The Sustainable Design Summit (SDS) brings together brand owners, designers, and trusted suppliers from across cruise, hotel, and aircraft interiors to cross-pollinate ideas alongside leading sustainability experts.
Taking place on 29 November 2022 at The Brewery London, SDS is the first event of its kind to unite these three sectors to discuss sustainability as it dominates conversations and market drivers.
In just one day, delegates will gain actionable insights from the panels of experienced practitioners, discover a showcase of intrinsically green products, and come away with a framework for tangible steps to take into their next interior design project.
Sustainable Design Summit tackles the biggest challenges of designing sustainably head on; their crucial plenary Pitching to Stakeholders: How to Hold a Conversation About Sustainability unites the decision makers of all three sectors, including Bryan Liska, Director of Design Caribbean & Latin America Hilton Hotels, Thomas Westergaard, Consultant at Hurtigruten Expeditions sand Tasha Jackson, Sustainability Boeing.
Chatham House Rules will be in place for sector specific breakout sessions, where each sector can frankly and openly discuss the unique challenges of designing sustainably for that sector, the niche governance informing sustainability progress in that sector and what the delegates as brand owners require from certification societies and the supply chain. View the full Agenda here.
The onsite product showcase will be displaying the most forward-thinking sustainable products across the aviation, cruise, and hotel interiors industries. The products were selected with a keen eye on energy efficiency, weight saving, re-cycling and reusing, and reducing carbon footprint. Thought-provoking products include lighting company Cristallux and their zero waste, 100% recyclable alternative material Alamar and Continental’s breathable upholstery material, including the VyP Coffee range created using spent coffee grounds. Aviation specialists Anker will be showcasing their AIRlight ECO surface material made with 100% recycled yarn while Volume Creative will give a glimpse into Spared, a creative service that turns waste destined for landfill into beautiful objects.
Ahead of Sustainable Design Summit, speakers revealed what they were most interested in learning and sharing with the delegates. Alan Stewart, Company Director at SMC Design highlighted his desire for sustainability guidance from classification societies and collaboration with IMO, ‘In order to be truly sustainable, we need to have some type of guidelines in place. There needs to be some sort of classification to allow us to understand just how sustainable products and materials are before we design with them. We’d also like to welcome working with classification societies and receive guidance from them on sustainability.’
Meanwhile Thomas Westergaard, Consultant, Hurtigruten Cruises expressed interest in hearing from how other brands were including sustainability in their value propositions. He wanted to see how ‘important is it for companies to attract not only tomorrow’s travellers, but today’s travellers.’
Speaker Luke Pearson, Co-founder and Director, Pearson Lloyd, said of seeking cross-disciplinary solutions to sustainable design questions, ‘Working in a multidisciplinary studio, across lots of different fields, we regularly find that we’re able to take good ideas from one area and apply them to another. Ultimately, that approach is the one we’re going to have to take if we’re really going to solve this problem, because we have very little time to solve it.’
Book your pass today to collaborate with leaders of the cruise, hotel, and aircraft interiors sectors on shaping the future of sustainable interior design.
Our curated calendar of key industry networking opportunities and events for the interior design community features annual trade shows, exhibitions, conferences and design festivals, as well as the latest CPD training, talks, and online webinars.
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Siminetti has announced a partnership with Plastiks, whose mission is to connect people around the world to fight global plastic pollution. Plastiks is a recovery-guarantee marketplace that enables sponsorship of projects in a new initiative to help reduce plastic waste in the environment. In line with its ethos to produce products that are sustainable and natural, Siminetti, is working with Plastiks to prevent plastic waste from invading the oceans, while improving the quality of life of local communities involved in collecting plastic.
Siminetti works with the world’s leading interior designers, architects and private individuals to offer Freshwater and Saltwater Mother of Pearl luxury mosaics and decorative panels in a range of colours, styles and patterns. Their Saltwater pearl is sourced from Pacific communities who depend on sustainable relationships with ocean lagoons; the shells are a bi-product of the food and pearl industry, which Siminetti sources directly, using shells that would otherwise be discarded.
