The Story Behind Kohler: Transforming bathroom specification for interior designers

As consumer lifestyles and the significance of the bathroom sector evolves into stylish (and hygienic) wellness-driven sanctuaries in the home, discover how the innovative bathroom designer and manufacturer, Kohler collaborates with interior designers to enhance the product specification process for transforming bathroom environments with luxury and functionality in equal measure.

What are the origins Kohler?

Kohler is a now 4^th generation family business which was started in 1873 by John Michael Kohler. Today it is a global business operating across various sectors and headed by David Kohler, President and CEO. Kohler Co. designs and manufactures kitchen and bath products under renowned global brands like KOHLER and KALLISTA; engines and power systems; luxury cabinetry and ANN SACKS tile; and is the owner/operator of two, five-star hospitality and golf resort destinations in Kohler, Wisconsin, and St. Andrews, Scotland.

How do you work with interior designers?

We work with designers through collaboration as a partner to help them achieve project requirements within the brief. We do so in the first instance by introducing them to our bathroom ranges designed for UK and global project specifications. This is supported and underpinned by our London Clerkenwell showroom, the Kohler Experience Centre, where we invite A&D to learn about our brand, experience our products and participate in talks and events that support the design community.

What value does your sector add to the interior design industry?

The bathroom today, as most designers will agree, has become an increasing focal point of specification with a far greater demand on design and function while delivering upon the dimensions of wellbeing we all strive to achieve in today’s modern world. It is now considered by many that the bathroom is the most integral part of the home to specify. More bathrooms are being added to projects and no longer the clinical white box but a need to ensure the space provides an environment that is tactile, stylish, modern, and offers a seamless transition from one room to the next. Above all, it’s creating a space of wellness as well as function. As such, the bathroom sector has adapted to offer products that reflect the different materials and colours often reserved for products seen in living spaces while bringing luxury, functionality and technology to new levels of possibility.

How do your services/offering enhance an interior designer’s projects? 

As a manufacturing business, and in particular with respect to the bathroom specification sector, we manufacture products to simplify the specification process, so that wherever possible we can be a one-stop shop for bathroom specification for the designer. From basins, furniture, WCs, and taps, to shower enclosures, fittings and accessories we can help to make specifying a much more gracious experience.

What are the latest trends you’ve noticed in your client’s requests?

Metal colour finishes and the variety of choices available for tap and shower fittings have been hugely popular. We are seeing a resurgence in gold whilst the emergence of black and brass coloured finishes are now commonly requested across various levels of specifications, and not just at the very top end of specification. In light of the ongoing global situation with Covid, we are also seeing more demand for hygiene technology across specifications, whether it's intelligent toilets, touchless products or in the very material of the product itself.

Why did you become a sponsor for the SBID Awards? 

Kohler is a well-established brand within UK project specification, and we want to recognise the amazing work created by the UK design community which is driving global project design – many of whom we work with regularly on specification for various hospitality and residential projects. Kohler remains positioned as a global leader which continues to evolve and adapt to meet the needs and demands of both the specifier and consumer not just today, but also well into the future.

To find out how to join SBID professional membership, click here 

Project of the Week

This week's instalment of the #SBIDinspire interior design series features a residential design by 2020 SBID Awards Finalist Chains Interiors. The Taiwan-based design practice worked on this high-end project which was inspired by a song written by the owner.

SBID Awards Category: Residential Apartment Over £1M Sponsored by Vectorworks

Practise: Chains Interiors

Project: Write A Song For You

Location: Taipei, Taiwan 

What was the client's brief? 

Our client is a professional Musician. Since music is such a big part of his life,  he wanted music to flow in all corners of the home, while remaining functional.

What inspired the design of the project?

The concept of this design is inspired by a song that a house owner wrote for his beloved wife. While the tunes and tempos of the song transform into lines on the walls, the spontaneous melodies also turn into colours in the space and the twists and turns of the notes into topographic curves on the ceiling. Together these elements become a manifestation of the tenderness conveyed by the song.

What was the toughest hurdle your team overcame during the project?

Finding a balance between aesthetics, design concepts, actual usage requirements and budget. We also wanted to make the intricate ceiling lines perfect, so we made several versions to make sure the final design achieved this.

What was your team’s highlight of the project?

The highlight of this project was successfully fitting the final design with every part of the song that the house owner wrote.

Why did you enter the SBID Awards?

The SBID Awards have always celebrated international certification and we wanted to showcase our work to a wider audience by participating in this competition.

Hitzig Militello Architects share the inspiration and process behind their high-end Buenos Aires cocktail bar and restaurant project; Osten.

Osten, the high-end cocktail bar and restaurant, is located in Puerto Madero's distinguished neighbourhood in Buenos Aires. The generating idea and initial design concept stems from the era of the economic crash in 1929. Inspired by the novel The Crack-Up by Scott Fitzgerald, and the decadence of glamour from The Great Gatsby.

