Great lighting design is one of the most important elements in any interior. In addition to enhancing functionality, illumination can also transform mood, ambiance and the perception of space. For optimum results, a project’s lighting plan should be implemented right at the beginning of the creative process. The best lighting designs maximise the amount of natural daylight available, then enhance this with complementary forms of artificial light. Task, ambient, mood, feature and architectural lighting all have an important role to play. The right type can enrich the colour, character and tone of any room. It can also accentuate physical features such as heights and recesses.
“There are three key facets to consider when planning lighting within a room design,” explains our director Mark Taylor. “The size of the room; the nature of the light and how it hits the room; and the existing shapes and ceiling heights.” The client’s personal preferences and their budget must also be taken into consideration. “Lighting can form a very expensive part of any room, sometimes more than the cost of furnishings and joinery,” Mark confirms. “So, it’s vital to establish a realistic budget from the outset.”
Rooms size and shape are next on Mark’s lighting design checklist. “We would assess the shape of the space, where the darker areas are, and how light the room needs to be,” he explains. “We would also consider where we need to avoid glare or reflection, and the colour palette and materials. Lighting can fundamentally change hues and tones.” Mark continues: “We would also take into account energy conservation, and how the lighting will be controlled. Solutions might include remote control smart home lighting systems such as Lutron. More traditional options – such as arc lamps and Anglepoise® lighting – can be both attractive and cost-effective if they are placed correctly and suit the interior’s aesthetic.”
High ceilings were a particular challenge for this multi-functional Marlow kitchen project. Mark and his team incorporated a strip light on the walls, bouncing light off the ceilings to avoid any dark spots. To maintain task lighting, they added LED strips to the wall shelving, to illuminate all the work surfaces.
A room’s primary function usually dictates the type of task lighting required. It can be hidden or directed specifically at certain areas that need to be illuminated. Mark notes: “This type of functional task lighting can still deliver visual design impact via an exposed fitting, either from a ceiling or a wall.”
Feature lighting is about much more than mere functionality. It’s about the shape and style of the fitting, as well as the illumination it provides. It’s an ideal way to make a statement and enhance a specific element of your decor – whether the light in question is off or on.
Then there’s architectural lighting. “There are certain situations where natural light simply is not available,” Mark explains. “To offset this, we could install a large, illuminated panel simulating daylight coming in from a skylight. Or we might use an LED hidden strip to “bounce” light off a ceiling, especially if the ceiling is very tall and spotlights would create dark spaces. That’s what we did in this drawing room, as the client didn’t want too many spotlights. So, we added an LED strip above the tongue and groove panelling.”
Bespoke, layered lighting design schemes use multiple light sources to deliver a combination of functional, ambient and accent lighting. “Depending on a room’s function, we usually look at up lighting, mid-level lighting, and ceiling or task lighting,” Mark explains. “Everything depends on the height of the ceiling, the amount of natural light available, and how the room will be used.”
He continues: “For instance, to light an area with two specific functions – such as a kitchen and TV/entertaining area – you need to adapt the functionality of the lighting for each use, and for different times of the day. In many cases, we use lighting that bridges both areas. For example, we might install wall lights that can be turned on to enhance mood, when task lighting isn’t required.”
This Shaker-style kitchen project incorporated two levels of flooring – and two levels of ceiling. It also featured three distinct areas: the snug, dining space and cooking area. Our lighting design used a combination of floor lights, mid-level lighting, task lighting, LED linear lighting and a window wall to illuminate and harmonise the different elements.
While there is no ‘one size fits all’ with great lighting design, there are some general guidelines that apply, depending on a room’s primary function(s). Obviously, kitchens require practical task lighting so that meals can be prepared safely and easily. Conversely, the rule of thumb with most cloakrooms is to celebrate their relative darkness. Soft lighting – and not too much of it – can minimise the sanitaryware, mitigate small spaces, and create a feeling of calm. For example, this windowless cloakroom is dark, intimate and tranquil. Our lighting design created a sense of movement and fantasy without over-illuminating the space.