Under the Plastiks initiative, for every m2 of Siminetti product sold, a kilo of plastic will be recovered from the ocean, which provides communities with additional income, while creating a circular economy model, around recycling the ocean harvested waste and upcycling it into new products.
Plastiks launched earlier this year as the world’s first utility NFT dedicated to revolutionising the fight against plastic waste. Each NFT created uses data to certify that a corresponding amount of plastic has been recovered, thus ensuring that it does not end up in the environment.
Siminetti has chosen, via Plastiks, to specifically support the Second Life project; a social enterprise in Southern Thailand that teams up with coastal communities to collect plastic waste from the sea. The objective is to provide those communities with additional income, while creating a circular economy model, around recycling the ocean harvested waste and upcycling it into new products. It’s known that plastic can have many lives beyond the single use given to it and that’s the goal of Second Life project, which aims to maximise social impact by engaging in geographies where waste infrastructure is underdeveloped.
All of these environmentally beneficial investments are showcased using Plastiks’ Sustainability Dashboard, a real time view of plastic recovery that clients can view via the Siminetti website. Clients will receive a certificate that provides information about the amount of plastics recovered by the project on their behalf.
Simon Powell, CEO of Siminetti, said: ‘Our collaboration with Plastiks represents an additional and powerful step in our joint goals of sustainability and regeneration. In conjunction with Plastiks and our chosen project, Second Life, we have a unique opportunity to reveal the value of plastic, share this with our clients and together make a direct impact in the effort to stop ocean plastic pollution.
The NFTs allow our clients to directly contribute to the global fight against plastic waste and improve the lives of the people on the ground. I am immensely proud that Siminetti is able to work with these groups through this fantastic project’.
Andre Vanyi-Robin, CEO of Plastiks, said, ‘We’re delighted that Siminetti has chosen Plastiks to help it lead the way in sustainable living and plastic recovery. We hope to expand our network of companies across the globe who are dedicated to reducing the amount of single-use plastic ending up in the environment, while enabling them to demonstrate to their stakeholders that they are fully committed to tracking, measuring and fighting plastic waste’.
Siminetti is committed to the climate action agenda and this initiative with Plastisks allows them to address plastic pollution as part of their sustainability journey. The company will now have its positive footprint recorded and openly available in the marketplace, to be shared with its customers and the global community.
About Siminetti
Siminetti was founded in 2010 and works with some of the world’s leading designers, architects and private individuals to offer freshwater and saltwater pearl, mosaics and decorative panels in a range of colours, styles and patterns. Using only the finest freshwater and saltwater pearl from around the world, Siminetti is proud of its ethical credentials, ensuring they meet strict ecological standards and are sourced from sustainable, farmed locations wherever in the world they are grown.
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Considering the fact that carbon emissions from buildings and construction constitute almost 40 percent of global carbon emissions, knowledge of a building’s environmental impact is becoming key to enable the construction industry to work towards the necessary green transformation. Accordingly, a number of states have already established national lifecycle carbon limits for new or public buildings. Some states require carbon reporting as a minimum standard, while others have generally enacted more stringent requirements for new construction projects.
Environmental Product Declarations (EPDs) are considered by the European Commission as a suitable means of evaluating the sustainability of a building since the materials and products used in it significantly determine a building’s impact on the environment. In order to provide its customers with transparency regarding the ecological footprint of its products, the sanitary brand GROHE will release EPDs for 18 product groups that cover more than 600 single products by the end of October. The first batch, published at the end of July 2022, includes basin and kitchen mixers, thermostats, and shower rail sets. A second wave will follow by the end of October 2022 and will comprise special fittings, hand showers, installation systems and flush plates.
“With the launch of EPDs for a wide range of our portfolio, we offer our customers easy orientation and transparent comparison options with regard to the life cycle assessment of our products. On this basis, they can make informed statements about the environmental impact of buildings, which is often a cornerstone for sustainability certifications such as DGNB, LEED or BREEAM, or even a prerequisite for new building permits in many European cities. With increasing pressure on the construction industry to make buildings ever more sustainable, information of this kind will be a selection criterion for products in the future, on a level with price, design or quality,” says Jonas Brennwald, Leader, LIXIL EMENA.
