the team mounted a glass wall between the bedroom and the shower, delineating an additional attraction area. As in the HG-31 project, a sliding system was created in the form of a dark monolithic box, which hides the entire kitchen, its technical part, sliding facades that hide the entrance door.

The architects faced the task of creating a bright, cosy and pleasant interior that would organically implement an element of brutalism. Even though the interior contains many dark colours, due to a well-thought-out design strategy, the interior itself is not dark. It combines warm wood, red metal and chairs, and the sky-blue colour of the art piece on the wall. The stairs from the first to the second level are made of raw black metal, covered with a matte transparent varnish, and on the first floor, and MicroCement is used for the floor covering.

“In the project, we used a concrete wall, a concrete floor and raw black metal, which plays well in contrast with the wooden elements. In my opinion, it is this unusual concrete approach that distinguishes the apartment from the classic wooden Scandinavian style”, shares Kateryna Yarova, chief architect of IK-architects.

This project is a great example of two amazing teams, Predio and IK-architects, working together to create a modern, stylish, and practical living space in the historic centre of Oslo. This realization is not only a testament to high quality but also an embodiment of the aspiration to improve the quality of life in cities through sustainable development and the enhancement of design and functionality in real estate.

The Ukrainian architectural bureau IK-architects has been developing design projects for more than a decade. They specialise in Scandinavian design, minimalism, and blending different styles and trends.

Predio is a Norwegian development company that specialises in lofts conversions in Oslo. They carefully choose the best locations in the city to create luxury apartments, penthouses, and townhouses geared towards being great property investments. Predio's goal is to enhance urban living through sustainable development and their expertise in residential and commercial real estate. IK-architects has teamed up with Predio for several years now.

The following project was accomplished in collaboration between leading Predio architects and IK-architects designers. Before, they have also made HG-31 attic apartment in Oslo together.

Developer company Predio
Svein Stokke, Andrii Soloviov, Andriy Ponomarenko

Interior design by IK-architects
Kateryna Yarova, Khrystyna Stavytska

Location: Oslo, Norway
Built area: 87 m²
Completion year: 2022 (The year of construction is 1988)
Construction: COWI
Furniture manufacturing: Lachma
Client: Private
Status: Completed
Cost: £350,000

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This week’s instalment of the Project of the Week series features a sophisticated holiday home design by 2023 SBID Awards Finalist, Clare Williams Interior Design.

Clare Williams Interior Design was commissioned to design, conceptualise and complete this magnificent, luxury family villa in Corfu, Greece. The client wanted this plot of land to transform into a well-built, sophisticated holiday home where guests can relax and enjoy the idyllic coastal surroundings and breath-taking views. Modern spacious interiors, bespoke joinery, sculptural furniture, elegant fabrics, natural local materials, local craftsmanship and beautiful outdoor finishes all add character to this family villa.

What was the client's brief? 

Clare Williams Interior Design was briefed by her client to design and build a luxury, residential Villa on a plot of land in Corfu, Greece. The plot of land chosen for the Villa boasted stunning, unobstructed views of the surrounding Grecian landscape and Ionian Sea, stretching as far as the eye could see.

The design brief required Clare to create a modern and sophisticated holiday home that reflects the surrounding natural beauty of outstanding bays and white pebbled coves on the North East Coast of Corfu. The clients wanted a home they could use for the primary function of rest, relaxation and family enjoyment. The client’s family will spend the summer in this villa and wanted the space to feel different to their busy city lives.

What inspired the design of the project?

To bring the interiors of this Villa to life, Clare developed her design concept by considering the surrounding natural beauty of outstanding bays and white pebbled coves and sweeping vistas that lent themselves to an idyllic theme of blues, whites and greys that are carried throughout the interiors and can be seen in the furnishings, fabrics, art, accessories and more.

What was the toughest hurdle your team overcame during the project?