At first glance, a large corridor is built with scaffolding and the name Osten hangs on perforated metal located in the main entrance that also functions as a waiting room. This sets the scene and atmosphere in an alluring effect to inspire desire to discover the space step by step.

The corridor has 6 different accesses to the general space - this was fundamentally designed so each of the areas can be made independent to divide the areas as private spaces when required.

Access to the bar is at the end of the corridor, crowned by metal perforated structures to frame the identity and design of the bar. The corridors separate the entire space into two large areas of use against the backdrop of this large, statement bar.

The presence of scaffolding acts to support the design theme, representing the  era that could no longer support itself. The essential characteristic of scaffolding devices throughout the scheme is ultimately the temporality of their use, and it is this word "temporality" that defines the end of that era of over indulgent elegance. These scaffolds underpin large sheet metal arches painted in gold, but without the glitz or bombast, their appearance is instead rather aged.

The language of the arches is carried throughout and used house all the most representative areas with the bar at the epicentre; the access through a large corridor, the bar itself and its setting, as well as the staircases and perimeter seating area. Knots hold each encounter of the aged scaffolding with old bronze paint.

Modernity is essentially represented by the inner skin, built with cementitious plates and marble organised in pieces in different areas. These marble slabs are arranged in between the scaffolding structures, seeking a relationship between the elegant and the temporary. All Carrara and dark green marble slabs are arranged linearly and held in an ethereal way.

Modernity also makes an appearance through the acrylic tubes that are part of the lighting system where the two worlds are combined; the modern and its acrylic packaging with art deco drawings. In the same way, large lamps that simulate spiders, hang with acrylic tubes and chains representing the beads.

The graphic identity developed from the naming typography was applied in different spaces, in the form of a stencil on walls and through cut-outs in plates to achieve devices that function as dividers. As a result of typographic development, graphic pieces of feminine profiles have been developed and applied in the form of artistic paintings held by the scaffolding system.

The scaffolding system extends to the outdoor spaces to support the seating area, with a large mural designed by the branding team through the development of the typeface family. The tonality of the old bronze, dark green, light and blue was the result of a sober and elegant composition.

As a professional accrediting body for the Interior Design industry, the Society of British and International Interior Design (SBID) have formed a partnership with FRAME - the recruitment specialists in Interior Design, Architecture and Visualisation to support professionals working in interior design with career opportunities, career advice and guidance.

The partnership was formed to provide an important link between SBID members and a trusted recruitment business, supporting interior designers with employment and recruitment opportunities.

Project of the Week

This week's instalment of the #SBIDinspire interior design series features a retail design by 2020 SBID Awards Finalist 4SPACE Design. The Dubai-based design practice was tasked with bringing to life the 140 square metre fashion retail store Tutus Kurniati.

SBID Awards Category: Retail Design Sponsored by Garrett Leather

Practise: 4SPACE Design

Project: Tutus Kurniati

Location: Dubai, UAE

What was the client's brief? 

The client wanted to develop her e-commerce platform with its first flagship store, for a more intimate shopping experience. It was important that the design reflected the brand as a luxury resort wear. The client envisioned the space to be modern and very feminine.

What inspired the design of the project?

Since the logo speaks highly of the character of the owner, 4SPACE focused on the featured colours; pink and beach-sand. The interior design was inspired by the waves on the shoreline, rocks, and seashells.

What was the toughest hurdle your team overcame during the project?

Completing the project on time for the grand opening of the Mall. We had a hard time with our terrazzo floor as it was installed manually, placing the terrazzo aggregates one by one to ensure that the outcome will be the same as the design.

What was your team’s highlight of the project?

The Instagram booth inspired by the beach showers with a neon sign and perfect lighting for an insta-worthy status - a notable design concept that is totally chic and canny.

Steps seating lounge that would appeal to social media-savvy females who enjoy retail culture.

In a cash-free COVID future, Tutus Kurniati was designed with no cash desk where technology works at its best.

Why did you enter the SBID Awards?

We’ve been participating in the SBID Awards since 2016 and we’ve heard nothing but praise. The process for submitting the entries has always been easy and all the coordinators are very helpful. Having a good review and been very consistent in promoting the interior design profession makes us a keen follower and member of SBID. Our founders and Interior Architects of 4SPACE started becoming Accredited professionals of SBID. We’ve also won the “Overall Winner” for SBID Awards 2018.

Questions answered by Firas Alsahin, Design Director, and Amjad Hourieh, Managing Director, 4SPACE Design.

We hope you feel inspired by this week's design!

If you missed the last instalment of Project of the Week, featuring an office renovation in a pre-war building, click here to see more.

In the announcement of the Budget 2021, the Chancellor set out a £65 billion three-point plan to provide support for jobs and businesses as we emerge from the pandemic and forge a path to recovery. 