An EPD is a comprehensive, independently verified, and registered product pass. It reports transparent and comparable data on the environmental impact of a product’s life cycle (Life Cycle Assessment). The life cycle is considered from the extraction of raw materials through to production then the use phase to disposal, including the impact of the individual transport routes. Tomas Kvillström, Leader, Commercial Regulation, LIXIL EMENA underlines how important it is to analyze a product’s entire life cycle: “We also looked at the usage phase, which has sometimes been neglected by the industry in the past. The long use phase of our products is the main driver for water and energy consumption and therefore a crucial piece of information for building management companies and hotel operators in particular. However, this knowledge is not only elementary for our customers, but also a good benchmark for us to further increase the sustainability of our value chain and products.”
Environmental Declarations are based on the international standard ISO 14025, and with regard to the construction industry EPDs are particularly based on EN 15804 for construction products, services and processes.
Today, the focus for sustainable product requirements is primarily on Global Warming Potential (GWP). Through the collection and validation of EPD-relevant data, GROHE is striving to develop increasingly low-emission product strategies in the long term while continuously improving its own carbon footprint. Potential for improvement could be identified, for example, in aspects such as sourcing materials closer to the plant or strengthening GROHE’s approach to green transportation. Since 2020 all eight LIXIL fittings plants, including the plants in Hemer, Lahr, Porta Westfalica (all Germany), Albergaria (Portugal) and Klaeng (Thailand), along with Jiangmen
(China), Danang (Vietnam) and Monterrey (Mexico), where GROHE products are also manufactured, as well as the German logistics centres, are CO2-neutral. In 2021, the European outbound logistics became CO2-neutral. All fittings plants and German distribution centers have switched to green energy. The collected EPD data shows CO2 peaks and can therefore support the goal of further avoiding and reducing emissions, and also in turn minimize the share of compensation to be paid. As a brand in the LIXIL portfolio, which is a Japanese manufacturer of pioneering water and housing products, GROHE’s efforts contribute to the corporation’s goal of achieving net-zero carbon emissions by 2050. “To preserve our planet, we need to change the way we create our built environment. We welcome EPD as the industry’s ‘new normal’ to foster the transformation towards low environmental impact and low energy consumption projects. They are the prerequisite for sustainable, future-ready building concepts,” says Jonas Brennwald.
Cover image: GROHE Eurosmart Kitchen – Cradle-to-Cradle Certified Gold Level
About GROHE
GROHE is a leading global brand for complete bathroom solutions and kitchen fittings. In order to offer “Pure Freude an Wasser”, every GROHE product is based on the brand values of quality, technology, design and sustainability. Focused on customer needs, GROHE thus creates intelligent, life-enhancing and sustainable product solutions that offer relevant added value – and bear the “Made in Germany” seal of quality: R&D and design are firmly anchored as an integrated process in Germany. GROHE takes its corporate responsibility very seriously and focuses on a resource-saving value chain. Since April 2020, the sanitary brand has been producing CO2-neutral* worldwide. GROHE has also set itself the goal of using plastic-free product packaging by 2021.
In this week’s interview with SBID Awards Product Design judge Co-Founder & Director of Accouter Group of Companies, Stella Gittins discusses the power of design, Accouter’s journey towards becoming a B-corp and talks about the increasing consumer focus on the ethical and sustainable sides of business.
Design has the power to influence the future, whether that be through innovation, sustainability impacts or the drive for change. Design has the ability to re-imagine what we think we know, and for me, the power of good design is the unity of beauty and functionality. It is courageous in its input and modest in its output, and good design is never out of fashion.
As a future-focused collective, we realised how much difference we could be making on eco and social levels. The first lockdown taught us that even taking small steps to make a change will eventually lead to a more significant impact on healing the planet. Becoming more eco and socially conscious for many in the team was an essential drive for change. So instead of sustaining and maintaining our performance, we prioritised plans to regenerate and commence a never-ending journey towards ‘sustainability’.