Multi-purpose spaces, such as open-plan areas, family rooms and even drawing rooms, are likely to require a lighting design that can accommodate different occasions at different times of the day. In fact, combinations of low level and lamp lighting usually work best.
“As bathrooms have become more luxurious, clients want to create a mood for them, rather than just ‘wash and go’,” Mark reveals. “Sensor lighting is a really great way to make the bathroom an inviting space from the moment you walk in. Soft warm lighting can be used to replicate candlelight. LED strip lighting is also an effective way to highlight a particular design feature.”
Bedroom lighting design also needs to be versatile. Most clients require lamps/task lights for reading in bed and choosing clothes, although the room in general should be calm and sleep-inducing. Mark observes: “A flexible lighting system that gives clear visibility where you want it – but is very forgiving where you don’t – is the key.”
“Not all clients understand the value of lighting design – but it really can make or break a space,” Mark observes. “There’s both a science and an art to great lighting design. And it represents some of the best money spent in terms of creating or renovating loveable living spaces.”
About Mark Taylor Design
Mark Taylor Design is a British manufacturer of superlative bespoke furniture, cabinetry and specialist joinery, working in Central London and the Home Counties.
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Canadian luxury handmade furniture and lighting brand Gabriel Scott has launched its latest lighting collection, Welles Reimagined, in collaboration with six global designers and architects to celebrate Gabriel Scott’s tenth anniversary in 2022.
The established designers have reinterpreted the studio’s most iconic fixture, the Welles Chandelier. The six fixtures, first showcased at Milan Design Week 2022, have now been formalised into six capsule collections which include chandeliers, sconces and pendant lighting.
Scott Richler, Gabriel Scott’s Founder and CEO, explains: “The Gabriel Scott brand launched on a manifesto to furnish the architectural community with exactly what they needed, and we’re still doing this through material, size and form ten years later. Inspired by jewellery, the Welles Chandelier is a true representation of our design philosophy – to design and make modular products to custom specifications. The Welles Reimagined capsule collections celebrates our brand ethos and the collaborations we undertook with each designer perfectly demonstrate how we like to work together with our design and architecture clients to achieve something really special and tailored to their requirements.”
The David Rockwell capsule collection celebrates the Welles Chandelier’s classic geometric form, while creating a contemporary light fixture inspired by clusters found in nature, such as crystals, chemical compounds, and clouds. Ultimately, Rockwell drew from botanic forms to create an organic assemblage. The hollowed glass polygons act as metallic light points that come together at varying heights and dimensions to form a floating light cluster. The feature chandelier is defined by its luxe volume and organic nature.
“The collaboration allowed us to create something very special that combines Gabriel Scott’s modular approach to lighting and expert craftsmanship with our focus on storytelling and materiality. We experimented with volume, color, texture, and scale to create organic assemblages of light that have a dramatic impact on the atmosphere and our perception of space.” – David Rockwell.
Crafted from white clay and inspired by a collection of ceramics she is currently designing, the Kelly Hoppen capsule collection comprises a single flush-mount sconce suitable for both wall and ceiling installation, a pendant light, a single sconce on a banded arm and the Welles Long Chandelier in three sizes. The overall form has been scaled down from its original size to create an elegantly delicate aesthetic.
“When I was asked to do it, obviously it’s a very iconic piece already, but instantly I knew I wanted it to be a chalk white, clay, very organic piece, because that would make it incredibly different from anything Gabriel Scott had done before.” – Kelly Hoppen, CBE.
Alessandro’s capsule collection has a beautiful narrative infused with dynamic and bold fashion references inspired by rhythmic dance. It includes the 12-module central chandelier as seen in Milan, a scaled down 8-module chandelier, a larger 18-module chandelier and an arm sconce. While its volume is radically different, the modular qualities are still able to extend for extra tall ceilings and multiply for larger spaces. This flexibility makes it a truly versatile and playful product that invites designers to create bespoke configurations.
“One of the key features that inspired us was how architectural the Welles is, yet extremely detailed and jewellery-like – even the slightest of components like the bracket is beautifully designed. It felt like a sculptural piece of art. So, we drew inspiration from couture fashion, from dance, and when we immersed ourselves in this world, we thought about deconstructing the original piece and rebuilding it in a completely different way.” – Alessandro Munge.