In light of the encouraging news about the UK's social distancing restrictions due to end this Summer, and with businesses now readily preparing for post-lockdown operations, Mervyn Clarke FCCA; director of the SBID Accredited specialist advisors, Baker Clarke offers advice on how to manage business finances to help get interior design businesses back on track. 

Specialising in commercial advice and having advised many companies over the years about re-structuring and recovering from bad times after recessions and banking failures, discover Mervyn's key tips to aid business recovery for the interior design sector.

Click here to discover the last year's SBID Awards winners!

To enter, visit sbidawards.com to find out more.

Nicholas J. Hickson and Manuela Mannino, founders of THPD, lead us on a trail that winds through the new tendencies of Hotel Design.

The hotel and tourism industry rest on an ever-changing canvas and today more than ever – also considering the pandemic period – the customer and traveller requirements express themselves through novel brushstrokes.

“If we were to identify the new directions our work is heading in, the necessity to conceive and design projects as authentic travel experiences and stone narrators of the place housing them, that is to say, destinations worth admiring and living would be the at the first place” – Nicholas Hickson says.

New frontiers of hotel design open up and the positions that recently come out during “Designing New Hospitality” – the digital conference fostered by Elle Décor Italia –  seem to meet Hickson’s philosophy. “Emotional hotels” capable of offering stories, experiences and emotions and “story-teller interiors” wherein the city itself may be to some extent retained and enclosed are ­– according to the industry experts surveyed last January by Il Sole Ventiquattrore – the new hôtellerie avant-garde (Pierotti, Paola).

Today, according to THDP, hotels are places of enchantment for travellers and local inhabitants, rather than mere ports of passage. Modern sanctuaries far from the hectic pace of the city or refined niches where divorcing from reality, contemporary hotels are the background to unique experiences and places to appreciate the rare flair of the inside spaces. Two fundamental reference models may be cited. The Indigo Verona Grand Hotel Des Arts, largely inspired by the Arena di Verona theatre and based on Romeo and Juliet second act, and the Hilton Frankfurt City Centre, where the welcoming atmosphere of Manhattan – the New York district that lends its name to Frankfurt city – informs the magnificent construction.

“Designing the Indigo Verona Grand Hotel Des Arts has been just like writing poetry ” – the architecture Mannino explicates.

Upon entering, the reception and the hotel lobby feature an evocative counter inspired by the stone masonry of Juliet’s renowned balcony in Via Cappello. And not only that. “The rear panels behind the newly designed reception take cues from the staggered wings of the theatre. Given the renown of Verona’s signature Roman arena, it would have been a pity not dedicating him a tribute…” – the architecture Mannino explains.

The burnt bronze and the deep indigo blue colours are complemented by terrazzo sophisticated finishes, thus rendering the whole place a postcard-worthy spectacle to be admired in every single detail. The lightning is entirely made in Italy and conceived to enhance the Roman arches on the reception pod front. “The café façade is a homage to the Hotel Des Arts – namely the hotel prior to becoming Indigo – and consists of frames in varying shades”. The most precious Italian marble completes the ambience with a further hint of elegance.  “The selected furnishings feature soft shades of blue and aquamarine with rattan and orange hues, manufactured by the Italian firms Miniforms and Tehkne”. The former hotel’s art masterpieces and the mirrors have been carefully tended and maintained, with the intention of providing the atmosphere with modern touches.

“We wanted them to merge with works already part of the heritage of the hotel, belonging to Classical periods and mid-century. Sustainability is a priority for us and recycling is a valuable resource we have at our disposal. We wanted to give the existing works new life rather than throwing them away”. And the resulting effect is astounding.

Indeed, GlobalData’s “Luxury Hotel Market to 2024” 2020 report has revealed an upward tendency as regards the tourism industry sustainability. Paperless counters, refillable dispensers and recycled materials are trends likely to gain increasing popularity over the next years, thus leading to greater competition in the market. A further aspect highlighted by GlobalData’s report is the key role technology will play in the near future as a consequence of the pandemic restrictions, as luxury hotels are expected to redefine their design towards a more contactless experience, (GlobalData, November 2020).

“The new Hudson Yards Bar at the Hilton Frankfurt Centre resembles a typical New York café, with brass gantry shelving, custom counters, brass foot stops and a Rancilio coffee machine realized ad hoc” – Hickson explains. The ideal place for relaxing during the day or in the evening. “The bar is designed to work day and night. We have installed swing doors so that, besides hosting a ‘day’ focus section for coffees and sweet treats, the night discloses an unedited set-up, with cocktails and liqueurs”. The guests find themselves wholly immersed in the New York atmosphere, albeit with a local food menu. The spaces combine urban and chic vibes, with green marbles and brass elements. To top it all, a parquet reminiscent of the asphalt colours. “We have worked with a four-colours palette: we wanted the guests to feel as though they were standing at the very heart of Manhattan.”