According to Forbes in 2021, “Generation Z (’97-’12) along with Millennials (’81-’96) are more likely to make purchase decisions based on values and principle.” Therefore, commercially we must also be future-proofing ourselves as an industry as the more sustainably conscious generations start to hold the purse strings. Obtaining our B Corp accreditation through initiatives with our teams, customers, supply chain, the wider community and by being transparent and accountable will undoubtedly build that critical trust factor within our business and clients for the future.
We have lived through, and are still living through, a significant period of re-adjustment that brings a new meaning to and re-orientating our life perspectives. Affiliation with nature and well-being has become a fundamental concept in our way of life. So much so, we have already noticed this drive for change in how we can design a space that incorporates elements for a positive mental and well-being outcome.
Likewise, sustainability is a key focus for industry development. I recently read that 22 million pieces of furniture are thrown away every year in the UK. The shocking stats made us think, “we can do better.” Customers increasingly want a product sourced from ‘responsible’ suppliers and are interested in full traceability on the supply chain offering ‘responsible’ products. Much like our clients, we are investing in the future. Our dedicated ‘Eco-Warrior’ team are directing their efforts on measures that deliver the biggest impacts, with an emphasis on minimising any destructive environmental impact.
Increasingly, we are actively educating our supply chain on the B Corp Movement. Although we have just started this journey, we are actively on a mission to collect data from our supply chain and environmental credentials of the products we are procuring, intending to deliver on our ambition to source 100% from responsible suppliers.
Launching this year, we will use the Environmental Icons to badge products within our BoxNine7 Curated Furniture Packages service and Bazaar’s e-commerce range. The Environmental icons cover everything from ethical design, FSC Timber and fillings to recyclable packaging. Not only does this influence our design process, but it provides our clients with clarity surrounding terminology and confidence in what they are buying. Our new badging process will assist in educating us all, and over time we are looking to achieve 100% traceability across the AGC collective.
My advice would be not to hold back in your entry and share as much as you can about your project. We have been on such a journey the last couple of years, and we need to celebrate the successes we’ve all had during this time!
Questions answered by Stella Gittins, Co-Founder & Group Director, Accouter.
Stella Gittins is the Co-Founder of AGC, London’s fastest-growing portfolio of international award-winning Interior Design companies. Creating the benchmark in luxury living, the Accouter Group of Companies which is home to Accouter Design, A. LONDON and BoxNine7, delivers world-class interior architectural and furnishing services to the global property market and private clients. With 15 years of experience mentoring and directing diverse teams within the field, Stella has spent 7 years building AGC which has been voted one of the best places to work in property on multiple occasions. Taking a lead creative role for the Group, Stella is responsible for all aspects of brand and design and has published four bespoke publications that discuss every corner of luxury life.
The modern and contemporary furniture brand, Viva Lagoon has recently launched a range of new furniture lines that will help customers maximise their outdoor space and create a stylish and sustainable escape in their own garden.
Viva Lagoon are the retailer of a range of high-quality garden furniture brands that have continued to launch new and exciting lines this season. Existing brands include Vincent Sheppard, Talenti and Gloster, who have launched their Lento, George, and Saranacc collections, respectively. In addition, the online retailer has started supplying new brands such as Isimar, Vondom, and Diabla.
These exciting new brands that have been added to the Viva Lagoon roster all share a similar passion for sustainability, which is a theme that permeates through the luxury retailer’s business. For example, Diabla use 100% recycled and recyclable material in their Galvanized steel and aluminium products, as well as Vondom who use their unique ‘Revolution’ material which is made from recycled plastic from the Mediterranean.
New technology in furniture manufacturing has led the way for Viva Lagoon’s brands to prioritize the environment at all stages of their production process. With advancements that allow manufacturers to develop new, sustainable materials and recent technological innovations, brands have been able to repurpose and give a second life to pre-used plastic products that would have otherwise ended up in landfill.