Michelle turned to nature to add a floral element that represents growth and bloom, alluding to a rebirth of a classic Gabriel Scott design. Uplifting and joyful, Michelle Gerson’s capsule collection includes a vertical sconce and small, medium and large versions of the chandelier first seen in Milan.
“The vision is nature. We tried to take a more geometric, modular, masculine type fixture and break it up and create what we thought would be blossoms, branches and leaves. We mixed up the materiality a little by using mesh to create a lightness, we wanted it to feel spacey, alive and happy.” – Michelle Gerson.
As a contrast to the sharp metal and glass silhouette of the original Welles, Sybille’s interpretation reveals the feminine side of her signature design style. Couture-inspired, elegant and smooth, the capsule collection shows a gradient composition from emptiness to full, with a variation of hollow and plain shapes. It comprises a sconce, cluster sconce, the standard chandelier as seen in Milan, and a smaller version. All fixtures include padded vegan leather to create a subtle 3D effect and rounded corners to add softness.
“We love leather because we find it’s a very elegant finish and combined with a soft bronze, this is our vision of luxury which is very understated.” – Sybille de Margerie.
Guan’s design is a striking floor installation, illuminated by light bulbs and made from POLiROCK, a new material developed by Material Architecture Lab. The fired clay has unique characteristics, somewhere between ceramic and rock. It appears natural but is made by recycling manufacturing waste. Due to the nature of this design, it can be customised from the original form that was shown in Milan. For commissions, Guan and the Gabriel Scott’s design team will work with the client to deliver something bespoke.
“The first thing I thought was that it would be nice to have a contrasting material, so instead of something transparent something solid that allows light to go through in a very particular way.” – Guan Lee.
Cover image: Sybille de Margerie for Gabriel Scott
About Gabriel Scott
Gabriel Scott is a design house and production studio creating contemporary collections of fine furniture and lighting. Led by founder and CEO Scott Richler, all Gabriel Scott pieces are proudly handmade in a Montreal-based studio where an in-house team of industrial designers, engineers and manufacturers work together to create and oversee each piece from inception to production. Established to blend Scott’s design experience developed over many years working in architecture, fashion and jewelry design, Gabriel Scott’s furniture and lighting collections are designed in line with the studio’s three principles: timeless, customizable and versatile aesthetic.
As we approach the end of another busy year, Sofa.com shares their favourite projects and reflects on their achievements from 2022…
For us, working collaboratively with various designers has been a real highlight – helping to bring their creative vision to life and seeing our products in a range of gorgeous spaces. The breadth of projects this year has been wonderful, from larger hospitality work, to commercial settings and a wealth of boutique hotels; this is where sofa.com product really comes to life, with bespoke elements and extensive fabric choice meaning no two projects look the same. Here’s what they had to say!
We have compiled some of our favourites of the year, from the hills of Edinburgh to the coastal waters of Cornwall and everywhere in-between, featuring design specifications that we’re most proud of and are thrilled to see completed to such a high standard.
One of our most recent collaborative projects has just recently completed in time for the holidays. It was a joy to work with Unique Homestays on the renovation of The Hatch, a pared-back coastal property next to the glimmering seas in Cornwall. Finishing touches in the dining room convey the aesthetic of the property perfectly, but with a slight bias our favourite room has to be the Scandi-inspired living room, featuring our bestselling Isaac sofas.
Another key project with Unique Homestays was the completion of Little Inka, a cottage finished with trending combinations of black and brass. This modern farmhouse aesthetic is the perfect setting for our Chesterfield style Patrick loveseat in beautiful vintage leather.
Additional highlights include working with The National Trust Scotland, Alice Leigh design, and The Bath Arms to name a few.
It’s wonderful to look back and celebrate with our customers on the completion of their projects. Thank you to all for working with us, and we look forward to collaborating in the future. As we look towards 2023 and exciting projects on the horizon – we’ve are thrilled to be part of such a vibrant industry.