Working on an international project can always bring unexpected hurdles. We wanted to ensure we were incorporating sustainable elements into the home wherever possible and therefore used local craftsmen and businesses to complete the kitchens, bathrooms, bespoke joinery, tiling and more. We are thrilled with the outcome but adds slight difficulty overcoming language barriers and learning to work with new contractors.

What was your team’s highlight of the project?

Bringing to fruition my client’s dream of a family home is definitely a highlight of the project. There is always great excitement delivering your carefully curated design concepts and seeing it all come to life. This project took place during the difficult period of COVID19, so it was a rewarding achievement when it was all completed successfully.

Why did you enter the SBID Awards?

Entering the SBID Awards is a great opportunity to communicate with the industry, past clients and potential clients. Design awards also create a productive conversation about what design is doing well and how it can improve not just aesthetically but socially too.

What has being an Award Finalist meant to you and your business?

To be announced as an award finalist by the SBID judges for our ‘Luxury Corfu Villa’ is wonderful news and we are thrilled they feel we have created meaningful interiors with design, sustainability and our clients in mind. It is so important to celebrate our studio’s hard work and the wonderful spaces we are so fortunate to create for our lovely clients.

Questions answered by Clare Williams, Founder of Clare Williams Interior Design.

This week’s instalment of the Project of the Week series features a modern and industrial KBB design by 2023 SBID Awards Australasian Region Winner, Du Bois Design.

New Zealand based designer Natalie Du Bois of Du Bois Design was commissioned by her clients to conceptualise and detail the interiors of a 562-square-metre new build – a six-hour drive away. The Whanganui project involved the creation of a kitchen and generous scullery for frequent entertaining, alongside a bar that connected to the living area as well as a laundry and five individual bathrooms in keeping with the modern-industrial theme.

What was the client's brief? 

I was retained as the interior specialist for the construction of a new home in Whanganui, Aotearoa, overseeing the spatial interior and design of various spaces, including the kitchen, scullery kitchen, bar, laundry room, and bathrooms.

My clients, a family of five, desired a meticulously planned kitchen that would cater to their needs. They also wanted a sizable scullery that could function as a secondary kitchen for entertaining purposes and provide their teenage daughter with a dedicated area for her baking endeavours. It was crucial that the scullery could comfortably accommodate multiple users at any given time.

This family with three teenage children, often entertained and desired a modern-industrial aesthetic to align with the contemporary architecture of their residence.

Considering the turnover of both visitors and overnight guests, it was essential to incorporate five bathrooms for convenience, as well as a spacious and well-planned laundry area that catered to the busy family lifestyle.

What inspired the design of the project?

When designing this interior, I was inspired by a Brutalist approach, emphasising voluminous proportions throughout the home. I merged rough-textured plastered walls with dramatic lighting, applying a neutral colour palette consisting of black, white, and grey. Ultimately, my design choices were driven by my clients' specific needs, lifestyles, and personalities.

What was the toughest hurdle your team overcame during the project?

Overall, the project progressed relatively smoothly, and I thoroughly enjoyed working with the clients. The trades faced some challenges in adhering to unconventional design details, such as the panelling around the island. However, they persevered, ensuring that the project remained true to its specifications, albeit a costly and meticulous process.

What was your team’s highlight of the project?

Currently, I work independently without a team. The most gratifying aspect of my work is witnessing my clients' genuine satisfaction with the final outcome and knowing that I played a role in creating it. Additionally, seeing the project come to fruition after months of hard work is an incredibly rewarding experience.

Why did you enter the SBID Awards?

In 2000, as a young designer working in London, I won my first interior design competition. After residing in London for five years, I immigrated to New Zealand, and winning this prestigious award has greatly enhanced my professional reputation in the country over the past 23 years.

SBID stands out to New Zealanders as a highly competitive and challenging awards platform. Competing against designers from other countries amplifies the rewards of participating.