Viva Lagoon carefully select brands and products that fuse contemporary and traditional, with functionality and durability at the heart of everything they do to provide the best quality products for their customers possible. The beautifully crafted and timelessly elegant furniture pieces are revolutionising any pre-conceived notion of what garden furniture is and looks like. Each of Viva Lagoon’s brands have created show-stopping products in sublimely sophisticated designs that make garden furniture look like indoor furniture without compromising on weatherproofing and durability.
Popular new collections include the timeless leaf collection from Talenti that includes luxe leather and velvet scatter cushions for outdoors, plus tabletops and dining tables that feature the brand’s signature compact laminate that comes in a range of attractive colours and textures. The brand has also recently launched their Reef Sunbed and exquisite George Collection.
Kheira Benchekor, managing director at Viva Lagoon says, “Over the past year our existing furniture brands have launched some beautiful collections that are shaking up what typical garden furniture looks like and brings a sustainable spin to traditional designs. We’re also thrilled to be working with new brands, Vondom, Isimar and Diabla, who all come from Spain and share our mission of creating beautiful and functional garden furniture. We can’t wait to see what else they launch over the coming months.”
To find out more about Viva Lagoon and shop their new arrivals, visit www.vivalagoon.com.
About Viva Lagoon
Viva Lagoon was started by Kheira Benchekor and Edmund Eldergill. Kheira has a passion for good design and over twenty years experience in the modern furniture industry. Edmund is a perfectionist and brings attention to detail and a resolute desire to make the good better. Lagoon is committed to offering for sale contemporary furniture that exhibits the best in modern design. It is equally committed to dealing with customers and suppliers fairly and ethically.
Riviera Home UK are a subsidiary of Rivera Home furnishings, a world leader in the manufacture of luxury quality textiles. Specialising in broadloom carpets and rugs for the UK market, they offer a unique twist on luxury naturally sustainable and ethical floorcoverings.
Our ethos and style of the brand at Riviera is all about function, suitability, sustainability, inspiration, fashion, and exclusivity. Our products include innovative flat woven collections, tufted wool loops in solid dyed and heather blends along with blended fibres such as Tencel and Bamboo. Our carpets and rugs are textured using plain, natural colour shades to easily fit in with today’s residential environment. The styling of Riviera Home’s carpets works beautifully with many on-trend colours and interior schemes. We want to be different from the mainstream and this is one of the main reasons we work so successfully with interior designers, offering their clients something which is unique to them.
Riviera Home began as a family-run business, with the first generation of the Singla family selling cotton fabrics from their own shop in India’s historic city of Panipat. In 1984 the third generation of the Singla family members ventured into the export of handcrafted products and earned the Gold Medal award from the Handloom Export Promotion Council. The UK office opened in 2013 and we are proud to be running our UK sales and stock operation from the home of carpets in Kidderminster, Worcestershire.
The origins of the brand are embedded in design for functionality with style. At Riviera Home, we spend a great deal of time working on textured carpets in different effects, styles, options to offer something different and exciting to an interior design project.
We use soft, subtle, and natural colour shades which work fantastically well as a foundation base for a new interior design scheme along with the security of high-quality manufacturing in both handmade and machine techniques.
Relationships and developing strong trading partnerships are very important to Riviera Home, working very closely with interior designers who we encourage to work with our national network of professional flooring retailers (authorised dealerships), all of whom are highly skilled and experienced in floorcoverings and who can support them with handling and fitting of our carpets. This relationship is supported by our national network of sales professionals and our dedicated team working Riviera Home’s Head office.
We work with designers by utilising a professional display sample box which has a backup sample postage service. We also have a nationwide sales team which can connect, meet, discuss, and help where needed to maintain a constant dialogue and ensure we meet evolving project needs and requirements.
At Riviera Home, we can convert all our ranges into bespoke rugs available in the size of your choice. Utilising your choice of tape, finish, texture, colour, style, whether you’re utilising a wide border to compliment or contrast or discreet blind stitching for a unique finish. This service is hand-finished and offers endless options and flexibility. We provide the highest quality products and manufacturing processes, combined with knowledgeable sales staff.