Cover image: Emma Gurner
About sofa.com
Passionate about outstanding interiors, sofa.com offers a diverse and design led collection of made-to-order sofas, armchairs, beds, footstools and home accessories. With an extensive range of styles and over 100 fabrics to choose from, as well as the option to upholster in your own fabric, the customisable nature of sofa.com’s products make each piece easily adaptable to any interior style – perfect for interior designers and specifiers looking for stand-out pieces for upcoming projects.
This week’s instalment of the Project of the Week series features a minimalist monochrome residential design by 2022 SBID Awards Finalist, MOON bureau.
SBID Awards Category: CGI & Visualisation
Practice: Moon Bureau
Project: The Hills
Location: Odesa, Ukraine
“THE HILLS” is a home project for a young family of programmers who love to travel around Africa. The main design challenge was to create a barrier-free space with plenty of natural light. The clients wanted the atmosphere of their home to be reminiscent of their travels in Africa. They also wished for a monochrome interior with natural materials in mind and a minimum amount of furniture.
We were inspired by photographs and stories about the magnificent nature of Namibia, where the endless ocean borders the desert. Our team has recreated this mesmerizing atmosphere within the interior design. The entire interior is made in pastel colors that resemble dunes and do not distract from the beautiful view outside the window. An original palette of natural shades, materials and panoramic glazing has erased the boundaries between the living room and the surrounding landscape. In this endless space, we have located a cozy lounge area, combining it under the dome of an ultra-stylish, modular Pole lamp.
We used kitchen model Artematica. Materials such as decorative plaster, glossy glass facades, brushed metal and natural stone were used. The central part of the working surface is closed by a lifting mechanism. In the center of the kitchen is a multifunctional island. We represent how pleasant it will be to meet the first rays of the sun with a cup of freshly brewed coffee.
In the bedroom in we used textured travertine and decorative plaster, and in the dressing room – transparency changing smart-glass panels. Smart glass is a multi-layer product in which the middle layer is made of a liquid crystal film. When the smart glass is impacted by electricity, the glass instantly becomes transparent.
I decided to take part in the competition because I wanted to show the creativity and talent of Ukrainian designers to a wider audience. It was an internal challenge to compare myself with modern European designers, to see how my work stands in the context of the current world design.
Questions answered by Tetiana Sytova, Founder and Chief Designer, MOON bureau.
We hope you feel inspired by this week’s design!
If you missed the last instalment of Project of the Week, featuring a creative restaurant and bar venue design by DesignLSM, click here to read it.
Angel O’Donnell were asked to interior design a penthouse and sub-penthouse inside One St. John’s Wood, a new luxury development in NW8. Both residences enjoy the rarest of London views: big skies, treetops as far as the eye can see, golden sunrises, showstopping sunsets and, of course, the legendary Lord’s Cricket Ground.
This happy blend of nature and iconic architecture inspired many choices – from hand-drawn floral motifs to sculptural furniture and geometric patterns. Each apartment, while different, feels part of an exclusive collection, something our client was keen to achieve.
The rippling bronze coffee table base. The oscillating lines on the rug that resemble light-dappled water. The dimpled vase. The curled wooden bowl. Even the folds and twisted leather piping on the cushions. These fluid and irregular shapes balance the clean-lined simplicity of the joinery.
While the sofa Angel O’Donnell designed – with its walnut plinth base and mix of textured linen and multi-yarn weaves – is low-slung to maximise the views outside.
The designers upholstered these two Vladimir Kagan armchairs in a soft Edelman leather. They love their shape, like the flukes of a whale’s tail emerging from the watery deep.
Arranging shapes, textures and colours is a way of forging relationships between seemingly disparate objects. It could be a conical lampshade paired with a pyramidal sculpture. Or a set of mixed-media collages that share tonal similarities with wood, brass and marble finishes. By selecting pieces with commonalities, the team brought an unsuspecting corner of the living room to life.
Striped cushions of multi-coloured linen yarns. Stone-washed cushions with handmade leather straps. And a superabundance of pillows and throws. It’s what every bedroom deserves.
Artwork depicting Singapore’s Garden City – with its intersecting lines and architectural supertrees – complement the elliptical shapes and parallel lines elsewhere in the room.