I decided to enter the Whanganui project into the SBID awards after winning the supreme kitchen design accolade at the National Kitchens and Bathroom Association Excellence in Design awards for 2022 in New Zealand. I wanted to aim higher and see if this project could receive international recognition through such a reputable awards platform. I took on the challenge and submitted not only the kitchen but also the five bathrooms, bar area, and scullery, hoping to showcase the complexity, scale, and individual design flair present in each room while demonstrating their interconnectedness.

What has being an Award Finalist meant to you and your business?

Last year, my SBID project was a finalist, and I hope to achieve even greater success this year. New Zealand may be a small country, but the competition within the industry is fierce, constantly pushing us to improve. Participating in SBID reflects that drive for self-improvement.

Being selected as a finalist provides an excellent opportunity to promote my unique and distinctive work, setting me apart from my peers. Clients can feel more confident and trust that I can offer them an exceptionally high standard of design. It also fosters greater respect within the interior design community and among my colleagues. Personally, it is incredibly humbling to know that my design work has caught the attention of esteemed international judges. The international opportunities and exposure that accompany being a finalist have tremendous benefits.

Questions answered by Natalie Du Bois, Founder of Du Bois Design.

The luminous dome-shaped window, reminiscent of a crystal, which opens up endless possibilities for natural light to flow, plays a pivotal role in transforming the attic space HG-31 in the heart of Oslo into a true architectural gem. This unique renovation project is the result of the joint efforts of the development company Predio and the Ukrainian architectural firm IK-architects.

One of the main goals of the project team was to create a functional and cosy space that would allow residents to infuse their personal elements into the interior. Through carefully thought-out planning, the lower level of the apartment is divided into two main zones: the public zone (with a foyer and a kitchen-living area) and the private zone (with two bedrooms and a bathroom). In the central part of the upper level, there is a mezzanine - a relaxation area and an open terrace, perfect for barbecues and relaxation with incredible views of the city and the fjord.

However, the main highlight of the apartment is the polygonal window, which became a key architectural element. Its crystal-like form not only adds uniqueness and sophistication to the space but also allows abundant natural light to enter, giving the living space a distinctive character. Moreover, this window opens up breathtaking views of the historic part of the city and the modern residential quarter.

In the HG-31 project, a strong emphasis was placed on using natural materials such as parquet flooring and wooden decorative elements. These details add warmth and a natural feel to the apartment, as well as unify all the rooms into a single, organic space.

This project serves as a shining example of collaboration between two outstanding teams - Predio and IK-architects - who have combined their knowledge and creative talents to create a modern, stylish, and functional living space in the historic heart of Oslo. This realisation is not only a testament to high quality but also an embodiment of the aspiration to improve the quality of life in cities through sustainable development and the enhancement of design and functionality in real estate.

Development company Predio focuses on loft conversions in Oslo. The capital's best locations are selected for new developments, and luxury apartments, penthouses and townhouses that are outstanding property investments are built with design, specification and purpose in mind.

Predio aims to improve the quality of life in cities through sustainable development, through deep knowledge and experience in residential and commercial real estate development.

The Ukrainian architectural bureau IK-architects has been developing design projects for more than 10 years. Key stylistic trends: Scandinavian design, minimalism, eclectic combination of current styles and trends. IK-architects has been cooperating with Predio for several years. The HG-31 project was created in collaboration between leading Predio architects and IK-architects designers.

Developer company Predio
Svein Stokke, Andrii Soloviov, Andriy Ponomarenko

Interior design by IK-architects
Kateryna Yarova, Khrystyna Stavytska

Furniture manufacturing Lachma
Construction physics - COWI

Year: 2022
Location Oslo, Norway
Area: 87 m2.
The year of construction is 1988

If you’d like to feature your news or stories on SBID.org, get in touch to find out more. 

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This week’s instalment of the Project of the Week series features a tropical and elegant beach house design by 2023 SBID Awards Finalist, Studio IDC.