Examples of recent installations are proudly posted on our Riviera Home Instagram page (rivierahomelondon), and we really value the support from all our partners. There is a consistent social media output to help further connect, present, and represent new design ideas and styles available.
Our products and services add huge value to an interior designer’s project by utilising carpet floor coverings and unique design solutions which are design-led, soft, hard wearing, and fashionable along with the greater exclusivity offered by the brand.
There are also a number of completely eco carpet ranges which utilise renewable materials and sustainable manufacturing techniques to create carpets which are biodegradable. We see the use of sustainable manufacturing increasing in the future as we all become more responsible towards our planet.
We see the latest trends heading towards a more natural style and look with renewable materials such as wool continuing to be important for warmth, wear, softness, and security.
We also see a return to some of the softer colours coming through in natural cream and champagne colour shades, along with some stronger sand shades to work with bronze and brass tones are becoming fashionable.
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About Riviera Home
Riviera Home is at the forefront of the design and manufacture of traditional handloom and contemporary luxury broadloom carpets and bespoke rugs, aimed at the premium end of the market. We are always looking to stand out from the crowd and to have a unique point of difference in the market. We will be showcasing all our products, including new range introductions at the very popular Design Central Luxury Interior Shows held in March and September each year.
In this week’s interview with SBID Awards Interior Design judge, Chief Executive at the Design Council, Minnie Moll discusses how the interior design industry can work towards combating climate change and the importance of good design, sharing details about the Design Council’s mission toward more sustainable design practices.
Good design makes life better. It makes things easy, attractive, comfortable, beautiful. And often inspiring and joyful. You don’t always notice good design. It’s bad design that gets noticed because it doesn’t work, or it’s ugly. Good design is inclusive design and people centred.
The climate crisis is the biggest challenge of our era. Design has been part of what got us to this place and it has a critical role to play in achieving net zero and beyond. Our Design for Planet mission seeks to support and galvanise the 1.97 million people in the UK design community to put planetary concerns at the heart of their work. Design shapes the world we live in, and designers have huge power and responsibility to use design as a force for good.
It starts with the brief. Give the planet a seat at the briefing meeting and make sure planetary needs are considered. Being informed and intentional about use of materials – hard to keep up to speed on this I know. Thinking in a circular economy way. How long will this last? Can it be modular and easier to fix/update/refurbish? Understanding the supply chain and sustainability implications of all the elements of a proposed design.
The interior design of the places we live and work has become even more important since covid. We understand even more how important it is for our homes to be a sanctuary – a comfortable and relaxing place to be. And in a hybrid world our workplaces need to be attractive, enjoyable and magnetic places that colleagues want to come into. In both instances great interior design can be sustainable and attractive and aspirational.
If design shapes the world, then the design of the spaces where we live, work and play has such potential to shape how we interact with each other, and how we feel. It can inspire and bring joy. These exciting and high profile awards are a chance for the best design to shine so it’s important to showcase the value your entries provide and explain key design considerations clearly.
Questions answered by Minnie Moll, Chief Executive, Design Council.
Design Council’s purpose is to make life better by design. They are an independent charity and the government’s advisor on design. Their vision is a world where the role and value of design is recognised as a fundamental creator of value, enabling happier, healthier and safer lives for all. Through the power of design, they make better processes, better products, better places, all of which lead to better performance.
United by their common heritage of sustainable brand values, craftsmanship and industry-leading design, GROHE and Mosa are partnering to celebrate the return of Clerkenwell Design Week (CDW) with a series of events that showcase the movement towards a sustainable, circular future.
The companies will host a programme of talks, CPDs and gatherings at the Mosa showroom on St. John’s Street in the heart of the Clerkenwell design district. The highlights include an exclusive evening with Cradle-to-Cradle founder Prof. Dr. Michael Braungart, talks exploring ways in which industry forces can incorporate circularity into their projects, and a spectacular conclusion of the week with a closing party celebrating Mosa and GROHE’s Cradle to Cradle Certified Gold achievements.