Against the cool calm of the white cotton sheets, dove-grey headboard and evergreen cushions, sit two bold fabrics inspired by Native American iconography. The mix of print and embroidery, geometric motifs and bright colours invigorate the warm neutrals in the scheme.
The flourishing mural of large leaves, delicate pods and long grasses has been hand drawn and printed onto panels. The design is exuberant and life-affirming – and a pleasing counterpoint to the measured fumed oak side tables, and cushions with their neat arrangement of teal, mint and ochre circles and crescents.
The large bronze table lamp resembles a Stonehenge monolith. Its substantial frame provides a visual backbone to the mix of soft, plump and lean shapes in the room. Whether it’s the reassuringly rounded profile of the Marenco sofa or the shiny accents of the glamorous Hollywood Regency coffee table – there’s plenty to savour.
Like Disney’s Pixar lamp, our thin-stemmed floor light has an animated quality. As it leans over the two bespoke lounge chairs, its posture appears inquisitive. Its reflective copper shade mirrors the gleam of the coffee table. While its angled rod echoes the diagonals in the wool, mohair and alpaca fabric of the chairs.
The glass- and ash-wood table was designed in-house. The base, which pays homage to miyadaiku Japanese carpentry, is cunningly simple. No bolts or nails. Just five interlocking pieces of wood that form a top with four triangular legs. It looks architectural, skeletal even. The precision of the half lap joints combined with the drama of the scorched wood are beautiful to behold.
Structural forms and materials continue to flourish throughout the apartment. In particular, the Roman-like arches of the headboard and the ziggurat-inspired shape of the lamps. These speak to the riot of architectural genres found in the neighbouring Lord’s Cricket Ground. We especially love how the lamps’ teeth look wincingly sharp against the smooth, burgundy velvet.
In the same bedroom, vintage drawers painted a pale buttercup, a flower-like wall light and an impressionist landscape create a bucolic scene. It’s a surprising contrast to the industrial-looking lamps diagonally opposite. And that’s what St. John’s Wood is all about: village sensibility mingled with a little raw-edged urban style.
A dark, moss velvet headboard further endears us to nature. So, too, do the opal-glass wall lamps and chunky hand-knotted throw. There’s a soft, rounded wholesomeness to these pieces, which is gently counterpointed by the geometric patterns of the cushions, and sharp detailing of the art deco bedsides.
A large piece of art – coppery, elemental, strong – provides a striking focal point in a room filled with houndstooth and lightly stippled pear-hued cushions, linen and lambswool throws, and pale grey upholstered walls.
Just as nature ages, the pleated brass pendant lights will patina over time and develop some of the dark, rich tones present in the artwork.
Photo credit: Taran Wilkhu
About Angel O’Donnell
Since launching our London interior design studio in 2018, Angel O’Donnell has won a variety of international awards – both for our designs and for our outstanding client-focused work ethic. Our portfolio features a diverse mix of projects – from Deco-inspired penthouses and traditional country retreats to contemporary Greek villas, modular student accommodation and luxury show apartments in multi-unit developments, including the rapidly popular Build to Rent sector. And that’s what we’re all about: creating an assortment of styles that elevate, enhance and embolden every project we do. There’s no signature look. Just exquisite design and impeccable quality.
If you’d like to feature your project news here, get in touch to find out more.
As biophilic design grows in popularity (no pun intended!) so does the number of interior projects where clients request a green ‘infusion’ in their refurbished homes.
Biophilia, or the love of nature, provides a connection to the natural world and instils a sense of wellbeing through the creation of a healthy environment. The air quality in a city dwelling is said to improve, through the air-purifying potential of plants, with certain varieties able to remove many pollutants. No small feat, considering indoor air quality is often inferior to outdoor, with residents breathing in all sorts of undesirable pollution.
The Royal Horticultural Society also reports that the potential psychological and physical benefits of indoor plants include improved mood, reduced stress, better productivity, longer attention span, quicker reaction times on computer tasks, lower blood pressure and a significant reduction in fatigue and headaches. Undoubtedly, this need for repeated and sustained connectivity to nature and its positive impact on people in general, is becoming increasingly important in our busy, urban lives.