Studio IDC was commissioned by a private client to design the interiors and exteriors of Tŷ Compton Estate, an eight-bedroom, 23,000-square-foot luxury private residence/rental property on Jumby Bay Island, Antigua. Intentionally blurring the lines between the interior and exterior, the Studio IDC design team curated a neutral, textured, and layered backdrop accented by a crisp colour palette to evoke the surrounding tropical landscape. The property captures the essence of its idyllic Caribbean location while incorporating every amenity imaginable.

What was the client's brief? 

Tŷ Compton is an eight-bedroom, 23,000-square-foot luxury private residence/rental property on Jumby Bay Island, Antigua. The clients wanted a family property that could also be utilised to generate rental income. They envisioned a private compound that could function like an all-inclusive resort and offer one-of-a-kind guest experiences. This included two equal primary bedroom suites in the main home, plus multiple sleeping arrangements within each of the three cottages.

The clients have excellent taste yet gave our design team a great deal of leverage on the design direction. There was a lot of collaboration with clients and other contractors on the project for its overall success. Strong opinions on colour did surface: They loved a mix of blue hues and wanted a unique, elegant, and sporty beach house that would be “a cut above.” Their vision also encompassed a love of sports and play, as well as a desire to create spaces that encouraged connection throughout the property. They also envisioned the design to be unique but true to the island’s natural beauty with an earnest, pristine commitment to sustainability.

The clients have a large family and valued entertaining, requested seating for 16 individuals or more, along with multiple gathering spaces. We accommodated this with a stunning custom-designed suar wood dining table for alfresco dining and a custom interior Liaigre dining table for 16 surrounded by beautiful dining chairs by Gregorius Pineo. Other lounge seating that can comfortably bring together large groups was also addressed throughout the property. Their feedback on fulfilling their requirements has been a glowing success.

What inspired the design of the project?

The overarching concept was always there: innately taking into the geography, topography, and natural surroundings of Jumby Bay. However, the design direction evolved as we unfolded our clients’ needs, preferences, and openness to mixing elements that might not initially be considered together. The top-tier finish materials, lighting, furnishings, and artwork really come together for something quite special.

What was the toughest hurdle your team overcame during the project?

We worked through the construction and design process during the pandemic. This was an interesting adjustment with limited face-to-face client contact and a lot of stop-and-go on the project site. Shipping was also a significant hurdle during this time! However, our many years of experience in the Caribbean allowed us to handle obstacles and workroom closures professionally and smoothly, ultimately delivering an incomparable design that delighted the clients. Tŷ Compton was a joy to work on!

What was your team’s highlight of the project?

Stephanie Tyler, President of Studio IDC, and I were fortunate enough to greet and reveal the property to our clients after years of working remotely to bring this dream to life. Due to the pandemic, our clients did not get to visit the project site nearly as much as they would have given “normal” circumstances. That said, having that initial walk-through and seeing their faces was the most incredible feeling! It was the kind of moment a designer dreams of. So much overwhelm in the best of ways. Not something that we will ever forget.

Why did you enter the SBID Awards?

At Studio IDC, we are dedicated to design and pushing the boundaries of interior innovation. Participating in the SBID Awards aligns perfectly with our commitment to excellence and showcasing our creativity. The SBID Awards is a globally recognised platform that reflects our ethos of design excellence and meticulous execution. It’s not just about recognition but also about sharing our story of redefining luxury and creating living spaces that resonate with people. For us, entering the SBID Awards was a natural choice – an opportunity to let our design philosophy shine internationally, inspiring others and propelling the industry forward.

What has being an Award Finalist meant to you and your business?

Being chosen as a finalist in the SBID Awards is a great honour for Studio IDC. It is a special moment that recognises not only our design accomplishments but also our culture and relationships – it’s like a resounding endorsement of the trust our clients put in us. We’re absolutely over the moon celebrating this outstanding achievement.

Questions answered by Todd Tyler, Chief Creative Officer at Studio IDC.