Register to attend
In this week’s interview with SBID Awards Product Design judge and Associate at SHH, Tony Duesbury discusses the nuances of designing for commercial and residential spaces. He shares his insights on designing guest experiences and how hybrid ways of working are changing the interior design scene.
Every hospitality project is unique and a distinct design narrative allows the opportunity to curate a guest experience. Interior design can help generate interest by creating “a narrative” that helps people engage with the space and learn more about where they arrived creating a ‘sense of place’. This placemaking curates the experience and makes the guest experience more personal.
We have done this in a recent brasserie where the details of the wall panelling took inspiration from the 1970’s façade of the building that was removed, enabling the staff and guests to talk about where the interior inspiration came from. This design curation helps discussion and the engagement between staff and customer to enable a unique personal experience.
Our priority when considering the future of the built environment is to look at all aspects of the environmental issues that may affect a particular project and determine what best fits the project. Whether it is creating more greening, checking the carbon footprint of materials procured or considering the MEP to be implemented. As a first step towards achieving that we will look into forming collaborations with consultants and suppliers who have a relevant approach that is beneficial to the process. We will look at individual suppliers and the principles they have in sourcing and manufacturing their materials. Buying local materials and finding unique local craftsmanship within the project vicinity is obviously a huge consideration in order to reduce the transportation carbon footprint.
The selection of materials will be different when it comes to addressing a residential project compared to a commercial project. This is due to two aspects, firstly, cost is a huge factor in. Residential schemes are led more by the heart, whereas commercial projects are led more by the purse. Secondly, it’s about the traffic of a space. Residential schemes can have more luxurious materials that don’t need to take the same wear and tear that commercial projects do. The high footfall in commercial projects, however, means that the durability of the base palette has to have longevity and accents that are easily replaced can have that more luxurious touch.
This is something like everyone we have been keeping an eye on as it is an evolving discussion that has yet to settle and likely to be a debate for years to come. Most recently the hybrid way of working has changed by introducing more technological elements that enable a seamless change from working at home and then back in the office. The largest shift is really going to be about creating staff retention by giving those unique offerings within the public office space to engage people to want to be in the office. For instance, in a recent project we have been looking at weaving in the local community and creating more opportunities for social interaction. Additional opportunities for offering amenities within communal space benefits peoples busy life styles and will have an increase in staff retention. As well as a way of attracting new talent.
My advice would be to remain very concise about their design proposal and communicate all aspects of the idea, story and design detail as clear as possible. It is important that the descriptive narrative conveys the same message as the visual design and both are coherent with each other.
Questions answered by Tony Duesbury, Associate, SHH.
Created in 1991 by David Spence, Graham Harris and Neil Hogan, SHH is an award winning Chartered Architectural and Interior Design practice working globally and based in London. SHH is vastly experienced at working across sectors – Residential, Hospitality and Commercial, and across disciplines – Architecture, Interior Design and FF&E. We offer a multifaceted, entirely bespoke design service, focused around achieving the best possible end result.
We are all increasingly aware of the importance of sustainability in every aspect of our lives – and lifestyles. Sustainable development in design is no exception. So, we asked the team at Mark Taylor Design to discuss this further:
The concept can be interpreted in many different ways. But we like the clarity of the Brundtland Report’s definition: “Sustainable development is development that meets the needs of the present, without compromising the ability of future generations to meet their own needs.” To achieve this, planning and preparation is key. Accordingly, we are seeing a huge demand for sustainable design services, as more and more clients prioritise sustainable development goals for their homes.
There are many reasons why sustainable development/design has become so important. First and foremost, it helps to lower negative impacts on the environment, and improves building performance. It minimises waste. It improves the value of your property – and, crucially, creates a healthy and productive environment. The COVID-19 pandemic has certainly shone a spotlight on the importance of being more thoughtful about ourselves and our environment. It has also transformed how we view our homes – and what we want from them. Fortunately, this sea of change has coincided with an increase in the quality and quantity of sustainable designs available, both inside and out.