The brief then, for this penthouse perched on the River Thames, was to incorporate a biophilic aspect into the space in order to make it a restorative refuge. Other than the views, it was originally an uninspired space and the two large terraces empty and unused. With cohesive vision and contemporary furnishings, it was transformed both inside and out into an attractive and harmonious home. The copious amounts of greenery that were added, including a living wall, together make the space incredibly calm and congenial. The residence now ticks all the boxes with close proximity to work in the Wharf, whilst infusing a sense of spaciousness and serenity. Who wouldn’t want to relax and rejuvenate on a lounger surrounded by vegetation gently rustling in the breeze?
As a biophilic design studio, Oudejans Interiors feels it’s vital to live more sustainably and regularly draws upon the proven benefits of nature as a key design element to create exquisite and enduring residences.
About Oudejans Interiors
Oudejans Interiors, a leading biophilic design studio, draws upon nature, with its many proven benefits, to create beautiful, enduring spaces that engender wellbeing. Our ethos is to live sustainably, increasingly connected to the natural world. When designing interiors, we instil this organic connection to enhance clients’ lifestyles.
This week’s instalment of the Project of the Week series features a modern and functional family apartment design by 2022 SBID Awards Finalist, Bajer Sokol.
SBID Awards Category: Residential Apartment Under £1M
Practice: Bajer Sokol
Project: Black in Warsaw
Location: Warsaw, Poland
The Black Apartment is located in the center of Warsaw. It’s a 220 m2 space for a married couple with an adult child and a guest room. The owners bought the apartment that at the time of purchase was an open space, without any partition walls inside. After we were provided with guidelines for the division of rooms, we created 7 versions of the functional layout. The apartment is named Black because it was supposed to be dominated by dark colors, but in the process of selecting materials, the interior has been slightly brightened and made warmer. However, dark materials still dominate inside it. The intention was to use materials of very high quality and to equip it with the best modern furniture brands. The budget closed at around £ 2,000 / m2. The project is very detailed, and its implementation shows high manufacturing quality in many details, such as handles, joining materials or stone finishes on furniture.
The implementation took 9 months and we managed to carry it out in accordance with the schedule. Customers expected a high-quality execution and us keeping to the set deadlines. They now enjoy spending time in an apartment already put into use.
We had 7 versions of the functional design of the apartment. The clients really wanted to achieve the right balance between aesthetics and functionality, while also keeping huge windows and a view of the surrounding park, planning the rooms in a way that would not sacrifice the space. The final outcome was an apartment that was meticulously designed, where even the laundry room has hidden details proving a comprehensive approach to design.
The best thing about this project was the cooperation with the client! From the start they knew what they wanted to have in the apartment, and it was exactly the design we love. Therefore, we had no problems with the project and cooperation with the client.
The kitchen is the essence of the details in this apartment. All pieces of furniture, handles, shelves and lighting are the result of the collaboration of many contractors and our studio. Nothing here is ready made or coming from a catalog. Shelves are of 4mm veneered aluminum and the whole island, together with the fronts is made of solid stone plates, not sinter. Each handle has been designed in such a way to fit a drawer, dishwasher, refrigerator, or an ordinary cupboard. There are no visible cables or random sockets here. Wardrobes and doors are always the elements of a bigger structure of furniture. The wardrobes are embedded within large built-in panels, doors are always hidden in walls and marked only by door handles. The only doors that have a decorative function are glass Rimadesio built-in doors leading to the night area, or master bathrooms.
In 3 bathrooms of the apartment, you can see the same principle – nothing is accidental! The same stone was used on the floor, walls, or fronts of cabinets. Large format plates with planned divisions. Glass built-in furniture with hidden hinges or mounting profiles. Every visible element is supposed to decorate, be a part of the composition and not random. Equipment by Antonio Lupi, Gessi, Flos or Viega with the gunmetal or satin type finishes harmonize with ceramics and metal elements.
The SBID society is the biggest and best ID organisation in Europe, therefore, to receive an award from you is the biggest achievement for our company and a confirmation that it is of the best quality and approved by you.