The events of the past 18 months or so have had a profound effect on home design. There’s no doubt we have changed the way we live – and the way we want to live. After all, they say that necessity is the mother of invention. “I think that people have learnt to become more self-sufficient, largely because they have had to!”, explains our director Mark Taylor. “People have also reallocated their budgets. Foreign holidays might not have been possible, yet renovations have skyrocketed. Then, of course, there’s the working from home phenomenon. This has prompted people to use their properties very differently; this is not just in terms of adding another room or a home office in the garden.”
Working from home has definitely made us much more aware of the space we have, and how best to use it. It has prompted many people to finally get round to home improvements which have long been languishing on the back-burner. In turn, trades have become so busy it’s now difficult to get renovation projects complete without booking well in advance.
Done properly, sustainable development isn’t just good for the environment, it enhances personal wellbeing too. Spending so much more time at home and with loved ones during the pandemic has led to a marked recalibration of priorities. Many people have reassessed the importance of family life, health and happiness and have made changes to their home accordingly. This might include creating space to decompress, and changing lighting and colours. Another key development is the rise in pet ownership. This had led to the creation of more/different spaces in which to accommodate them, such as boot rooms and utility areas.
Sustainable development is a win for the environment, your personal and professional lifestyle – and your wallet. Updating your interiors, installing a new kitchen or bathroom, or even adding another room such as a properly insulated orangery, can all add significant value to your property. Before you proceed, however, it’s important to identify your key objectives. For some people, a sustainable design project is all about ‘opening up’ existing space. For others, the priority is to create more rooms, to accommodate multi-generational living and working from home. Design professionals can best advise how to do both, for example, by creating hidden break-out spaces, sliding doors, and so on.
Many synergistic elements combine when creating and implementing a successful sustainable development interiors project. These include factors such as size, location, layout, insulation, lighting and energy. The use of sustainable materials has also become increasingly popular, as clients become more aware of the environment and climate change – which has been hugely publicised throughout the pandemic. With so many of us working from home over the past 18 months, there was a considerable decrease in global emissions. This in turn has made us all question what else we can do to help. Popular design trends include carpets made from recycled plastics, concrete work surfaces, large sheets of recycled ocean plastics converted into work surfaces and wall coverings, and eco paints.
Graphenstone has a great range of ‘green’ paints and coatings. This eco-friendly range of products includes natural elements that help to purify the air we breathe inside our homes. It’s recommended for indoor enclosures, hospitals, nurseries, retirement homes, hotels, environments and rooms for babies and children. It’s also suitable for people suffering from chemical intolerances. Their paints even help limit pathogens derived from Sick Building Syndrome and prevent the growth of mould, fungi and bacteria.
High quality, recycled and recyclable plastic is another sustainable material we are incorporating into many of our new kitchen designs. The Good Plastic Company aims to transform waste into beauty. In fact, its unique technology re-uses up to 75% of existing types of plastic. It uses post-industrial and post-consumer plastic waste to create stylish, modern wall panels, shelving and storage.
Looking ahead, we think sustainability will continue to be a key theme within home décor. Recycling has become far more popular and prominent. Many people are now thinking of clever and unusual ways to upcycle and recycle, in order to minimise waste and be kinder to the environment. We also think smart homes will go much further than simply featuring stand-alone devices. They will provide greater insights into energy use that will allow us to become more energy-efficient and mindful of ecological factors.
All the senses will become increasingly important. Clients are becoming more conscious of how sound, textures and lighting affect mood and productivity. It was interesting to see that designing for wellbeing was a common theme at Decorex. We noticed nature and biophilic design principles have inspired many companies and brands. Wallpapering a whole room – as opposed to a token feature wall – seems to be back on-trend. Also, beautiful texture wallpapers are now featuring eye-catching pops of colour. There is definitely a shift towards warmer and more welcoming textures and patterns. Gone are the days of grey schemes. Colour is definitely back and here to stay.
About Mark Taylor Design
Mark Taylor Design is a British manufacturer of superlative bespoke furniture, cabinetry, specialist joinery and Interior Design. Our passion is to make spaces work – to create extraordinary spaces which are as personally relevant to their users as possible.
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