Questions answered by Hanna Bajer, Main Architect, and Pawel Sokol, Architect, Bajer Sokol.
Photo credits: Tom Kurek
If you missed the last instalment of Project of the Week, featuring a restaurant design by Kotak Design, click here to read it.
Nora Chou is a luxury interior designer working on projects internationally in both the residential and hospitality industry. Focusing on creating layered moments through design, her mission is to create a sense of warmth, life and texture into her designs. Having grown her roots in Hong Kong and proceeding to live in equally vibrant cities including London and New York, she offers a certain cultural and lifestyle sensibility to the way she approaches creating interiors for her clients.
Sky and Earth is a rug collection inspired by colours, life and energy we find in the great outdoors. The handpicked palettes by Nora Chou (“Sunrise”, “Dusk” and “Terra”) encourage colours to be brought into our interior spaces.
Bring in your outdoors.
When I was first approached by Jeff, the managing director of Silk Avenue, to design a rug for their designer profile range, there were many ideas that came to mind. I find rugs often help ground a space by connecting the interior palette of your chosen furnishings or to make a new statement through colour and texture. From an aesthetic perspective it’s quite similar to how paintings interact with spaces. However, rugs add an additional softness into interiors.
Sky & Earth came to fruition during the Covid lockdown period. Inspired by the Great Outdoors, it is a rug collection that is all about bringing the colours and textures from nature into our interior spaces. From the get-go, I knew that I wanted to create a collection to include a broad range of designs that would fit within different settings whether it be a traditional country house, or a contemporary set up in a high-rise apartment. During the creative process, I found it important to create a collection that is a family of designs and a continuation of the narrative, allowing me to develop and experiment with the creative direction.
The 6 designs from Sky & Earth are captured moments that can be layered into interiors through the hand-picked palettes I have personally selected (“Sunrise”, “Dusk” and Terra”). The designs can also be completely customized to a palette of your choosing.
Silk Avenue manufactures the hand-tufted rugs in Nepal and handles all shipping internationally.
The designs from Sky & Earth are constructed of various compositions. For example, “Spring Buds” has a composition of 100% hand-tufted wool, which is great for hospitality settings and households with children. Generally speaking, wool is low maintenance, bounces back into its original state after being walked on and is typically less flammable than other fibers. The matte finish of wool also allows the colours of the rug to appear richer and deeper.
There are also other designs from the collection with a combination composition of wool and bamboo silk. – “Petals”, “Hydrangea”, “Flow Ombre” “Flow Solid” and “Dots Play”. In these designs certain areas of the rugs are accentuated with bamboo silk and raised pile heights. The slight sheen against the matte background mimics the way light is often reflected through nature and is a play on both texture and surface.
All of the designs can be customized to any size to suit your interiors. However, we do have standard sizes with the latest pricing that can be found at: www.norachou.com/collection
Send an email to [email protected] and [email protected] specifying the design, size and palette of your choosing. Silk Avenue will guide you through the process from there!
Photo Credit: Felix Speller
About Nora Chou
Luxury Interior Designer based in London with a focus on Residential and Hospitality Design. Working on projects internationally, they offer interior design services including but not limited to project management, space planning, sourcing and creating designs that are custom to every project.
Alexander Purcell, a notable British architectural designer, is pleased to introduce the Henley Collection—a sleek and nautically informed array of furniture. Inspired by the racing boats that enable one to enjoy the river, sea, or lake, the Henley Collection is perfect for contemporary homes looking for a sophisticated yet welcoming aesthetic. With its aquatically inspired designs and luxurious materials, the Henley is ideal for any modern home looking to add some flair.
The Henley collection debuted in London with the opening of the new Pavoni flagship showroom at Design Centre Chelsea Harbour on September 5. The showroom carries the entire collection, with all of the upholstered pieces customized with Pavoni’s fine Italian vegetable tanned luxury leathers.
The inspiration for the Henley is both quite personal as well as a result of Purcell’s fascination with classic boat design. In fact, the seed for the collection goes way back: In 1998 he and his teammates entered the famous Henley Regatta. His college having not won since 1962, this year proved to be different. Established in 1839, the world-renowned rowing event is held annually on the River Thames in the town of Henley-on-Thames and attracts participants from all over the world. Purcell and his eight ended up winning the extremely competitive Princess Elizabeth Challenge Cup. Celebrating that feat a few years ago as the team marked the 20th anniversary of their win, Purcell was driven to bring the aqua-dynamic forms and language of racing boats into his furniture collection and so was born the Henley.
The iconic Riva yacht also makes its mark on the collection. Purcell has always loved the luxury wooden runabout built by Italian yacht builder Riva. The shape, speed, beauty, and craftsmanship of their namesake boat, produced from 1962-1996, earned it praise as the Ferrari of the boat world. The vintage yachts are now coveted by boat lovers worldwide.
With the new Henley collection, the formal nods toward the shape of oars and rowing boat hulls, as well as the elegant silhouettes of the Riva boat are obvious. It all started with the chair arm and its upholstery detail—the rest of the array was built off that one detail with the goal of creating pieces that can be enjoyed both functionally and visually. The collection launches with four designs:
The Henley Collection is available now at fine to-the-trade showrooms in the U.S. including B. Peterson in Palm Beach, De Sousa Hughes in San Francisco, Dennis Miller in New York, MOD in Denver, Thomas Lavin in Los Angeles and Laguna, and Paul+ in Atlanta. For more information on the Henley and Alexander Purcell, please visit atelierpurcell.com
Cover image: Henley Dining Chairs & Henley Rectangular Dining Table
About Alexander Purcell
Alexander Purcell is a British designer, based in London and LA with soon-to-open offices in NYC, and a multi-disciplinarian practitioner of industrial design and architectural interiors with his namesake firm as well as the designer of a line of furniture and lighting under the Atelier moniker. Purcell studied architecture at Cambridge University and worked for the iconic Richard Rogers Partnership before going solo in 2009. He quickly became known for elegantly stylish residences and hotels around the world before adding furniture design to his portfolio by collaborating on products with Holly Hunt, Promemoria, Link Outdoor, and De Castelli, among other luxury brands.
Continuing to expand on its contemporary design offering, sofa.com is delighted to introduce its AW22 collection to a trade audience.
Comprising of four new designs across upholstered seating catering for a range of design specifications across commercial and residential projects. The collection includes the new hero range, Tiffany, a vintage-inspired armchair, Shelby, and two new stylish dining chairs, Lola and Piper all available in 75+ fabric options as well as COM to create bespoke options to allow designers breadth of choice.
Inspired by modern renaissance design – a trend which integrates contemporary shapes with classic detailing to bring together refreshing pieces with a sense of refinement, glamour and a touch of charm from the Art Deco era – each piece incorporates an element of pleated stitching which unites the new look across the collection.
Also including expansions upon two of sofa.com’s bestselling designs, the Larsen armchair and Teddy chaise join AW22. All-time favourites in the sofa range, these pieces offer a more traditional aesthetic to cater for a variety of residential projects.
The new colour palette for the season includes velvets in warming autumnal tones – vibrant oranges, forest greens and salmon pinks – alongside a range of weaves in pared-back neutrals and subtle blues and greens. These palettes will help create differing interior styles from modern luxe to a more organic, minimalist aesthetic.
Speaking on the collection, trade development manager Laura Tarratt comments:
“Seating is at the core of this collection and we wanted to ensure each sofa, dining seat or armchair would stand alone as a beautiful, functional residential piece but also work to create a statement within restaurants, bars, office meeting room or set the scene in a hotel lobby. The continued expansion of our dining collection has proven popular with sales increasing season upon season. We also wanted to ensure we weren’t compromising on comfort or style, and have focussed on ensuring optimal dimensions and fillings to create the ultimate design combination of ergonomically sound and elegant. Boasting over 75 fabrics and the option to upholster all pieces in COM, our in-house team can fulfil any project brief becoming a one-stop shop for our growing interior designer clientele base.”
Handmade-to-order in just 4-6 weeks – now available online and in store.
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